their drummer eric filmed a couple of our music videos including one with Phil Bozeman. on top of being an insane videographer he's in one of the best new deathcore bands around. proud of them
This is exactly what I’ve been looking for. I go anywhere from E1 and lower, so my chords and chugs sound like Godzilla shitting haha I found the hiss to be reduced when I sit further away from my laptop, but this gets rid of alllll of it! Thank you!
The only other "noise gate" i’ve seen in an amp sim is the Dimebag Gate in Amplitube, which is actually a filter based gate. I’m guessing it works like Tominator. Using Buster Odeholme’s trick for bass with Fabfilter ProMB also works great, especially for single coils
I've always made sure I had a few seconds of amp hiss with no playing on every guitar track. Then I let Waves X-Noise analyze the amp hiss, then let it subtract that signature out of the track entirely. Voila - no hiss, guitar unaffected.
@@driftthekaliyuga7502 Absolutely works. The thing to know with X-NOISE is that you need to have it analyze an isolated sample of what it is you want to remove. Once you have the fingerprint, save it as a user preset. Then de-select that isolated sample on the track, and open it up on the entire track. Call your preset you just made, and dial in how much reduction you want. Listen to the inverse delta option to hear what you are removing, and dial it back a bit if it is catching any guitar so that it no longer does (if it ever did). The delta should only let you hear the hiss it is taking out. Once dialed in to taste, disable the delta mode so it is again showing the sound of the track. To save CPU cycles, apply it by rendering out the track - leaving you with a track processed by X-NOISE. Now that you have the result of that processing, you can continue working the track no longer with an open instance of X-NOISE eating CPU cycles. It's the very first thing I do to all my guitar tracks - before any other treatment. I consider it a post recording clean-up stage before I ever get into any editing or mixing. It is often on sale for $29.
Is this pretty much how an envolope filter works? I use ableton Auto Filter set to low pass and turn the envelope knob right with a quick attack, adjust everything to taste. It usually sounds pretty wompy if the resonance is turned up like at all, but is that kind of a similar result?
Horizon Devices Precision Drive have the 'gate', that is not technically the gate, but very fast dynamic high shelf filter, that do the similar thing for low tuned guitars.
@@taylolz I used Horizon Gate and the only issue, that it can take too much of the signal, so need to be careful with how much gate you apply. But it deletes those high end unpleasant decay while the low frequencies are untouched. It's the best 'gate' for chugs for sure.
Man i love the thought experiments that come up with problems like this! I wonder if Transify would work the same if you put it on the DI, just drop the sustain of the high end frequencies.
Not really. We tried literally everything available to us. The only way to fix this would probably be to record in a totally different electrical environment.
@@Fire-Toolz because bullshit is what’s shown on 98% of these so called “insane mixing trick” videos on youtube. Naturally this is my prejudice when clicking on a 5 min life hack video.
when i'm going for something intentionally noisy, dense, nasty, i like to keep these sounds in the mix. but there are also plenty of cases in which i wish it was cleaner. so i usually automate spectrum gates or EQ on sustained chords or chugs. i'd love to try this though. i wonder how it works on toms compared to the meldaproduction drum gate and oxford gate
Interesting this comes up on my feed. I was just listening to Black Tongue - Nadir again today and was wonder how Aaron dealt with the super low palm mutes that ring out. They go for a looong time some of them. I’m sure he used something else.
Gino Bambino is the co-owner of Avant Music Group, a recording studio in Columbus, Ohio where this video was filmed. He’s also a great producer, engineer, and talented musician.
It’s actually way easier to just use this. Automating a low pass will not work while performing and also won’t work when you need to change the arrangement or the riff.
