How to understand and play 'Implied Metric Modulation' 

Some advanced drumming knowledge for you to learn today. Basics are very important but its always good to know the more difficult methods and techniques.

Thank you Geoff! You’re the man!

really enjoyed this mini-lesson, cool change of pace

Man. This is cool, just caught up with this Great stuff

excellent as always. Big thx.

Eres un gran maestro y explicas muy bien. Felicidades.

🔥🔥🔥🔥

Hey teach, great exercise. Simple yet great at building timing fundamentals. I wanted to request a tutorial on how to sight read music. I’ve always had trouble following partials and rests, was hoping there was a trick to read and understand them a little quicker. Thanks in advance :)

Hey!!! I love your channel!! Can you explain how to do the Cadets 2016 Indoor Percussion Ghost Roll Snare Break?

Just wanted to say that your videos have helped me a lot and they have motivated me to practice a lot more too! Is there anyway that you could make a video that breaks down the Casey Claw rudiment even more than you did in the original Cavaliers 2023 feature video? Thank you so much and keep the videos coming!

Love your videos! Has inspired me to get back into drumming, also seen a short of your drum with all the lights on it and if you did that mod yourself I'd love to see a video on how I and others could do that as well, would be great with sound activation lights

Очень красиво и круто можно по больше таких крутых упражнений

Keep up the good work I really enjoy your videos. Could you make a video explaining tuplets?

Thanks for this. I have enjoyed your channel for a few years now. That was terrific! Thanks for teaching me something new. I have been wondering lately WTH some of these writers were thinking. I never knew exactly what this is. I only had a hunch. I think it really started to bug me when you posted the Cavies' break and when I watched your spill on the Blue Devils' "Eleven." I noticed some odd things in the writing that had me scratching my head. There were a couple awkward places that I may have written a different way. But, it was not mine to write so I am cool with it. I saw some new licks that I can use as inspiration in my own playing. Actually, I did - in a few short days I have a better, totally relaxed, virtually pain free way of playing the claw that can accommodate many things around it. I am not a fan. I wouldn't want to play these things if they continue on for long passages. Not because I am no good. I think it is no fun. It is cluttered, messy, and destroys a very important musical concept called symmetry. It seems cumbersome to read and play as if I am driving down the road constantly hitting random pot holes and trying make order out of it. I couldn't imagine trying to memorize it. I hate to be the church curmudgeon but at least now I can try to listen for it to see if I gain a greater appreciation. Is it used sparingly in short bursts for an effect, to accommodate a drill, or to employ high, slow mark time, etc.? (I envision Hawaiian dancers stomping the ground every other beat). Will it punch me right in the face? I don't think the average person buying tickets to a show would really recognize it and go home talking about it. If you ever find more that enlightens us on the scope of its use or can post some excerpts of video to point it out in action, please do.

Can you do a video explaining the music theory behind fourlets (I think that’s what they’re called. When a group of notes has like “4:3” or “7:6” above it)? I just can’t wrap my mind around it

man aren't you confusing at the beginning polyrythmics with metric modulation?

"...because of the implication"