How to score films- unusual orchestration and synth reinforcement

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I am showing you scores for real films I have worked on. This one is called The Walker and is a short art film by Tzvi. I am using the BBC orchestra library along with Soft String Spurs from pianobook.co.uk reinforced with Grandmother and Morphagene for texture.
I give some ideas about orchestration, how to warm up strings and walk through how the score was constructed. You will learn how to use French horns to warm up string sections, and how to use sub bass synths to give more weight to the orchestra.
If you'd like to watch the film, check out: • The Walker - experimen...

Опубликовано:

11 сен 2024

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Комментарии : 3

@lornahartman5480 4 месяца назад

So interesting with great explanations!

@joshtackett 4 месяца назад

A few takeaways for me: use non-standard libraries (I am going to have to check out the Eduardo Tarilonte libraries, i have alway been interested but have been hesitant about the Best Service player), and 2, live players make a HUGE difference: there is so much emotion in that live violin. I am actually going to hire a live sax player for a new track I’m working on and I think it will really make the track come to life even more! 3. I need to check out piano book again!

@EthanJamesMusic1 3 месяца назад

I have my hesitations about Best Service too, but it has never broken in a way that I couldn't fix. The scripting in Eduardo Tarilonte libraries is next level. Totally worth it. I think of my sample library search the way a DJ thinks about crate diving. There are so many wonderful libraries to find, and it's worth taking a little bit of time each day to find them. No library can come close to a real person though. I always make an effort to have live instruments in some way.