Just shot a $40k feature-film using only the A7IV. Nobody needs an Arri or Red as long as they have production design and an eye for lighting. Great work guys!
I believe Danny has started a revolution in the film industry. Hopefully we see more and more RU-vid filmmakers make longer form narrative content. I can’t wait to see his movie in Chicago!
lol, they're definitely downplaying their disagreements on set during this video. Pretty funny. I think this is the biggest issue with hiring someone to do something you yourself are used to doing. Because they will always bring their own taste to the table, and if it doesn't align with your own vision you'll be left frustrated thinking about how you could be doing it all yourself. That's the biggest lesson I learned watching this video,
This is a fantastic behind the scenes look at how you made your film. It's really cool to see how much you guys just had to roll with it and change things up on the fly to get the shots you needed. Really makes me wanna get back out and shoot my next short. Great job guys!
The shots are absolutely beautiful. You can tell just by looking at them that a lot of love went into the process. The Sony Venice is a beast of a camera as well. I don’t know which platform this film will be released on but I can’t wait to see it.
This is so awesome! Thanks for sharing. I can't wait to see the film; I will wait for it to come out. Congratulations to you and the crew, the footage looks great!!!
This is so freakin interesting to watch - thanks a billion for making this for us filmmakers on the rise. When and where will we be able to see the film?
Guys this looks sensational. Your lighting and pictures look sensational. Seriously the Venice rivals the Alexa with that smooth resin velvet look. Anyone wanna buy my red dragon????
6k is only relevant for detail in regards to what Corey was saying. Its not exactly the same but it’s 100 percent usable when your output is going to be 4k either way.
Was thinking the same thing? There is a similar feel between cropping the image rather than changing the lense, however the compression of a 35mm to a 50mm defo has a slightly different feel, especially when you look at the compression of the Frame & Bokeh itself. Love Spencer's work, keep on smashing it mate.
2.57 you might be better to skip the expensive camera/glass and put the cash where it counts.. someone on set clever enough to offer a courtesey flag so the monitors can be seen. $10.
6.31 if the director wants centre frame give it to them! Certainly a small off creep is worst of all, talkspace is fine or 'proper odd' which can ba fashionable. To me centre frame has 'power' which my or may not serve the story.
I gotta be honest, that scene in the lake was horrifically reckless and you put peoples lives in danger. I know indie filmmaking is a whole different beast but people could’ve died. Cold water like that is extraordinarily dangerous.
@@spensersakurai sure, as far as optics, field of view, and angle are concerned, that should be obvious. But "scientifically" you're discounting the advantages (or simplifying it as "resolution") of resampling from 6K in post, a process which you lose when you crop. I'm not saying I never do it, because I sure as hell do. Just saying it's really not scientifically identical, and in my opinion (though I too absolutely love a 35mm lens on full-frame), it's a compromise. One made necessary by the expedient nature of a day on set.
