A recent trend in a lot of contemporary films is that they seem to be composed almost entirely of close-ups. Does no one else think this is problematic?
Through a close analysis of the opening scene of Howard Hawks' 'Rio Bravo' (1958), and a frankly unfair comparison between the dreadful 1978 version of 'The Big Sleep' and Hawks' 1946 classic, we'll see how a master chooses to use or not use a close-up.
Potential Spoilers. For educational purposes only. Fair Use.
Plimpton! Shoot At Rio Lobo (Behind The Scenes) -
• JOHN WAYNE & HOWARD HA...
Patreon: / takemetoyourcinema
Facebook: / takemetoyourcinema
Twitter: / filmworks88
Instagram: / takemetoyourcinema
Please Like and Subscribe
24 апр 2016