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I Made a Sony FX3/FX30 False Color LUT for FREE

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In this one I want to share a few LUTs I recently made that allow you to get false colors internally in your Sony FX3, FX30 and a few other Sony cameras that film in S-Log3, SGamut3.Cine.
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Опубликовано:

5 сен 2024

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Комментарии : 42

@georgekamenov_ 4 месяца назад

Important note: I forgot to mention this in the video, but in order for the false colors to act correctly, you would need to use them on ISO800 and above as with the ones below 800 the clipping levels for highlights change. Something to keep in mind.

@majorvyb4118 4 месяца назад

Thanks! These are great. Can you share a chart of what each color represents (on the log FC and Rec709 FC) and the IRE range?

@georgekamenov_ 4 месяца назад

The colors for both were based off of the False Color chart for the Sony Venice (however that one has a few extra colors that mine don't, but my LUTs still have the main ones you need).

@Atte388 4 месяца назад

@@georgekamenov_ Thanks for your effort! Those LUTs seem to work well, but I have a one small suggestion regarding them if you don't mind: I would like to see a version without the orange color on the areas near the clipping point. In some situations I had slight difficulties judging whether a certain area of a scene was actually clipped or not. I'm not sure if this is just my personal issue or something that others might notice too, but I just wanted to share my experiences so far. I really appreciate your work regardless!

@georgekamenov_ 4 месяца назад

The thing is, there's no IRE specifically mapped to orange. What you're seeing is just the transition between the yellow which is just under the white clip, and red, which is actual white clipping. Only way I can think of doing things to get rid of that orange you're seeing is if I got rid of the yellow and only leave red for fully clipped areas, but for me personally, having that yellow to be able to push exposure as high as I can while still not losing information, but having an indication I'm about to, is more useful. Hope I was able to word that in an understandable way haha

@Atte388 4 месяца назад

@@georgekamenov_ Oh, I see. Maybe I'm just so used to using zebras as an indicator for clipped highlights so that's why a more graduated exposure tool might feel a bit challenging to master. :)

@hyeon2663 2 месяца назад

Been trying out this for a week. Now i cant live without this. Thanks

@georgekamenov_ 2 месяца назад

Glad to hear it's been helping you out!

@k.wrennn 17 дней назад

If some of you still dont know how to make it work, prolly its bacause of this setting MENU → Setup (toolbox icon) → [Display Option] → [Display LUT] → to on

@theowlfromduolingo7982 4 месяца назад

IMO false color as a very useful exposure tool, LUT-workflow and classic shutter angle are basic features of a cinema camera - especially in 2024. It’s so strange that they weren’t included in FX3 and FX30 from the start

@raulddc2803 25 дней назад

Guys u have false color on the sonys monitor & ctrl free app. So u can use ur Phone as external monitor with extra features

@georgekamenov_ 25 дней назад

@@raulddc2803 Fair enough but it's not really as convenient to always have to pull your phone out to use false colours when there's a way to have the feature built into the camera itself 😅

@a1film-dk 2 месяца назад

Just bought them..Do you have a chart showing which colors correspond to specific IRE levels ? Thanks for a good product :)

@georgekamenov_ 2 месяца назад

Thanks, appreciate the support! These were based on the chart for the Sony Venice false colors so you can use that one as a reference. Though mine don't have absolutely all of the same colors as I didn't really personally need them when making these. But it still has the main ones for underexposed or overexposed areas, pre-clipping and skin tones.

@itsAvient 4 месяца назад

will this work on the sony a6500? i tried following your menu settings but i can't find LUTs. maybe my camera is too old :( thanks for the info though! it was very informative

@georgekamenov_ 4 месяца назад

Don't think you can import LUTs on that camera, so no. These are meant for the newer cameras that allow you to import LUTs. You could technically put these on an external monitor, but in general I wouldn't recommend you use s-log3 on the a6500 as it's only 8 bit and doesn't hold up well. For older Sony cameras s-log2 is the better option.

