00:00 1963 Daniel Friederich #98 Concert Model: Jule Malischke plays Palhaço - Egberto Gismonti Arr. Sergio Assad www.siccasguitars.com/shop/gu... 3:26 1965 Daniel Friederich - Arpège Model: Federica Canta plays Capricho de Goya No.1 by Mario Castelnuovo Tedesco www.siccasguitars.com/shop/gu... 7:04 1968 Daniel Friederich - Récital Model: Andrea De Vitis plays Fantasía sobre La traviata de Verdi by F. Tárrega www.siccasguitars.com/shop/gu... 11:53 1971 Daniel Friederich - Concert Model #303: Gvaneta Betaneli plays Romance by Niccolò Paganini www.siccasguitars.com/shop/gu... 15:20 1971 Daniel Friederich - Concert Model #305: Marco Bartoli plays Valseana by Sérgio Assad www.siccasguitars.com/shop/gu... 18:08 1973 Daniel Friederich - Concert Model # 368: Jessica Kaiser plays 'Collectici Intim II - La Joia' by Vicente Asencio www.siccasguitars.com/shop/gu... 21:34 1975 Daniel Friederich - Concert Model #424: Matteo Staffini plays Prelude No 1 in D minor by Francisco Tárrega www.siccasguitars.com/shop/gu... 22:59 1982 Daniel Friederich - Concert Model #549: Duo Françaix - Isabella Selder and Eliška Lenhartová playing Blau Mar by Feliu Gasull i Altisent www.siccasguitars.com/shop/gu... 32:05 1994 Daniel Friederich - Concert Model #724 Left-hand: André Simão plays Sonata romantica by Manuel Maria Ponce www.siccasguitars.com/shop/gu... 37:33 2003 Daniel Friederich - Concert Model #789: Alexander Kryuchkov plays Ballata per Elena Bellissima by Viktor Kozlov www.siccasguitars.com/shop/gu...
Excellent!!! Thank you. Friederich is pretty much my favorite guitar maker. It was sad to lose him last year. He left behind a legacy of fantastic classical guitars!
When we hear the sound of the 1965 which was his "basic" model (the Arpège) and the 1968 which was one model above (The Récital) one can wonder what they have less than the concert model! It is true that the Maestro said that he was "making experiments" with these 2 models and didn't take risks with the concert model. (Orféo magazine n°2 interview) Most of the Arpège and the Récital had Brazilian rosewood back and sides! In his catalog he stated that these woods dried for over 30 years before being used which means that in his guitars made in the 60's, the trees were cut more than 90 years ago.. In the hands of these exceptional artists, they deliver the best sound a guitar can produce. Thanks you Siccas for sharing!
I have a guitar from Christain Aubin model ROQUECAVE CENEVIERES. LOT no. 33. I have been to several Lutherans in the Netherlands. They all think it's a beautiful guitar. but no one knows this Chritian Aubin. but I think it is a special guitar. which is also worth a lot. I'm definitely not getting rid of it. it stays in the family. but is there anyone who can give me information about this guitar? Thanks in advance and looking forward to hearing from you, greetings Peter Lenior
Julie plays the lovely Gismondi piece very sweetly - thoughtful, emotionally engaged. The guitar is very fine supporting her - but, is there something amiss w/ the audio engineering? Artificial echoes? Brava, Federica - another impressive interpretation; one can almost see Goya's visions, tempered by a kind of empathy for humanity in your playing. Still - something odd in the audio... OK, I'll shut up & just listen. Thanks to all.
Sometimes you don't know whether you are hearing the sound of wood or crystal. I wonder if Daniel's knowledge was passed on to the next generation. Did he have apprentice worked with him?
