How To Light A Set (bright commercial look)

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Learn how to light a set.
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00:00 Fake Rooms In Fake Places
01:14 Out The Window
02:04 Practices
03:40 Over The Top
05:35 Back Lights
06:11 Just Turn on Some Lights
07:00 This Sucks
07:36 Bright and Early
08:11 Lighting Philosophy
12:04 Dont Subscribe

Опубликовано:

5 июл 2024

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Комментарии : 168

@NikHem343 2 месяца назад

This is next level cinematography content because you don’t exclude us from encountering and solving problems „with you“. Sometimes, these videos can lead one to the assumption that this is easy, but the reality is that you will regularly encounter „oh fuck, this just doesn’t work“ moments. Normalizing that and letting us into your brain, how you will approach these situations, is very important.

@EpicLightMedia 2 месяца назад

Wow thanks!! I’ll keep that in mind and include more of those moments in the future. They happen every time haha

@kylemorgan740 Год назад

dude thank you so much for showing that sometimes there is struggle and practical annoyances when lighting a scene. it's refreshing and i get to be like, "omg i'm not the only one who has a hard time figuring out how to light/gaff big shots!"

@JoaoSilva22222 Год назад

I wish i could give this channel a billion likes at once.

@EpicLightMedia Год назад

Oh thanks!! Haha

@robertulrich3964 Год назад

i'd like to point out that DP's always light this way because by hitting the side of the face away from the camera, a short key leaves shadow on the closer side, creating mood and interest. It brings out the shape of the nose and cheeks. you don't really need a window for it but the motivation helps, especially in commercials more than dramatic. it's kinda like 3 points lighting. learn the rules, then break them once you've mastered them and know why.

@theowlfromduolingo7982 Год назад

Yes it’s called reverse keylighting

@EliFleming Год назад

Homie’s vocal stylings always give slight Albert Brooks vibes! Good walkthrough-thanks for posting

@frozenbrick Год назад

I'm here 3 weeks later to remind you that your videos are fantastic.

@EpicLightMedia Год назад

Thanks so so much!!

@maxsaltin1001 Год назад

I love your videos man! watch them all. Thank you so much for these gold nuggets. Learn so much!

@MtZionMediaPro Год назад

REALLY GOOD! Thank you for continuing posting videos like these, it helps a lot seeing the BTS behind commercials! Great lighting job by the way! 👏🏾

@ChuckSeayII Год назад

Awesome video! You guys always put out some of the most entertaining training or enter-training videos! And I subscribed long ago so I just liked this video because I'm a Rebel!

@krissyskitchen Год назад

This is going to be very helpful for lighting my kitchen! Thank you

@villaprovideo Год назад

Y’all have done it again! Awesome video 💯

@carrioncrow8191 Год назад

I would have never thought that light could be so interesting. Good work and narration!

@bendelaughter Год назад

I cannot believe I just discovered this channel. Amazingly informative content. Thank you so much

@EpicLightMedia Год назад

Thanks!!!!!

@followfocusmedia25 Год назад

I'm in love with lights. I have been saving up for the nova and a spotlight mount. Nice job made me subscribe

@filmbyakiljoefield Год назад

Excellent breakdown I akways enjoy your content!

@BillAshtonNelo Год назад

Generations ND'd windows for centuries now we go for bright windows🤣

@workingwiththelight3119 Год назад

Thank you, always learn something from your videos!

@LukasInTaiwan Год назад

You guys are finally back! Missed you guys! And thanks again for all the tips!

@gilltim5711 Месяц назад

Excellent explanations. Thank you for sharing.

@MaikSchott Год назад

Thanks for making this. Very insightful info - I learned a lot from watching this video!

@eddyo2414 Год назад

You have been the best, continue with this cosa bueno Gracias 🙏🏾

@YannickReid Год назад

This was very clear and thorough

@ekudrums Год назад

Just in time! Thanks, guys!