@itsAvient 4 месяца назад

@@georgekamenov_ so grateful for your explanation. I will continue to use slog2 then, i'm very new so those likely aren't even my most important issues as everything is like new to me. Cheers!

@georgekamenov_ 3 месяца назад

@@itsAvient If there's anything else you're interested in learning, feel free to drop a comment with what you're finding issues with. Always looking for ideas about topics I should cover in future videos :)

@petercofrancesco9812 18 дней назад

Thanks for your efforts. I gave it a try with mix results. My main complaint is it's too hard to discern ire of skin tones on my face 50-80 look too similar. I found using zebras set to 60 for skin tone highlights or white card exposed a little under 90 to be more accurate. Could be I'm not a fan of BM false colors or there is something about my setup.... The other complaint is with Sony. I'm guessing they held false color back as away to differentiate between more expensive models or they made the assumption that professionals would always us a monitor for false color. Come to think of it no waveform or shutter angle. Strange considering it's a cinema camera.

@georgekamenov_ 18 дней назад

These are actually based on the false color chart used in the Sony Venice. Not 1:1 because I chose to not have a few of the colours in my LUTs but in general, this is what they look like on a Venice as well. I agree that certain ire values can look very similar and I might look into trying to make a second version down the line, but for what I need them for right now, these work fairly well for me 😁 But I do agree with you that Sony choosing to not include certain features in a "cinema" line camera is odd 😅

@petercofrancesco9812 17 дней назад

@@georgekamenov_ I made a video of what I'm seeing but it was deleted I'm guessing because I put a link in my post.

@georgekamenov_ 17 дней назад

@@petercofrancesco9812 not sure what you mean. Where did you make a video?

@petercofrancesco9812 16 дней назад

@@georgekamenov_ My posts keep getting deleted. I don't know if you're doing it or RU-vid so don't worry about it.

@EstudioFernet 9 дней назад

goated, tysm

@georgekamenov_ 9 дней назад

@@EstudioFernet You're welcome 🙂

@Cinematographer_brenton Месяц назад

bro this is incredible thank you!

@georgekamenov_ Месяц назад

@@Cinematographer_brenton You're welcome 🙂

@smrithl Месяц назад

Absolute legend❤

@framefeels Месяц назад

if i want to shot with s709 mlut, what is proper fc version? 709? log?

@georgekamenov_ Месяц назад

@@framefeels The LUTs I've made work on their own. So it depends on how you prefer monitoring false color. If you want to be absolutely safe that nothing is clipping, the 709FC LUT will be the better option.

@framefeels Месяц назад

@@georgekamenov_ thank you !

@yaremaholota 3 месяца назад

Hey George! Thank you! Would this work on a Flexible ISO mode with ZV-E1?

@georgekamenov_ 3 месяца назад

I believe so. As long as you use it on the first base ISO or above it should display correctly. But it shouldn't be used at ISOs lower than the first base as then the whites clip at different levels and you don't get access to the full dynamic range of the sensor.

@SevShin 4 месяца назад

Thanks for this !

@georgekamenov_ 4 месяца назад

You're welcome! Happy to help :)

@claule11 3 месяца назад

Hey will these work on the a7siii/zv-e1 with 640 as the base?

@georgekamenov_ 3 месяца назад

I believe so. As long as you're shooting at your camera's base or higher they should work correctly. You might have issues shooting at ISOs lower than the first base because the sensor clips whites at different levels at that point.

@samf5258 2 месяца назад

ty, legend.

@georgekamenov_ 2 месяца назад

You're welcome!

@JonatanCastro 4 месяца назад

First!

@ambition2959 4 месяца назад

This has existed already. There’s a LUT for it

@georgekamenov_ 4 месяца назад

Yes, it has. Other people have made these types of LUTs, but like I said, the ones I've seen either monitor FC only on LOG or only on Rec709. Which is why I set up 2 of them, because there are situations where having both is better than only having one of them. Plus these are pretty much free, so there's that.