How Innergate Artists Make Hard Techno Kicks (feat. LS41) 

For Highpass automations on Kicks i Use Simplon Filter From Pro Q, it cuts at 5hz on the lowest point.

sorry but they say some pretty false things...low mids and bass must be very stereo to have a fat mix...only the sub must be mono...and it's a serious mistake on the contrary to have the high frequencies very wide... in fact, this is where a lot of transients are generally located (click of the kick, hi hat etc), so if it is very wide, it is to the detriment of the punch and the feeling of dynamics

i second this!

Whaaaaat nice Tipp huuuuge u got more artists like him?^^

@@mikeM-yl6kq try dnns

Thanks man! We appreciate that

Thank you! Was fun :)

Thanks, I tried my best ❤

We're happy the video is understandable despite the complexity of the remix project :)

Maybe someday :)

Basically clipping

and don't forget to clip at the end.

Not everything has changed since your prime - FL Studio still likes to crash! :D

Notes taken

You can do the same stuff in FL if that's what you mean

No, the "basic kick" creation is not covered here :)

Thank you for watching =)

Dreams come true sometimes xD

@@MarcinRajski-

Yeah, that's why I uploaded it so early haha

We might do some tutorials in the future, if you want. Making a kick from scratch, it might just be a very long Video haha

@@shmam7523 Yes would be great, even if it will be a long video, you can cut in some parts, btw would very interesting so we can follow very well all your process.

@@laeshmusic3173 Would you like to watch Sam and Lukas from LS41 to make such a kick from scratch? I'm asking because I can try to copy/remake their approach in kick sound design (which can result in a more digestive, structured video), but I understand if you wish to see them doing that instead of me :D

@@MarcinRajski- I though was another video collab with you and them,btw for me if you will make a similar approach would be great anyway. Important for me is learning new approach that I can use in my tracks.I guess you can make a poll, so the community can decide. Imho a tutorial of a kick from scratch, a kick made with all these layers can be interesting, but these are my 2 cents, you may try to make a poll, so you can see the reactions.

@@shmam7523 yes that would be very helpful!

Thank you for your appreciation and good luck with your productions in the future =)

Thank you! :)

Good suggestions, as I wouldn't like to have every guest talk about the kick drums only

Good to hear 8)

So far, I have an already long list of hard/industrial producers people would like to see on my channel. But I also have gotten a few dark/hypnotic techno suggestions :)

poland stronk

LS41 shouldn't be my only guests indeed :D

Thank you, I will keep up the good work :D

Well the bass is in mono. Everything under 100hz is mono, but everything above is stereo. With the Imager from Ozone, you can individualy manipulate the stereo Image of 4 or more individual bands :)

@@shmam7523 thank you 🙏

Everyone seems to tell you to always put bass sounds in mono, because bass sounds have low frequencies. So the question should rather be "should the low frequencies be always in mono?" instead of "should the bass sounds be always in mono?". Back in the days, having low-end in mono was more or less necessary, because with stereo low-end, a vinyl record was probably unplayable due to the needle constantly jumping out. Today, deciding whether the low-end is in mono or in stereo is a creative choice. Some tracks by BSLS or KRTM have low-end in stereo, and this give a more industrial feeling to the track. What is today important is whether the low-end is still solid once you play such a stereo mix in mono. If in mono the bass is gone, then your track is again, unplayable - but this time on club sound systems (very often a sub speaker is a mono speaker). As a summary: having low-end/bass on stereo is fine as long as the mono mix is still heavy and solid.

​@@MarcinRajski-Thank you ❤ You have such a great way to explain stuff! Ilove it! I came back after months and learnes again sooo much! Thank you once again ❤️

I meant Rumble as in the rumble bass :) But yea, this sample does have a low reverb tail.

And i know what you ment. Many delayed kicks hitting after and after.. just breaking you ballz

@@joni.sirvio8867 all good brother 🖤

Thanks man!

Thank you!

LS41 often use the Basilimus Iteritas analog module to make their own fat kick sounds. For us, digital mortals, what is left is kick drum layering for that powerful sound :)

@@MarcinRajski-the BIA is actually a digital drum voice. But yeah it packs a lot of punch…

Any kick from the randomer sample pack will do just fine!

​@@strangerting7818 it does indeed hehe

​@@MarcinRajski-that's also a vst version of the basilimus iteritas, I'll also try it

you should really look into bochka, very interesting sound. look into the 96noisia label and artist like Aldes, Sorenga, Parapher, Likikon, Cekta and d.k.oxy

Any favorite names? :)

@@MarcinRajski- O.B.I, SlugoS, Mental Crush, Instigator, Svetec, Barboza, Buchecha, Sepromatiq, Psychodrums... 🤩

agreed! svetec or triptykh on here would be awesome

​@@orangutanorangutan@marcinrajski I second this, O.B.I

Thanks!

Doesn’t matter

For layering or having a more organized project, I prefer using Drum Rack for that.

@@adr1xmusicdoes matter a bit to avoid phasing issues, Wanton explains this well in his masterclass

Using audio is better that way

what's the advantage? @@Дмитрий-о9ж2н