Hindemith: Complete Piano Sonatas

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Composer: Paul Hindemith
Artists: Maurizio Paciariello (piano)
The ‘true amalgam of ecstasy and reason’ which Glenn Gould found within Paul Hindemith’s music is abundantly evident in the three piano sonatas which he wrote fairly quickly in 1936, following the artistic success but deep personal wound created by the first performances of his masterpiece, Mathis der Maler, which was banned by the Nazis as soon as it had been heard. Inevitably these sonatas are more compact and restrained in expression, but their novel forms still enclose furious marches and impassioned laments within the wrong-note counterpoint that was Hindemith’s characteristic tone of voice.
The first is the most substantial of the three sonatas, a five-movement work inspired by a Holderlin poem. The second is more agile and delicate in form, most clearly derived from Baroque models, somewhat ironic in tone and concluding with a witty Rondo. The third is perhaps the most lucid of the triptych, in which Beethoven’s influence is writ large, from the throwaway subject of the first movement to the strenuous fugue of the finale, which is prefaced by an imposing slow movement with the tragic pulse of a funeral march.
This is Maurizio Paciarello’s debut recording for Brilliant Classics, but he has made previous recordings of repertoire from Kuhlau to Respighi. This Hindemith CD benefits from his wide study of historically informed performance values from Baroque and Classical times onwards, including teaching from Paul Badura-Skoda, and performances of Beethoven’s music on original Broadwood instruments.
Paul Hindemith’s piano sonatas span his whole creative life, and may be seen as a cycle of creative and emotional development.
Hindemith’s musical language is based on the 19-th century classics, and is imbued with his highly personal use of elements from the Baroque, polytonality and jazz. Pianistically highly challenging and virtuoso, they are true masterworks, and deserve to be played more in concerts.
Italian pianist Maurizio Paciariello, schooled by Aldo Ciccolini and Paul Badura-Skoda and Prize winner of the ARD Competition, is a champion of rare repertoire and specialist on period instruments.
Tracklist:
00:00:00 Paul Hindemith: Piano Sonata No. 1 in A Major: I. Ruhig bewegte Viertel
00:02:44 Paul Hindemith: Piano Sonata No. 1 in A Major: II. Im Zeitmass einer sehr langsamen Marches
00:10:36 Paul Hindemith: Piano Sonata No. 1 in A Major: III. Lebhaft
00:18:11 Paul Hindemith: Piano Sonata No. 1 in A Major: IV. Ruhig bewegte Viertel
00:20:51 Paul Hindemith: Piano Sonata No. 1 in A Major: V. Lebhaft
00:28:32 Paul Hindemith: Piano Sonata No. 2 in G Major: I. Mässig schnell
00:31:33 Paul Hindemith: Piano Sonata No. 2 in G Major: II. Lebhaft
00:33:51 Paul Hindemith: Piano Sonata No. 2 in G Major: III. Sehr langsam-Rondo. Bewegt
00:41:24 Paul Hindemith: Piano Sonata No. 3 in B-Flat Major: I. Ruhig bewegt
00:46:45 Paul Hindemith: Piano Sonata No. 3 in B-Flat Major: II. Sehr lebhaft
00:50:00 Paul Hindemith: Piano Sonata No. 3 in B-Flat Major: III. Mässig schnell
00:55:54 Paul Hindemith: Piano Sonata No. 3 in B-Flat Major: Iv. Fuge, lebhaft
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#PaulHindemith #MaurizioPaciariello #Piano #BrilliantClassics #Music #Composer #ClassicalMusic

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20 июл 2024

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Комментарии : 35

@BrilliantClassics 4 года назад

Tracklist 00:00:00 Paul Hindemith: Piano Sonata No. 1 in A Major: I. Ruhig bewegte Viertel 00:02:44 Paul Hindemith: Piano Sonata No. 1 in A Major: II. Im Zeitmass einer sehr langsamen Marches 00:10:36 Paul Hindemith: Piano Sonata No. 1 in A Major: III. Lebhaft 00:18:11 Paul Hindemith: Piano Sonata No. 1 in A Major: IV. Ruhig bewegte Viertel 00:20:51 Paul Hindemith: Piano Sonata No. 1 in A Major: V. Lebhaft 00:28:32 Paul Hindemith: Piano Sonata No. 2 in G Major: I. Mässig schnell 00:31:33 Paul Hindemith: Piano Sonata No. 2 in G Major: II. Lebhaft 00:33:51 Paul Hindemith: Piano Sonata No. 2 in G Major: III. Sehr langsam-Rondo. Bewegt 00:41:24 Paul Hindemith: Piano Sonata No. 3 in B-Flat Major: I. Ruhig bewegt 00:46:45 Paul Hindemith: Piano Sonata No. 3 in B-Flat Major: II. Sehr lebhaft 00:50:00 Paul Hindemith: Piano Sonata No. 3 in B-Flat Major: III. Mässig schnell 00:55:54 Paul Hindemith: Piano Sonata No. 3 in B-Flat Major: Iv. Fuge, lebhaft

