I don't make beats, but your videos really help understand how certain music is made, and helps understand all the work behind it, in order to appreciate it more.
@@Efeamuge Because kicks holds low frequency information the wave length of each kick are longer. Look at the visual difference between a hi-hat and a kick. The wave length of the hi-hat is more cramped while the kick is longer. Great! Now here is the thing! A sound wave of any sample you put into your DAW has a positive value (the part of the wave that goes up) and a negative value (the part of the wave that goes down). If you layer two kicks where the value of the each kick are opposite of each other the positive and negative values will cancel each other out and therefor the punch will disappear. Here is a simple and great way to understand this better. Take a Kick into your DAW. Take the same kick and layer it with itself. Flip the polarity of one of the kicks. In FL studio there's an option that says "REVERSE POLARITY". If done correctly you will have cancelled the Kick with itself and no sound should come out of your DAW. Respond if this was informative!
none of them because this ain't industrial. this is just distorted heavy bass line overdriven drum n bass/jungle stuff. I don't dislike it, but people that don't know anything about industrial need to quit calling it that.
thank you! I didn't really use much of the techniques you showed, but this video still inspired me. I just wrote one of my weirdest and coolest demos, and now I'm talking with my friend about putting it on his album
Wow, thank you so much! I really appreciate your kind words. We love playing Resistanz, which is run by great people. Next time, definitely come up and say hi.
He's one of the best promoters I've worked with, and we have remained friends through the years. I just signed my divorce papers with his gift from last year.
Navie fam can you do a tutorial on how to capture that bodyguard and ghost of ranking dread melodic/experimental boom bap sound that jpeg does? I love when he goes melodic and have a hard time nailing that kind of sound.
Sounds cool. If you like this kind of industrial vibe, check out "songs of love and hate in dub" by Godflesh, or the Scorn albums after they stopped being metal.
Yeah I sort of hoped for something along the lines of Techno Animal myself. Brotherhood of the Bomb has so much fun shit in it sound design-wise, loving that record.
@@prod.lanista he's great, to me it doesn't sound like he is THAT meticulous tho, but either way I think Death Grips production is superior and more on the industrial side, that's all
If you're looking for more industrial inspiration, listen to skinny puppy. Theyre one of the og industrial bands from the 80s and they use a lot of crazy samplings techniques in their music
Griselda styles, Madlib, STLdrms, Burial, Alchemists... This is the Music that I need post post Boom Bap?? Mod Bap??? Whatever... I need more Imagination...
Thats more Hip Hop than Industrial. C Lekktor is Industrial, Bestias de Asalto is Industrial, Panzer AG is Industrial, Die Sektor is Industrial, Velvet Acid Christ is Industrial.
what effects did you use on the accoustic drum pattern they sound different after you programmed them as opposed to when you just selected them to use. did u put any tape effects on the drums to make them sound like that? they sound softer and fuzzier
Can you do a tutorial on Mckinley Dixon style of instrumentals/production (I am aware he's very small roght now but he is phenomenal with his lyrics and production) thank you so much