ICM: The Top Mistake to Avoid for Successful Artistic Images 

Hi Ian! I'm glad to hear that you found my video clear and helpful. It's always rewarding to know that I can provide valuable information to those who seek it.

Any time!

Sorry for that

Yes, I agree with you and I don’t use my tripod very often, but there are some specific techniques that a tripod is very useful. Also a gimbal head for a tripod is an excellent choice as you can do more different movement in a smooth way. I would recommend it for exposures that go beyond 2 sec. Ultimately like with everything else a tripod is a tool that can be very helpful.

A tripod has very many more movement options than pan and tilt. WIth a centre column, you have lift and drop, you could also use just one leg as a pivot and work an arc and combine all these for some very different movements. Think well outside the box......

@@AndyBanner Trust me old pirate mate to wash up on these shores to say something sensible... and the technical 'one leg pivot working an arc ' is commonly known in these parts as doing a 'Long John Silver'. All the best, me hearty.

Hi Alan, I appreciate your comment and thank you for taking the time to share your thoughts. I completely agree with you that when it comes to creating successful ICM images, composition, contrast, and form are just as important as they are in other genres of photography. In fact, I would argue that these elements become even more critical when working with intentional camera movement because it's so easy for the images to become abstract and lose their impact without a strong underlying structure. I'm glad you enjoyed my work, and I hope to continue pushing the boundaries of ICM photography while also staying true to the fundamental principles that make for compelling visual storytelling. Thank you again for your feedback!

The answer is in the video. :)

My pleasure!

This proves that there are no roles, only guidelines to this. :)

Thank you so much!!

In general slow shutter speed below 1/20sec. Thanks

1.75 speed!

Many thanks! We had a lot of fun on that workshop :)

Thanks! :)

Glad you enjoyed it!

At the moment I only have this video ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-FXUqbw5PuCs.html A guide to essential Equipment for ICM. I'm happy to record one in the future.

Wonderful!

Great to hear!

Thank you for giving me an idea for my next video. In short aperture will influence the look of your images. The bigger the number the “sharper” your images will be. :)

@@evapolak-impressionist-photo thanks a lot and if you have a instagram address I would like to follow you for more inspiration.

Thank you!

My pleasure!

Thank you, Meshach Shakes, for your kind comment! I'm glad to hear that you find my technique beautiful and inspiring. Experimenting with new techniques is a fantastic way to grow as an artist and expand your creative horizons. If there's anything specific you'd like to know or any guidance you seek regarding the technique, please don't hesitate to ask. Wishing you all the best in your artistic endeavors as you embark on this exciting journey of experimentation.

Hi Mike, thanks for watching the video and for sharing your realization about image stabilization. It's great to hear that the video was helpful in prompting you to make this adjustment. And don't worry, it's a common mistake to leave image stabilization on. So, you're definitely not alone in making this mistake. Keep on learning and experimenting! :)

@@evapolak-impressionist-photo It's not necessarily the case that leaving IS on causes problems. Perhaps in the early days of IS. Gary Hoey, AdoramaTV actually checked and couldn't see any problem.

You are welcome! :)

My pleasure!

That really depends of the effect you want to achieve. I think 1/10sec is a good starting point of experimentation.

Glad it was helpful!

You are welcome! :)

Noted

Glad it was helpful!

You are most welcome! :)

Thanks

Thanks!

You are so welcome

You're welcome, Jan! I'm glad to hear that you found the tips and explanations helpful in improving your photography skills. It's always great to hear when someone is having fun and enjoying their photography. I hope you continue to have success in capturing beautiful images and exploring new techniques

@@evapolak-impressionist-photo Yes, even this evening I captured a wonderful one. A pity I can not send it to you via this way. Maybe via your website or email?

@@jancusters2450 yes you can send via email throug my website evapolak.com

Glad you think so!

Hi Barry! You're welcome, and I'm glad you found the tips helpful. I completely understand your preference for hand holding your camera. I also prefer tis approach. However here are times when a tripod can be a real lifesaver.

Thanks for your feedback. I will keep this in mind.

Hello @daviddyephotography! That's an interesting question, and the answer lies in the visual dynamics and composition of your images. When it comes to Intentional Camera Movement (ICM), the direction in which you move your camera can indeed have an impact on the final result, especially when photographing vertical or horizontal subjects. For vertical subjects, such as tall trees, skyscrapers, moving your camera in a vertical direction (up or down) can complement the subject's natural orientation. On the other hand, for horizontal subjects, like landscapes, coastlines, or cityscapes, moving your camera horizontally (left or right) can emphasize the width and expansiveness of the scene. However, don't feel limited by these guidelines. ICM is all about creativity and experimentation. Sometimes, deliberately moving your camera in a direction that contrasts with the subject can create intriguing visual effects and lead to captivating artistic expressions. Ultimately, the key is to let your creativity flow and explore different directions and techniques to see what works best for the specific subject and the story you want to convey through your images. Happy shooting and have fun experimenting with your ICM techniques! 📷

@evapolak-impressionist-photo that fits with my experience, symmetry of form and motion is usually more cohesive but sometimes you can throw in a little push in or pull out with a zoom with verticals or with movining objects. one thing I haven't seen you comment on is color saturation, both in exposure and editing and throwing in a little "glow" with processing your images as well. I've even used a little atmosphere as well. if you have strong colors in your subject a stronger movement can create beautiful abstractions of form and color which I'm sure you've done yourself

Hello @daviddyephotography! You make some fantastic points regarding the interplay of form, motion, and symmetry in photography, especially when exploring intentional camera movement. I'm glad you brought up the idea of strong colors and movement combining to create beautiful abstractions of form and color. Indeed, this can lead to stunning and mesmerizing results, where the subject's essence is distilled into captivating visual poetry. Thank you for sharing your insights and experiences, and I hope we can continue to inspire and learn from each other in our artistic journeys! 📷🎨

@@evapolak-impressionist-photo looking forward to seeing more wonderful art