im hitting this a little late but im a recent cubase convert. ive worked in everything else but despite a bit of a learning curve i feel cubase has the best feature set. i do mainly real instruments. rock, heavy rock trying to do some country. your vids are great. well laid out, to the point and if i can understand anyone can. thanks so much for the content.
Hi thank you for this amazing video. My question is would you advise doing all my automations on the sub groups example from the snare buss or strings buss, like all the aux Keyboard’s buss
Well ... that depends 😉. It's what the song needs. If you just need changes in in the groups as a whole, sure. If I want to increase the intensity of a section of a song I might indeed just up the volume of all group tracks a bit, maybe add some extra reverb on the most important groups etc.. But sometimes, I need something very specific on a single tracks as well, e.g. a delay throw. I have a separate video on how I use the techniques from this video on an actual mix: ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-MAkBo907jpI.html
Simple and straightforward video. I would offer that a feature of the automation editing is the handles are nearly same as in audio event editing and VariAudio. Very helpful commonality design.
Excellent video. Had no idea you could lock the vertical input by simply holding CTRL. That has been a pain in the ar*e for years, I want to use more automation but it fet so clunky. Would definitely like to see an advanced video on this! Keep up the good work!
Fantastic video! I noticed this was all about volume, or at least it seemed to be. Can you do this to say, add delay to just a certain part of a track? Is it done the same way?
Hello Marteen, as usual a very informative video. Thank You. I'm still overwhelmed about the possibilities which are inside cubase for each and all functions.
Thanks. Yes there is a lot of functionality in Cubase but nobody uses everything at the same time 😉. Just use what you need and forget about the rest 😎.
@@LanewoodStudios I use everything at the same time🤓 In reality, it could be very time consuming to use all that you want to use, paradoxically against the "saving time" you may be looking for. My new project is to have everything I want to use on my midi controllers and have pages to quick and graphically access it with no more than 2 clicks on an iPad using touchOSC which is GREAT....
Great tutorial! I have cubase 12 pro and want to use the plugin Transit to make transitions, but having trouble figuring it out. I had no trouble with previous versions of cubase or nuendo, but, for some reason I'm not getting how to do it now. I also don't get as much time so it may be that... or maybe I'm just dumb. Thanks for any help.
Thanks. Transit is Andrew Huang’s plugin right? I have seen and heard about it but haven’t checked it out myself yet. So I’m afraid I can’t be of much help there. Maybe someone else can chime in.
@@LanewoodStudios Thanks for the help. Yes, Andrew Haung's plugin. There's been a lot of hype about it and I'm not sure what to think. I haven't bought it but got the demo, and have been messing with it. I can already do a lot with soft synth, real synths, and re-learned to do various automations in Cubase so I could utilize this plugin in different ways. I used to use automations a lot, but then got out of the habit, as my typical style of music is mostly rock-based, I use Cubase in a very rudimentary way. I'm not certain what I think of the Transit plugin for me, because I have so many I don't use, and just trying to figure out if I will use it. I bought some UAD plugins I like a lot. Manley preamp, La-3a compressor. They add character and I'll certainly be using them. I do like Transit, but it may not be one I use very often. I don't know yet. Thank you for the help with automations and all of your tutorials. I watch them and they've helped me a lot.
6:14 That‘s where I had problems. I selected a range of the audio in the track and it took me a while to realize that I can‘t edit the automation that way. I have to select it in the automation lane. Would be nice though if Steinberg could change this, so I can zoom in an exactly see where my cursor is in the audio waveforms while selecting a range for automation. And I also didn’t found a possibility to use my fader to adjust all volume automation points together when write is off. When I want an automated track to be a certain amount louder, do ai really have to select all automation points and use the scale tool to get them up a certain amount?
Hi, thanks a lot for the video !! One question: why is it only possible to compress automation data (automation event data) on either left or right corner. Especially annoying (except I'm missing out sth) if you make automation rides over a whole track and then want to scale down your ambitious finger moves alltogether. I mean, you could then compress on the left and right corner equally, but it doesn't show a value on how much you compress either?
@@LanewoodStudios I watched that one before this one ;-) Well, yes, in certain cases, but it almost seems as if they 'forgot' to implement the 'compression' option for the 'scale vertically' function. I'll write to Steinberg, maybe they could add it for another release...
I don't think you can. The curve type is determined by the parameter type that you're automating. This is what the Cubase manual says about that: *Ramp curves* _Ramp curves are created for any parameter that generates continuous multiple values, such as fader or encoder movements._ *Step curves* _Step curves are created for on/off parameters, such as mute._
@@LanewoodStudios ohh, alright! I thoughthat since it is possible to change it in the midi modulations it would be possible in the automation aswell. Thank you for the response:)
@@rolsound then I don’t know where the parameter Width is coming from. As far as I know it is not a standard control on the Cubase channel strip for example. But if it is, you can add automation data for it. By the way, the automation panel is something else. Check my follow-up video to this one for explanation of this more advanced feature.
What I see is that the fader did not go back to its original position. So Cubase 12 still has that HORRIFIC flaw of not allowing the fader to return to start when using touch automation? Has to be the only Daw on the market that can’t do this.
@@LanewoodStudios Thank you. Ok I checked out your advanced video and In that video the fader did move back to its original position when performing touch automation but there were already dots drawn in the automation lane. So what I want to know is if you can select touch automation, and then just automate from your controller WITHOUT needing to draw ✍️ dots in the automation lane?
@@richiefamus8778 In that case the automation value stays at the position that you released the fader at because there is no value already present after that point. But I guess you could return the fader back to the value you started at.
Sorry I had to stop this video, my brain have trouble to process your thish with the thiS, let’s fix it, if you have problem with the S then add an eq and cut some of the 3K and add some of the 6k and above maybe if needed, if not then stop useing a deesser .