@nielamiller4963 3 года назад

My favorite composer! Not many people will claim that! And I especially love his piano music. Favorite- Ludus Tonalis

@bubbaebert 9 месяцев назад

Underrated. Mathis Der Maler never tires with repeated contemplation. Thanks for the new Hindemith exploration.

@stm32Lab 2 месяца назад

In future, Hindemith becomes greatest!

@OrangeSodaKing 3 года назад

A fantastic recording!

@thetoynbeeconvector 4 года назад

"Paul Hindemith’s piano sonatas span his whole creative life." Eh? They were all written in one year, 1936.

@Roescoe 2 года назад

He was short-lived

@mikhailkrasnenker373 2 года назад

well, technically it’s not completely wrong - there is a sonata op. 17 - 1920, and the sonata for 2 pianos - 1942. of course, that leaves us almost 20 years without any, but still.

@user-xv4yn9dj8h 2 года назад

Really - Brilliant Classic! )) Thenk You very much! 👍

@andreatube1962 4 года назад

Bellissimo! Musica meravigliosa e molto ben eseguita!

@steveegallo3384 Год назад

Sensationally Brilliant.....BRAVO from Acapulco!

@alessandropelizzoli6613 4 года назад

Bella interpretazione di questi irti lavori, dove i barocchismi latenti superano, paradossalmente, la loro dimensione "trascendente" e virtualmente si assumono invece la funzione di incarnare il "trascendentale", lo sforzo superlativo di giungere, attraverso un analisi spietata compiuta dalla Ragione, ad una conoscenza del Reale, e dei suoi spietati meccanismi. Il tedium vitae decadente sopravvive in modo alternativo in queste Sonate, concretandosi in forme musicali solo apparentemente algide, in realtà colme di forza propulsiva ( e distruttiva) al loro interno. Un Dinamismo "sapiente" imbrigliato nelle pietre di un arcaico Stonehenge.

@alexisdanielvaneskeheian2127 Год назад

Maravilloso. Muchas gracias!!!!! Bravo!!!!

@joaoiudesnodari152 4 года назад

Dignificante e com expressão espiritual elevada.

@chicklyall8128 7 месяцев назад

Very nice playing.

@danielschaeffer1294 Год назад

If Satie had lived long enough to absorb modern jazz, this would have been the result. Matter of fact McCoy Tyner once claimed that Hindemith was one of his biggest influences.

@sergiomunozmusic9530 4 года назад

Una gran obra pianistica de lo mejor.

@kurtkaufman 4 года назад

I'm not familiar with Hindemith's solo piano music, and I look forward to hearing this recording. He was apparently such an accomplished pianist that he could play complex compositions after just viewing the sheet music (as opposed to practising at the keyboard).

@paulbrower4265 4 года назад

When one considers the paucity of sonatas for solo piano from about 1850 on in contrast to other works (example: Shostakovich completed fifteen symphonies and fifteen string quartets, but only one sonata for solo piano) I am surprised that these sonatas are not in the repertory.

@emilgilels 4 года назад

@@paulbrower4265 FYI, Shostakovitch wrote 2 piano sonatas. The second one is more commonly programmed, and the recorded performances (live and studio) by my Screen Name are superb. Some notable and oft-played examples from the "paucity" of piano sonatas written after the middle part of 19th century, including quite a few that are part of the standard repertoire, would include: 10 by Scriabin, the 2 by Rachmaninoff, a dozen or so by their classmate Medtner, 9 by Prokofiev, 10 or so by Myaskovsky (i looked it up: 9), as well as notable works by Bartok, Barber, Kabalevsky, Dukas, Copland, Stravinsky, etc, etc... Many composers shifted to other forms, but the piano sonata certainly persevered...

@stephenluttmann3432 2 года назад

@@paulbrower4265 Few pianists venture much outside the standard repertoire, and most of the few who do, go straight for the avant garde. A lot of that probably has to do with audience expectations: the folks who buy the tickets want their Chopin.