Introduction to Barry Harris - Improvising Lines

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#jazzguitar #barryharris #musictheory #improvisation #bebop #bebopscales
0:00 a little bebop blues
0:40 intro to the improvisation class
1:33 the dominant scale
1:51 scale outlines
6:27 important chords
8:51 thirds, triads and chords
10:50 lower neighbours - making language!
13:00 added note scales
15:30 creating II V I lines
17:32 varying and adapting lines
23:16 bebop blues solo with transcription

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Опубликовано:

11 июл 2024

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Комментарии : 41

@turbodownwarddog 10 месяцев назад

Mistake at 11:18: the highest note on the C7 arpeggio should read Bb not B natural

@JazzGuitarScrapbook 10 месяцев назад

See my comment below :-)

@JazzGuitarScrapbook 10 месяцев назад

There’s a few stray b naturals in this vid…

@apzzpa День назад

The most systematic approach to learning bepop. Would interesting to see how you could apply these concepts to more modal vamps as well as modern playing

@AnandaGBrady 7 месяцев назад

I'm applying all this on the keyboard/ piano- excellent! Bebop orientation!

@rickjensen2717 Год назад

Really excellent lesson, helping a classical guitarist get up to speed!

@jeffreyamado8027 Год назад

I've been taking jazz guitar lessons from a great teacher, and his method, though different, is quite similar! This was a brilliant and wonderfully taught intro. Christian, you area master teacher.

@JazzGuitarScrapbook Год назад

Thanks Jeffery, glad it was useful.

@kostasjazz Год назад

Fantastic

@frankvaleron Год назад

What a great overview

@frankvaleron Год назад

Are the transcriptions you show here available in pdf? It would make for a handy little exercise booklet

@JazzGuitarScrapbook Год назад

15:16 - there’s errors in the music saying B natural/4th fret instead of what it should be, B flat/3rd fret for the odd numbered scale. Whoops!

@drewdsaunders Год назад

Also, around 4:56 (9th bar), Christian plays Bb (which makes sense, b7 of C7), but C (first string 8th fret) is written. Hey -- I wouldn't be looking that carefully if this wasn't good stuff! Thanks! (Oh, 16th bar, too, I think; and tab is wrong at 6:42... I'm gonna stop, cuz I feel like an a-hole, now; it's really useful!)

@JazzGuitarScrapbook Год назад

@@drewdsaunders no, thanks! I just wish it was possible to correct or re upload vids once mistakes have been spotted, but I’ll keep this thread pinned.

@drewdsaunders Год назад

@@JazzGuitarScrapbook Thanks, I feel better! Anyway, really like this vid; there's a lot here and I will spend some time digesting it. Cheers.

@rrhett2119 Год назад

Nice job, Christian! A very logical and accessible introduction that should give lots of people a way into playing Bebop.

@JazzGuitarScrapbook Год назад

Thanks!

@abcde3397 Год назад

I really appreciate it to see this video.. if you were the college professor then I think I wouldn't have skipped any of it!

@certifiedcoverboy Год назад

i’m gonna want that tremendously long video

@JazzGuitarScrapbook Год назад

Maybe a multipart special

@CliffieVanR Год назад

Hey Christian! Great video. Sorry if you said so and I missed it, but why don't you use the chord from the third when improvising over C7?

@JazzGuitarScrapbook Год назад

I actually don’t know. It’s not one of the three that Barry singled out. But nothin stopping anyone from using.

@CliffieVanR Год назад

@@JazzGuitarScrapbook Fair enough - thanks!

@austinjoiner5968 3 месяца назад

When it comes to the odd or even number note, is it relative to the current chord youre playing over or the parent key?

@JazzGuitarScrapbook 3 месяца назад

Chord, although you usually simpify the progression a bit - eg ii V is treated just as V

@austinjoiner5968 3 месяца назад

@@JazzGuitarScrapbook okay i see, and one last question, when you go up a chord that is non diatonic and then you go down a scale, do you return to the diatonic scale or do you play a scale based off of the nondiatonic chord?

@JazzGuitarScrapbook 3 месяца назад

@@austinjoiner5968 can you give me a specific example?

@austinjoiner5968 3 месяца назад

@@JazzGuitarScrapbook i wasnt able to come up with an example im still pretty new to jazz and bebop but i was able to deduce my answer from the note names of your example in this video , thanks again ! Your videos have been some of the most helpful

@spacejazz6272 Год назад

maybe not the best place to ask but do you still do private lessons? your channel has been so useful to me and I'd love some feedback on my playing from yourself

@JazzGuitarScrapbook Год назад

I do! I have a link to my website in the comments for email etc.

@JazzGuitarScrapbook Год назад

I do! I have a link to my website in the comments for email etc.

@jameserenberger3425 Год назад

The dominant scale is R 2 3 4 5 b6 b7 7 right?

@JazzGuitarScrapbook Год назад

Dominant scale = mixolydian. You then add in notes according to the rules. (BTW the notation is not quite right - really sorry!)

@JazzGuitarScrapbook Год назад

The scale you cite is the dom7-dim, btw. Totally different thing.

@brothercaleb Год назад

Do you offer any guitar lessons ?

@JazzGuitarScrapbook Год назад

I do - hit me up on the email on my website

@johnrothfield6126 Год назад

Guitar on the chair looks precarious

@JazzGuitarScrapbook Год назад

Nah it’s well supported bruv

@johnrothfield6126 Год назад

I find that doing Barry's exercise without the non chord tones is useful. Then I try to imagine or sing the full exercise. Ps I find Barry's exercise difficult to play fast with strict Gypsy picking, which I adhere to rather dogmatically.

@JazzGuitarScrapbook Год назад

Pull offs are a god send

@xavriley Год назад

Peter Farrell teaches something similar to gypsy picking (I use it too) where you aim to group notes to 2 or 4 per string. If you can't you just use a pull off somewhere to make it work out