Improvisation and Ives | All the Way Around and Back

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The second installment of the Society's popular series of panels about Charles Ives, All the Way Around and Back! This very entertaining conversation features an in-depth look at the fascinating and even surprising convergences between the music and influence of Charles Ives and the history and current practice of jazz, big band, blues, rock, film music, and pop. Moderated by Judith Tick, the panel includes Jack Cooper, Bill Frisell, Eric Hofbauer, Ethan Iverson, Phil Lesh and David Sanford.

Опубликовано:

27 сен 2024

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Комментарии : 6

@esiegel2 3 месяца назад

great convo, just stumbled on it through Google recommendations. A great group with a generous spirit, deep expertise, and a wide variety of perspectives. Definitely going to check more Ives. Thanks!

@paulloubriel6395 3 месяца назад

I’d like to hear Phil play more with Ethan and Bill after hearing this. I’ve seen them play separately many times. Love them all.

@kluste6 3 месяца назад

This is fantastic! I have ALL his music on cd and in my head. He´s my all time hero! Even did a cover of "Grantchester" which i happlily share if someone want me to. Besides that, Bill Frisell is my favorite guitarist, and to hear him and all the inspired people here talk so intimate and sincere about Ives is such a joy! Bravo!

@esiegel2 3 месяца назад

I think jazzers have taken more of Ives' spirit of elevating and recontextualizing "simple" or "folkloric" than actual quotations or even procedure. From Albert Ayler to the Art Ensemble the "avant garde" collaged in ways that reflect Ives.

@MylesDavis 3 месяца назад

To the conversation about place… Bill Monroe said (approximately) that more songs had been written about being homesick for Kentucky than just about anything

@esiegel2 3 месяца назад

when I was in college at the University of Michigan, I was a jazz drummer trying to learn jazz piano. I met a woman who bragged that she could sight read anything in the music library. We went up to the stacks, and I picked out the concord sonata. I will never forget the experience of sitting in a practice room as she tore through what seemed to me to be a brilliant and confident performance. After she finished, she apologized for making so many mistakes...I was none the wiser.