Pleyel was the Star-pupil of Josef Haydn in the 1780s prior to Beethoven’s arrival in Vienna in 1792 and was much-admired by Mozart who often said he was a wonderful credit to his famous teacher and great friend
When the French Horn player assumes solo phrases, his tone becomes so sweet and “round”....”full” doesn’t describe the really beautiful tone he achieves! I like that he then pulls back a bit to blend in with the orchestra when his solo line ends, really lovely, sensitive playing!
+Wilfried Berk Looking at the record cover ( 0:17 ) and omitting diacritical marks: Flute: Milos Jurkovic, Oboe: Lothar Koch, Bassoon: Klaus Thunemann, French Horn: Zdenck TyBar. Slovak Chamber Orchestra under the direction of B Warchal Per the record timings (these are probably off though) Allegro con brio: 0:00 Tempo di Menuetto: 12:30 Presto: 20:52