@benjaminniemczyk Год назад

Long-time admirer of these videos! I learn so much from them. In this clip, if the producers want a natural look, i.e., as a room would appear with outdoor light and minimal indoor light, then this setup seems overly complicated. The final images are nice, but when compared with the Bad Therapy stills, there is a dramatic difference: the BT set looks very close to real-life. The set in this clip looks like a studio, it is clear that there is a lot of artificial light support. If that is what they want, then it is a success! But if this were my project, I would use fewer lights to minimize the studio look. Overall, though, this is a great, instructive video, as usual!

@GHopVlogs Год назад

Lighting the city backdrop so bright is what really sold this for me

@CorsidiCucinaVegan Год назад

I love this video!

@psysword Год назад

Amazing effort. Great content

@priscillaoyewole6955 Год назад

Thank you for informative content. 👍🏾

@GTshortStories Год назад

Great video and break down as always.

@ThomasFransson Год назад

Thank you guys!

@aperture8983 Год назад

Thank you dear sir sooooo honest

@FilmFlab Год назад

This is better than any film school!

@rayanmattar8821 Год назад

Thanks❤️

@simonbolzdotcom Год назад

You’re my hero

@videocasetteTV Год назад

kindly keep posting like this because it is very informative and make us think how to solve it to be honest with you I didn't shoot something like this, I raised some questions in other comments, because I want to understand why you decided to do that hoping you have time to read my other comment and answer my question thanks in advance

@TheYouTubeMechanic Год назад

cool it with the lamps bella.

@EpicLightMedia Год назад

But I like lamps….

@thidnascimento Год назад

Nice! As always

@storyfrontier Год назад

Love the raw honesty in showing the those moments of frustration to get the lighting right. A few things that pop into mind. On a good budget like this wouldn't it make sense to hire a gaffer? Also the city backdrop didn't really work that great, might it have been better to just blow out the windows as pure white. Plus add some blinds and use a spotlight coming in thru the windows to create that hard light stripey effect. Also the set seemed a touch overly bright compared to the reference. Of course that was probably intentional. Thanks again!

@serge_stauffer Год назад

A great very learnful video. I like those practical examples. They help a lot to get into the right way of thinking. The only thing I would add, is a wide shot of the whole set, maybe from above.

@derekauth157 Год назад

Brilliant. And how did you mix the wide shot? Just curious

@mercurious6699 Год назад

very nice, thank you

@videocasetteTV Год назад

awesome 👍

@t.n.health1157 Год назад

I never thought I would say this but, for me personally, without knowing the details of that shoot ( what the client wanted exactly blah blah ) this scene is way to “well lighten” for the feeling I was prepared to take when you explained part of the project at first. Again I don’t have a full opinion on this because we don’t know anything about the project or the look they asked for. I’m just saying what I felt by watching the shots. For example if that was a “comedy sketch” type of commercial, yeah the lighting make sense. Usually when you’re implementing comedy on something that it doesn’t have comedy in real life, all the shots are brighter and they have a “happier feeling”, well lighten, etc. But if the project was more true to life, realistic, I would def let the shadows kick in more everywhere and play with the practicals a bit more. Either way, you’re work is fantastic and we learn a tone of stuff on its and every video you guys make. Well done.

@lessemo Год назад

The result is amazing I would love to have something similar to that set Pretty good presenting btw, I appreciate the effort for showing bts

@EpicLightMedia Год назад

Hey thanks so much!!!! This was fun to put together even though the filming day was stressful

@RoosterRicks Год назад

quality content!

@MediaWebservice Год назад

I'm missing links in the description to the Aperture💡lights, is that correct? Nice and helpfully video an the mini lights are amazing 👏🏻 Thx a lot 👍🏻

@erikpreston2393 Год назад

"Epic" short masterclass, thank you! May I ask how you were using your iPad as a director's monitor? That's cool!

@EpicLightMedia Год назад

Hey thanks!! I think we used either hollyland or acsoon

@samheadshots Год назад

Awesome video again and I don't expect less from you guys. I have a question: would you still light his helmet the same way if you were to shoot a similar ad? I can see the justification for the helmet edge light on camera right but the intensity is the same on the helmet camera left. I might be missing something so feel free to set me straight :)

@gabrielidusogie9189 Год назад

This is a great video for a noob like me. Can you do a vid on crash course editing as well as how to analyze a film

@Aidenn23 Год назад

first thing I thought of when you put that 20x up was "oh that's gonna be warm, I hope thats what they were going for..." lol

@fuadsyawal7461 Год назад

hi great content as usual can you also make a video about how to create a minimalistic set, or refer someone who makes regular content about that?

