Learn about Sage Audio here: www.sageaudio.com If you’re new to Sage Audio, we’ve been providing industry-leading audio engineering services and education for over two decades and created this channel to help you make professional songs.
I was really over the vocals mixing tips. It is about time for other instruments, like piano, guitars, etc. I genuinely enjoy your videos thanks for sharing your knowledge.
Fantastic videos, so thought out and precise in articulation. Much appreciated!
2 года назад
I love all your videos and tutorials, but love to see more mixing with instruments, virtual instruments, strings, piano, bass, not only mixing, but levels, panning, where in the mix? And where in the frequencies spectrum the instruments sits the best! Keep up the amazing work body 🙌🏻
Do you have a video of how you put all these in a song? As in all of your videos together. Like, do you really use all of these effects on all channels for each instrument?
Happy 100k subscribers !!! I have 2 questions : - Where are the "members only" videos ? - When will you add new content for members ? Thanks a lot for your channel, really useful and super-solid. A huge "true audio knowledge channel", shared for free with so much interisting content made your channel my only "paid subscription" on yt. All the best Sage Audio !!!
I never really understood this but how can transients stick out better when compressing with a fast attack?! Aren't you reducing the gain of the transient and maybe even losing the transient due to the ducking?!
No, compressing with fast attack is basically hard clipping. You'll jus be cutting some of the top transients but it will make the transient thicker which will make it sound punchier.
I was thinking the same thing..slow attack compressor creates transient..I guess fast attack with minimal reduction won’t hurt and adds distortion…also fast attack is good for parallel compression
@@bevvibez so you clip some of the peak but have a slower release time so that the clipped peak is retained for a longer time rather than dying out quickly which results in more of a thick punchy sound rather than a clicky sound?? I guess it also depends on the release time then... I dunno man i can barely ever hear this stuff on my 3 inch monitors and untreated room...
I was wondering the same thing... I suppose it's because he set the attack so fast that EVERYTHING is being compressed, including the transients. Cuz i've always been under the impression that unless you're using parallel compression (>100%) then you should never set a super fast attack/release on the compressor or it will ruin the transients. But i might have to try this out for myself because my go-to compressor is the same one he used in the example (Pro-C2)
The thing is, your drums are going to sound completely different based on your recording/micing techniques, the kit you're using, the drummer, the room, and the genre of music. So to say "how to mix drums" is kind of a broad statement that doesn't really mean anything. I guess it's good for people who are just trying to learn the very very basics, but honestly, the best way to learn is by expiramentation, trial and error, and seeing what works and doesn't work. Shit, John Bonham, Keith Moon, and Ringo Star are all from the same era and same genre and their drums all sound completely fuckin different.
The title is really misleading. I thought I would learn something new but no. This is not how to Mix drums, but how to make it more present (or gel) in the mix. Mixing drums is when you have all the different parts of the drums on separate channels and you have to Mix and balance every part into a whole.
