Inside Japan's DEEPEST Station 

I came because of your video on your other channel telling me of this channels existance, congratulations BTW a million secs sounds a great way of celebrating. Some day coming and doing that climb might be a great way of celebrating for me as right now I am practically bed bound and I am trying to vlog my climb back to walking normally. Prior to Covid I was an overweight gym bunny, but because of lock down I am insanely fat & can totter but a few steps. Quite the adventure I have taken. Why did you not take insta360 RS 1" sensor unit. It films in low light. Hopefully RU-vid will allow you to you see this reply. Thanks

About the crowds, was this perhaps Golden week rush hour?

While the shutter speed might add some extra jittery in low light cases, what I wrote about 24 fps is absolute fact, which is why the jitter is present in all your 24 fps videos (even those outside in bright daylight), but not in your older 30 fps videos. Your "action cam" is acclaimed for good low light performance by the way and should easily keep up with any framerate in the conditions you were in. It doesn't really matter if people watch on a TV or a "monitor". Modern TVs almost all have a frequency of either 60hz or 120hz, most of them 60hz still (Even in Europe, despite always having had 25 fps as standard). There is no extra flexibility/freedom or advantage to 24 fps over 30 fps. You can do the same with 30 fps and have it look better. 24 fps does not look less cheap. It just looks jittery, but the majority of people just can't distinguish it anyway and are just going along with what they're being told is good. However, many of these people will also watch 4:3 video stretched to 16:9 and not be able to tell it doesn't look right. RU-vidrs use 24 fps because of misunderstandings, such as thinking that since films are in 24 fps, then it must be a good framerate for their videos too. It's not about being hypersensitive, but about sense of quality, rather than going with the lower quality, that 24 fps objectively is, just to satisfy the crowd's misinformed idea of what's good, while that exact crowd wouldn't be able to tell the difference anyway. The rest of the audience are just putting up with it. (I recommend learning these things)

Amazing pro tip!! Thank you!

and here I was thinking that even as "torturous" as those stairs are, half the fun of going to Doai was climbing them😆

To get there on the 08:37 train you need to catch the first northbound Shinkansen of the day from Tokyo at 06:08, change at Takasaki for the local train then change trains again at Minakami.

@@kc3302 Depending on season you can just take the Shinkansen to Echigo Yuzawa and then just take the local Minakami to Doai directly.

That was awesome. Thanks for your effort to get to the train platform so we could get a view of the outgoing train. Great exercise. It's a pity that those buildings outside the station are in such a terrible condition. 😢 We are looking forward to all the amazing places you plan to show us in future explorations. Take care. 😊

Feels like the kind of place you'd see in a Ghibli movie

Especially since they have the train option no excuse they do not need to cram into some of the cities

Norm can do amazing things when it comes to filming not to mention all his other skills and hobbies his very talented at. I am a fan and look forward to his content more than any one elses. Honest entertainment and always filmed magnificently. 😊

What he describes is not, though, a ticket. A ticket is something you pay for that gives you the right to travel.

That seems like the proof of station you travel from, and you are supposed to pay at the other station or on the train?