@alfonsekaram2453 Год назад

I love your channel. The best. How did you bounce the 1200 aputure? from bottom up ? Where did you position it? or was it bounced from the top ? On top of the bleached muslin ?

@EpicLightMedia Год назад

Yes it was high above the set on a stand and pointed down across the muslin. It also bounced off of a 8x8 for extra ambience fill

@videocasetteTV Год назад

excellent, something I could not understand, after you used the bleach muslin have you fired the 600d from above the muslin as trunsclenct or you used the bounce technique something came to my mind why you did not use small pavo tube above the painting as an accent light even they sell in home Dept in stores some accessories like it with golden metal cover you can hide in it the pavotube something else why you did not hang pipe grids and hang on them some china ball to light the whole scene and some dedo light as an accent light for the painting on the wall

@shuolangliu304 Год назад

Great did u bounce a1200d to the ceiling fir the ambient fill in the wide shot?

@EpicLightMedia Год назад

Yeah

@joshbaker638 Год назад

What are you using as a remote monitor with the Ursa G2?

@nm800 Год назад

great video, appreciated very much! May I ask you if you ever struggle shooting orange objects with Ursa mini pro? I often have trouble with the saturation the camera gets on those wave-lenghts.

@EpicLightMedia Год назад

Yes we have to specifically go in and dial down orange in the grade

@nm800 Год назад

@@EpicLightMedia thank you! And I also noticed that it gets worse when the orange object is out of focus (may depend on how compression happens in Braw). Sometimes in the orange I get real gamut clipping. Do you have any strategy to counterbalance that? Really appreciate your help!

@Paulvisuals Год назад

I miss watching your videos.... A lot

@JasonThibodeaux_e30 Год назад

You spoke highly of the Nanlite fixtures but I noticed you aren't using them in this commercial setting. Great video btw.

@gastypm Год назад

Dave Maze is a great guy

@gilles675 Год назад

How do you guys manage continuity issues since the wide and the close up shots aren't done at the same time. Is it more work for the talents to re-do everything exactly the same way twice?

@TrueEssencePhotography Год назад

I’m wondering the same thing.

@jeremysegal6444 Год назад

I love the breakdowns! Also I'm not sure if I love or hate the fact that you all speak with EXTREMELY EXAGGERATED ANNUNCIATION. Is that a local accent where you are from?

@Kaotix_music Год назад

I’m looking at thay backdrop and I’m like “Man, even the lights won’t make that look real” and the second he flipped them on and showed the shot again I’m like “woahhhh wtf” 😂 amaazzingggg. This just threw me so many ideas now

@tampabayfilmguy Год назад

Did you have to adjust for the biker’s jersey? In some of the BTS footage, it looked like his jersey was reflective.

@elliotthickey1169 Год назад

Nice! I see you're rocking your G2 rig on the flowtech 75 as opposed to the 100. How's that been for you? We have a G2 with a similar weight setup but we're concerned about it being on the high end of what the 75 takes as we're looking at new tripods. Have you had any issues? Does everything lock off OK? It would be useful to get your thoughts as there's a substantial price increase between the 75 and the 100!

@EpicLightMedia Год назад

Yes the 75 has been good. It can balance well fully rigged

@elliotthickey1169 Год назад

@@EpicLightMedia That's good to know, have you been primarily using it for some time now without issues?

@seekmediafilm Год назад

How did you get the wide shots with all the stands and booms in the shot. Did you remove them in post with a mask?

@EpicLightMedia Год назад

Yes we filmed a clean plate with no boom mics and stuff

@joelpowley1168 Год назад

Thomas, please make a video about hiring actors. This process is so time consuming and so particular with details when working with clients. How do you guys do it?

