I forgot about this as well. The beauty of this technique is that the tool seems to be more of a detail level control rather than a compressor since the transits don't seem to be affected based on a compressor's attack/release setting.
Great trick that I love using on vocals. Sometimes after I commit, the gain of the waveform decreases, sometimes by -10. Do you know how to fix that without having to gain or trim the track after committing? Thank you