Aimee, as a self-taught, play-by-ear guitarist, I simply LOVE your videos, even if I don't understand everything. You are a treasure! Love and best wishes from Ireland. 💚💚
I’m a guitar player only, but I write jazz oriented and American song book styles. I’ve been looking for seminars on writing bridges. Thanks for posting!! I enjoyed!
One of the moments of greatest satisfaction was when my amateur brain codified the "ii-V to IV" and I finally had a brain box for all those cool turns that I heard everywhere. I was studying Mexican folk music like boleros and the like.
The songs by Jimmy Webb are chock full of extraordinary bridges!! Check out "The Worst That Could Happen" The Brooklyn Bridge (sorry for the pun);-) and "MacArthur Park" Richard Harris, also "Still Within The Sound Of My Voice" recorded by Linda Rondstat.....I'm also going to go on record and state many of the great tunes by Lennon/McCartney are because of their bridges. Thanks Aimee!!!
As a young teenager writing songs back in the '70s, I was glued to the form, the structure of the pop song. I found it to be a storytelling device that, when written properly, just gave you joy and fulfillment. Those songs have bridges. Today we hear far too many pop songs without a bridge. That means it doesn't have a story to tell. And that means it's not really a song.
Thanks Aimee. great insight here. I have been playing some of those Jazz standards for over 40 years and never knew about 3,6 2,5 combo - how funny I missed that - well explained and love the channel. Gary
Thanks for another enlightening video! I watched in full on Nebula. Now I’m watching again so I can fill in the pieces I might have missed AND be able to send a Super Thanks. 🙏
Aimee, this is super helpful and really inspiring! Having a bit of writers block at the moment, and this video has opened my eyes in helping me figure out the little paths my songs can take! Thank you!!
over the head of an itinerant tavern singer, but familiar w/the tunes...Dad knew and played over 300 tunes on either guitar or harmonica. born in 1919 he grew up with the great american songbook but country and square dance took up his efforts. music everwhere growing up, high school band teacher had traveled w/Glen Miller, my first lead player had worked the package shows. i recall reading the Beatle songbook and how Lennon and McCartney traded writing the bridges, if one had the body the other would bring the bridge. your instruction is insightful and well explained to either pro and/or novice and you play so well with a font of material. is it Mary Maitland (?), jazz player your singing calls to mind. anyway, the instruction to me is like a non engineering carpenter that even so still has to navigate the blueprint...great work...Pa was a wwii USMC vet that turned to school teacher, he would have appreciated your style.
MY 2 favourite bridges are in Kate Bush's wuthering heights and The Police's every breath you take (hated the P Diddy version that never got to the bridge!)
😎👍 When it comes to songs that go to the key of ♭III for the bridge, I'm surprised you didn't use "Here There And Everywhere" as a prime example. Lennon & McCartney were rather fond of that switch, as it was also used in "Another Girl," "You're Gonna Lose That Girl" and "Love Of The Loved."
Girl from Ipanema is using 14s in the 3 new keys.... is it a coincidence that two of 3 keys that play 1/4 chords happen to be of the 4 dominants for true key center besides the 4 being the last new key.... just was thinking bridges seem to work using some of those 4 dominants as key centers somehow...Oh i see you touched on it.... nice video, thank you... Makes me think of a kaleidoscope
Some rock/pop songs have interesting chord progressions, too. I'm thinking of He Ain't Heavy by The Hollies. It's an example of a song whose bridge goes to the IV.
Aimee you and Sanga Noona should meet up for piano and coffee. Sharing tunes and talk. Even if done via the web, it would be cool! (: You both have similar styles and both have great voices. Would be cool
Sure, minor7 flat 5 would be a full diminished chord if you lowered the minor 7th to the 6th . For example: C diminished 7th chord is C Eb Gb A C.....C minor 7 flat 5 is C Eb Gb Bb.
Aimee Nolte has a sheet and video with all chord symbols explained. I think this one of them: ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-BZMwMx-EKiA.html