@musicianscontent157 Год назад

How do I get one of those city vinyl things out of the window

@thirstygreek Год назад

What lights came through the top?

@SlideWreckDan Год назад

Hi! We met at NAB this year popping in the comments to wave. Anyways, I recently did a shoot with high key lighting. Decided to use a couple overhead lanterns on a grid, but the shadows from the overhead in certain instances caused some issues. Had to end up adding in more fill light to combat that. I'm thinking maybe next time doing an overhead muslin and bouncing my 600D to the muslin for the large source fill. Then a motivated key. I'm guessing a chimera would've been a great solution, but the way my bank account is setup you see ...

@EpicLightMedia Год назад

Hi! NAB was fun I had never gone to something like that before. Yes large sources are best. I think I would only do space lights if the space was too big for a 20x or something

@SlideWreckDan Год назад

@@EpicLightMedia I remember now, it was the Aputure party I got to meet you! That was a blast. There's a RU-vid conference, Vidsummit in a week. If you're out there I'll have to say hi again haha Yeah plus the time it takes to safely rig anything up a grid adds up a lot. We only had half a day of studio time to setup before the shoot next day so sometimes you just gotta get things done.

@chickenitsa Год назад

Thanks for an interesting video. I'm admittedly no cinema lighting expert, but - hey!- I'm wondering about the logic of firing up several practicals in an interior shot when you've got (in your words) "super-duper bright" light coming from in the windows; who would have three lights on in such an apartment?.

@EpicLightMedia Год назад

I guess I wanted the visual interest and it was more important to me than logic

@chickenitsa Год назад

@@EpicLightMedia Thanks for the reply ... note that my comment, sincerely, wasn't a criticism, but I've only recently learned of the meaning of "motivated lighting", so I was just curious.

@AM2PMReviews Год назад

I wish you could see my crappy studio in Phoenix and help me out. It’s a podcast called family care learning. But little to zero budget.

@lichtfilme Год назад

Looks totally great! I hate Epic Light Media! Yuck!

@NavdeepSingh-qf5eb Год назад

First of all, SHUT UP !! I loved your video so I am Subscribing it 😛And now, I can say, with humility in my heart.......Thank You for the Video. I learnt a Lot 😊And btw, Dave Maze, has been subscribed as well 😁

@Project_2501 Год назад

Awesome! Can you make a color grading tutorial on how to accieve these popular flashy saturated colors? I try to get this right for two years now, but I always end up with very unnatural looking results that are nothing like THIS!

@EpicLightMedia Год назад

Good idea

@wright96d Год назад

@@EpicLightMedia Do you use a special in-house LUT? I've just never seen the Ursa look like it does on your projects, and the look has a very consistent gold sheen, especially on skin.

@twofoldfilmhouse2037 Год назад

I would also like to see a color grading tut cuz I use an ursa 4k and pocket 4k

@frankgbatista Год назад

Yes please!

@rasheedahamed7348 Год назад

❤️

@bendelaughter Год назад

How did you handle the boom mics for the wide shot?

@EpicLightMedia Год назад

Filmed a clean plate and cropped them out.

@bendelaughter Год назад

@@EpicLightMedia Found it in another one of your videos lol. Thank you so much!

@austinfilmmaker4074 Год назад

Amazing content. Just subbed. Jokes on you.

@tyre_s_e 5 месяцев назад

thanks for the tips left a like..after all you don't want us to subscribe

@KaarloMedia Год назад

Could a polarizer be used to diminish the glare in the actress’s glasses.

@jamelleh.9575 Год назад

Lol I really went through a Dave Mays wormhole because he mentioned it at the end

@jasonapple6141 Год назад

At 7:46 you've got an 8x8 or 12x12 bouncing back into set on camera right? What's going on there?

@EpicLightMedia Год назад

Yeah I forgot to mention it. It’s catching some of the 1200 skimming over the top of the muslin and adding a soft fill for the whole room

@AldoEsAmor Год назад

God! Watching your videos I realize I don't know anything yet!

@JohnMacLeanPhotography Год назад

3:53 if it was opaque you wouldn’t see light through it. I think you meant to say it’s translucent.

