Beautiful. Stunning, and beautiful. All my life, I have been drawn to Rock, Blues Jazz & Soul music. I have been drawn to classical music only recently. All music is the language of the world. Listening to classical music, is like listening to music for the very first time.
Th is sarabande (like every Bach piece) has its own particular mystery. I don’t know how a MINOR piece can sound so somber, joyful, melancholy, and triumphant all at once, but this does. Miracle.
I wish this particular Partita would be more played and present in auditions / competitions' repertoire. It's absolutely unique and showcases a great deal of musicianship and technique.
What a consumate artist Hilary Hahn is. Technique so perfect it's completely in the background of her emotional understanding of Johann Sebastian Bach. No one- Henryk Szeryng or Jascha Heifetz included- does it better. Thank you.
@@anonymousl5150 Yes, Cam Kjøll is also very good, and her use of vibrato is very nice. But she's a bit dry compared to Hilary Hahn, for my taste. I wouldn't say that one is better than the other- what does that even mean? We have preferences and that's fine.
Bravo, magnifique, insurpassable dans le monde réel , j'en viens presque à penser que cette magnifique interpréte joue peut-être mieux que Bach, le Grand, lui même... Sacrilège !
Many people talk about Mozart and his talent, but the truth is an empty music, too happy (except for Requiem). Bach, however, put Philosophy into everything. He is the true God of music.
Mozart is far from empty, but yes, I understand what you mean with Bach. Like Schumann said, music owes as much to Bach as religion does to its founder, and like Wagner, Bach is the most stupendous miracle in music, and for Beethoven he was the immortal God of harmony, and Rimsky-Korsakov's statement that all modern music owes everything to Bach, still, we must accept that all these views are subjective -- even if they come from the most elite composers and musicologists in all of history. The issue is, compared to the depth found in Bach, 99% of other classical music can sound trivial by default, even if it's quality stuff, like Mozart and Handel and Beethoven. Like Paul Hindemith said, any composer, no matter how gifted, takes a second place to Bach right from the start and Brahms said everything leads up to Bach, he is the terminal point.
