Paul HINDEMITH : The complete String Quartets

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1 CD
00:00:00 1. String Quartet No. 1 in F Minor, Op. 10 I. Sehr lebhaft, straff im Rhythmus
00:05:41 2. String Quartet No. 1 in F Minor, Op. 10 II. Thema mit Variationen. Gemächlich
00:15:39 3. String Quartet No. 1 in F Minor, Op. 10 III. Finale. Sehr lebhaft
00:30:00 4. String Quartet No. 2 in C Major, Op. 16 I. Lebhaft und sehr energisch
00:39:59 5. String Quartet No. 2 in C Major, Op. 16 II. Sehr langsam
00:52:50 6. String Quartet No. 2 in C Major, Op. 16 III. Finale. Äußerst lebhaft
01:00:20 7. String Quartet No. 6 in E Flat Major I. Schnell
01:02:50 8. String Quartet No. 6 in E Flat Major II. Ruhig. Scherzando
01:05:14 9. String Quartet No. 6 in E Flat Major III. Langsam - Schnell - Langsam
01:11:15 10. String Quartet No. 6 in E Flat Major IV. Kanon. Mäßig schnell - Heiter
2 CD
01:15:55 1. String Quartet No. 3, Op. 22 I. Fugato. Sehr langsame Viertel
01:22:12 2. String Quartet No. 3, Op. 22 II. Sehr energisch. Schnelle Achtel
01:26:51 3. String Quartet No. 3, Op. 22 III. Stets fließend. Ruhige Viertel
01:34:17 4. String Quartet No. 3, Op. 22 IV. Mäßig schnelle Viertel
01:36:02 5. String Quartet No. 3, Op. 22 V. Rondo. Gemächlich und mit Grazie
01:40:37 6. String Quartet No. 4, Op. 32 I. Lebhafte Halbe
01:46:23 7. String Quartet No. 4, Op. 32 II. Sehr langsam, aber immer fließend
01:55:15 8. String Quartet No. 4, Op. 32 III. Kleiner Marsch. Vivace, sempre crescendo
01:57:12 9. String Quartet No. 4, Op. 32 IV. Passacaglia. Fugato (so schnell wie möglich)
02:07:15 10. String Quartet No. 5 in E Flat Major I. Sehr ruhig und ausdrucksvoll
02:13:00 11. String Quartet No. 5 in E Flat Major II. Lebhaft und sehr energisch
02:17:16 12. String Quartet No. 5 in E Flat Major III. Ruhig. Variationen
02:25:02 13. String Quartet No. 5 in E Flat Major IV. Finale. Breit und energisch
3 CD
02:31:43 1. Overture to The Flying Dutchman Allegro con brio - Andante - Animando un poco - Tempo I - Molto animato - Im gleichen Zeitmaß weiter - Un poco ritenuto
02:39:37 2. String Quartet No. "0" in C Major, Op. 2 I. Sehr lebhaft
02:54:24 3. String Quartet No. "0" in C Major, Op. 2 II. Adagio
03:06:00 4. String Quartet No. "0" in C Major, Op. 2 III. Sehr lebhaft
03:11:50 5. String Quartet No. "0" in C Major, Op. 2 IV. Ziemlich lebhaft
03:18:08 6. Militärminimax (Repertorium für Militärmusik), for String Quartet I. Armeemarsch 606 ("Der Hoenfürstenberger")
03:21:35 7. Militärminimax (Repertorium für Militärmusik), for String Quartet II. Ouverture zu "Wasserdichter und Vogelbauer"
03:26:48 8. Militärminimax (Repertorium für Militärmusik), for String Quartet III. Ein Abend an der Donauquelle, intermezzo für zwei Trompeten
03:30:22 9. Militärminimax (Repertorium für Militärmusik), for String Quartet IV. Löwenzähnchen an Baches Rand, Konzertwalzer
03:35:10 10. Militärminimax (Repertorium für Militärmusik), for String Quartet V. Die beiden lustigen Mistfinken, Characterstück, Solo für zwei Pikkoloflöten
03:38:11 11. Militärminimax (Repertorium für Militärmusik), for String Quartet VI. Alte Karbonaden, Marsch
With the KOCIAN QUARTET
Pavel HULA, Jan ODSTRCIL - Violins
Zbynek PADOUREK - Viola
Vaclav BERNASEK - Cello
#classical #chambermusic #kocianquartet #stringquartet #paulhindemith

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Опубликовано:

8 июл 2024

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Комментарии : 11

@wignersfriend2766 6 месяцев назад

Paul Hindemith was a musical genius of the highest order, and a composer of historical significance. A true giant of modern music, and even on the verge of 2024, casts a long shadow across the musical landscape.

@Indo49 9 месяцев назад

From Wikipedia: Paul Hindemith (16 November 1895 Frankfurt am Main/Hanau - 28 December 1963 Frankfurt am Main, Germany) was a German composer, music theorist, teacher, violist and conductor. He founded the Amar Quartet in 1921, touring extensively in Europe. As a composer, he became a major advocate of the Neue Sachlichkeit (New Objectivity) style of music in the 1920s, with compositions such as Kammermusik, including works with viola and viola d'amore as solo instruments in a Neo-Bachian spirit. Other notable compositions include his song cycle Das Marienleben (1923), Der Schwanendreher for viola and orchestra (1935), the opera Mathis der Maler (1938), the Symphonic Metamorphosis of Themes by Carl Maria von Weber (1943), and the oratorio When Lilacs Last in the Dooryard Bloom'd (1946), a requiem based on Walt Whitman's poem. Hindemith and his wife emigrated to Switzerland and the United States ahead of World War II, after worsening difficulties with the Nazi German regime. In his later years, he conducted and recorded much of his own music. Most of Hindemith's compositions are anchored by a foundational tone, and use musical forms and counterpoint and cadences typical of the Baroque and Classical traditions. His harmonic language is more modern, freely using all 12 notes of the chromatic scale within his tonal framework, as detailed in his three-volume treatise, The Craft of Musical Composition.