#Begum_Akhtar presents the second Jigar Moradabadi ghazal “#Is_ishq_ke_hathon_se_hargiz_na_mafar_dekha..” in #raag_Mishra_Tilang set to the Keherwa taal. The tabla accompaniment once again complements the singer’s artistry beautifully, at times enhancing the excitement, at other times creating a sense of anticipation, and even falling silent on occasion when the singer presents the first line only to join in seamlessly with the taal as the second line of the couplet is introduced by the singer. Sounds of the singer’s laughter, the audience’s appreciation and even snatches of conversation, possibly between the singer and members of the audience can be heard, presenting an aural picture of the leisurely, informal and yet intensely charged ambience of the chamber concert or mehfil.
9 сен 2024
