I dont mean to be so off topic but does someone know a method to get back into an Instagram account? I was dumb forgot the password. I love any help you can offer me
I just want to comment on this video for anyone who tried to replicate this issue and found that their low end actually got quieter with BX_SUBSYNTH in parallel.... This is because "Tight Punch" is a Resonant Pass Filter - this will cause phasing issues with your low end whenever used in parallel. It is highly advised to avoid using this the way Dave shows here. It seems to only affect the ultra low subs for me, but it definitely made my lowest sub notes significantly quieter when used in parallel.
The dimension is one of my all-time favorite modulation effects. On my guitar pedalboard, my main chorus is the Boss MD500’s dimension. It’s a chorus sound but it’s got this beautiful, rich character to it that somehow transcends normal chorus modulation for certain things. Sometimes I’ll use the ce-1…that’s another all-time classic but the dimension is just next level. I think it’s also because there aren’t a *ton* of guys out there using it nowadays.
To my understanding the Dimension D is a device that adds phase that slightly differs in timing and feedback qualities panned hard opposite of each other with some analogue saturation added in for extra flavor. The different numbers are different amounts of timing/feedback and wet/dry values. Someone please provide extra insight if I'm wrong or have anything mixed up. The Dimension D and Microshift make it on every mix I'm a part of and would really love to understand it better as well.
Parallel Just means processing a duplicate channel and blending it back with the original. So Dave duplicated the 808 track and processed it differently ( Enhancer ,EQ/Fliter, widening) than the original track, and blended the two together.
@@gorilyawarfare485 It's mostly done when mixing (Kicks, Snares, Vocals) because it can change the tone a feel pretty drastically. It can also be done during mastering but less common and way more subtlety
to put it simply, dimension chorus puts dedicated bucket brigade chips on both channels, then takes the LFO that normally modulates a chorus and creates an inverted copy of that control voltage to send to a the second channel's BBD. so the two BBD chips are always moving in opposite directions, which helps thicken and animate the signal without allowing the perception of movement like in typical LFO modulation effects. it's not anything mystical or too hard to understand - it's been copied numerous times by both roland and other companies, even behringer (they originally had a pretty good copy of the dimension C pedal before rereleasing it under the TC electronics brand with mono output, stupidly).
Start charging for your services and save until you can afford them. High end plugins make a difference but technique trumps that. You can buy the Lamborghini you want unless you know how to drive it what's the purpose? I asked that same question 15 years ago and that's the best answer someone could of gave me. I wish would of did it that way.
You're showing what plugins and settings you used, but you're not saying WHY you used them or WHY you made certain adjustments. I don't understand what this video is trying to teach.
He's demonstrating what processing he did on the parallel 808 track. It starts around 3:02 at which point he goes into pretty deep detail for each plugin (except he kind of glosses over the BlueCat). The plugins on the original 808 aren't really important because he's trying to show how he is using the parallel track to enhance it. So realistically you don't even need to know what plugins are on that track.