@DavidJonesImages Год назад

Thanks, Great job on the video. But, like 99.9% of online lighting tutorials, you show how to light a person standing or sitting still. In many serranoes in video the person and or camera is moving. Please do a video on lighting for movement. Best Wishes David Jones

@rumorscameras Год назад

what mics were used for the scene pllz

@EpicLightMedia Год назад

MKH50

@tonytoffolo9915 Год назад

Where can we see the finished product?

@craft_me_if_you_can Год назад

it's looks like a sitcom lighting

@Badutspringer Год назад

The voice-over cracks me up. Extracting the urine at every turn. Noice.

@gabrielsmith6600 Год назад

I'll subscribe to you or whoever I want, as**ole. Nice video btw.

@DustinSheffield Год назад

Best channel on RU-vid! Thank you for taking the time to share all of this information for free. I'll unsub now.

@dq6660 Год назад

You guys are awesome…. Please post more often…. I REALLY gain a lot of knowledge from your videos….. I promise I won’t subscribe….again.

@martinlab4772 Год назад

Nice Video as usual ! Sadly for me it looks a bit fake... Thomas is always talking about imitating real life lighting but you are not going to the end of the subject, why are you not striking a big big source through the window ? Aputure 1200, M18 M40 or any big HMI source, something to replicate the sun, with a gel to warm it up (some + Magenta is nice sometimes). In the room we feel that all your lights are coming from the inside. And if you want to add softlight you can add a fill light like you did with the muslin on top or use another source bounced or diffused through the window. The fact that tou didn't shine a light through the window makes the muslin on top too strong becoming your key light and it's something that wouldn't exist in the real world. Your final result look great but it's really "fake and unmotivated" in my opinion :) I am not criticizing for the pleasure you asked us how we would shoot it. I would have set the biggest source you have through the window, undiffused, shining on the couch or the desk and add the geminis (or maybe more firepower) on stands bouncing on a 4x4 ultrabounce on top of the city to light it like the sky, penetrating through the windows as a soft fill to mimic the sky again. For the inside i like your solutions but I would lower the brightness. You can add a bit of haze to shape the light if you want too.

@RobbyCisneros Год назад

I think for this type of commercial it works though

@leftclot Год назад

Nice points! I was wondering how else to shoot this... yours would definitely look more natural with enough light contrast to be 'cinematic' but i'm sure epic light media was going for that commercial look (:

@stu9000 Год назад

Yeah that's closer to how I would light it. What they did also looks good in a 'stylised commercial' way.

@danielmerkley4543 Год назад

Exactly, as others have said, for a cinematic scene, your strategy would work great. But for this style of commercial, the lighting intent wasn't to be theatrical.

@sumitpathak8119 Год назад

Press F1 on your keyboard and its show you everytNice tutorialng you need to know...if you are stuck then watch the video

@perloid Год назад

Love your content and aputure products but youtube is becoming this big intransparent marketing/advertising show the to a point you don't even know which channel is bought and which channel is independent. Keep up the quality content though

@EpicLightMedia Год назад

I’m an Aputure fan boy

@danielmerkley4543 Год назад

@acl I have the same issue with just about everything on the internet. Even with the right discernment, you can only sometimes figure out when a youtuber/blogger/influencer has been bought out. I have known Thomas and others from the ELM crew since before I could ride a bike. They genuinely think that Aputure provides the best bang for buck lighting solutions.

@peterlin6409 Год назад

I am getting sea sick😀

@DarrellAyer Год назад

This is cake. this is okay. this is a disaster. help. oh god. oh god. oh... oh good. this is good. okay we're ready. -every DP on every project. I'm curious why you topped the set with muslin vs. throwing up some space lights above the set for your soft top, or a lantern box?

@EpicLightMedia Год назад

I think we were too lazy to hang space lights up

@encoremultimedia3511 Год назад

So, did you or did you not put some light above the muslim? If so, I'm not sure you needed any actual backlight. That's used for separation and the overall set seemd bright enough that the actors had separation from the walls. But, really nice job. I'd love to see the finished, edited product with color grading and all.