I’m usually one to point out when something could be done better in a mix but honestly this is flawless and a great use of theoretical musical maths. Good job
@@lukasrehfeld8777 loads of sources online but I find it would be easier for me to explain so you can do your own research. Theoretical musical maths could be things like counting bars, half timing time signatures or BPM ( example 140bpm is the same as 70bpm and 87.50bpm is the same as 175bpm) the ability to count between doubles, triplets etc in beat. It branches into more than just DJing with things like the ability to read score which is often laid out with time signatures and tones, semi tones. Being able to count bars like 8, 16, 32, 64 etc. Resonating of frequencies are often used to design and structure speaker cabinets, arrays and rigs to perfect acoustics using sound pressure chambers. that’s very mathematical and is down to the millimetre. Things like room shape and spl feedback. It branches into so many sectors of the music and sound industry that it would be near pointless for me to drop like 40 links here but I hope you do go out of your way to look things up and learn a passion me and many others including dj Carlo really appreciate. Best of luck and hope this helps
@@maxdavidtaylor3518a good way i like to do it is remember the easier bpm ranges it works with and then adjusting it to those. for example: 90/120. 120/160 etc etc
Simple and easy transition jump! Mathematical ! I usually double the bmp or divide the bmp. Depending on if Im at a lower bmp wanting to jump up faster. But this works perfectly.
If you want do to this trick every time here’s a tip, multiply the bpm number on the dnb track by 0.75 and then you can see what’s the bpm number you need to mix for the current house track. Example: dnb track is 175bpm. 175x0.75= 131,25bpm That means you need to make the house track at that tempo and that will surely make this trick work in this situation I learn this from Dj Carlo himself so if you want to thank, thank him 😊
Epic one really, but if you've watched Yamato, a Japan-based DJ and producer, he had a similar transition to this using the TRANS FX, but he only had instrumentals, so if you only have instrumentals, set your TRANS FX time to 1/4, and set the math correctly, and voilà. This one's epic too, so don't hesitate to try both to see what's better!
Is this mixing technique specific to vocal house tracks or can this be done with a house music track without vocals too? Would it be possible for you to release more videos of the same kind?
My best guess is that any sound can be helpful as long as it's more distinguishable (a whistle, something that it's not repeated in all the song and can be easily loopable). If you do a common sound like the kick, it'll probably interfere with the other track 😁.
That was pretty cool. Question though I usually play my electro,house,fidget at 136 and dnb at 170 to 175 depending. Would that still sound as good? With practice or am I better off finding a spot to slow down to 130 then do my transition?
Definitely using this the next time i wanna change my entire audience in three seconds. Nah just kidding. Im definitely gonna use this at some pt. It was nuts when Marky did went from dnb to Julio Bashmore on vinyl. Loved the whole set.
@@djcarlo thank you mate it looks a good pioneer dj controller mate and I will have a look buddy keep up the amazing work brother we need more drum and bass dj mate big respect
