I was thinking that musical talents have drained in india , you have given me the courage and hope for me. India was having highly talented musicians during 1920 - 2005 . Lots of thanks for inspiring people.. it is service to the nation you are doing.
Not so much a male voice as a refreshingly deep, robust and unaffected one that expresses itself with a certain honest abandon. I agree: it's so nice to listen to. (In contrast, I might add, to the falsetto screechings of some other celebrated female vocalists who are best left unnamed.)
Hats off to this great young artist,so fluent with the various nuances of carnatic music , presenting them with such great ease and keeping us spellbound. This is a very novel concept to break the monotony of carnatic concerts(for those not having the basics of carnatic music) and making the presentation dynamic with meaning to the lyrics and covering all the expectations of beginners.. God bless this young artist.
Waw!You have done where no one else has done this ,you have taken the Lec/dem to a higher level ,so sweet , I cant stop listening to your explanation and the ragas how it was composed and how it sung by different artists! Thanks for sharing tryout talent and your knowledge at this young age. Keep flourishing like this and God bless you!
Though I listened several of these Kirthanas but now only I could recognise as Nattai raga thanks Smt Mani. Ur rendering is excellent. One will be attracted to listen since u give a lot of explanations to them to bring out their divinity. Satsangh with the raga
Excellent ma'am. Your isai payanams have literally become an addiction and a stress busting tonic to me.... Kudos thanks and my indebtedness to you 🙏🙏🙏
When i hear naatai i always imagine like an elephant walking majestically. Madam, keep up the great work, i like the way its rendered with lots of passion
Ma'am, I owe you a skill what I developed just by reading your posts in 'TheHindu' and videos posted in your channel, identifying Raagams in film music. I was watching Sathyaraj movie Nadigan and in a scene young Sathyaraj goes to visit Manorama and there enters a bgm in நாட்டை ராகம். I don't have any Carnatic training, but I started listening to Carnatic concerts and able to appreciate it only due to the introduction from film music and your blogs and vlogs, thank you and I appreciate your efforts in making a commoner understand Carnatic Music.
Wonderful. You are so little by age. But your explanation seems to be a Master's. Real Doctorate. Convey my regards to your Parents, You are a priceless GIFT.
Unable to express my happiness when listening to you Charulatha mam. More in Natai.. Swaminatha Paripalaya Swamam... From films.... Thangamakaninnu Singanadaipottu - BASHA Narumughaye..Narumughaye - IRUVAR
The Song Gopangane Athamavile swaramurali in the film Bharatham is the best example of brillinant composition by Late Shri Raveendran Master sung by KJY and Chithra
Incidentally, let me say that I have decided to listen to one video of yours every day for my edification, education and listening pleasure. So, I hope to cover the ragas you have covered. Since my meagre training (up to Madhyama) is in Hindustani system, I may come up to you with equivalence doubts and other doubts sometimes. I know there are sites giving equivalence but not always comprehensive!
May God bless you with ONLY Music, Music and Music , sound health for your dedication and greatness about sharing the nuances of Various ragaas, that shows your interest in sharing than learning which is very important for all of us. Thanks you my dear sister....as your name is let the "CHARUKESHI" ragaa pour rain on you :-)
CHARULATHA MANI 'S CLEAR AND DISTINCT COVERAGE OF SEVERAL ELEGANT & SWEET RAGAS IS MARVELOUS& INCORPORATION OF RAGAS OCCURING INTHAMIZH FILMS INCERTED BY G RAMANATHAN , SUDHARSON , K V MAHADHAEVAN , ILAYARAJA ,MSV ,A R REHMAN &OTHERS . PEOPLE ARE HIGHLY INDEBTED TO AMMA CHARULATHA MANI AS THEY ARE DELIGHTED BY HER SWEET PERFORMANCES. SEE ! I AM SIMPLY BUT MUSICAL KNOWLEDGEABLE ADMIRER OF CLASSICAL MUSIC AND FILM MUSIC WITH SMELL OF KARNATIC RAGAS. SEE! I AM A Rtd PROFESSOR OF PHYSICS OF ANNAMALAI UNIV. OF AGE 84. I AM A MATHEMATICAL PHYSICIST.INTERESTEDIN THE WORK OF ISSAC NEWTON WHO BYHIS MECHANICAL CONCEPTS ( 1666 ) STREAMLINED PHYSICS. & ALBERT EINSTEIN BY RELATIVITY THEORY RELATION E = M C2 ( 1905 ) HELPED ROOSEVELT AMERICAN PRESIDENT TO STOP THE TERRIFIC 2 nd WORLD WAR ( ATOM BOMB ) IN 1943. I SHALL WRITE MORE ON INTEREST IN SCIENCE AND EQUALLY IN MUSIC
Where is this beautiful singer has gone?. Where we can hear her music. She is versatile in carnataka music both in theory and singing. I request any body having at least records to hoist those music on Google web site so that we can hear and enjoy her music Please do the same. D S Nagaraja
I've performed Isai Payanam at all Sabhas in Chennai this season :) subscribe to my channel and you can see all my videos of concerts. Make sure you click the bell icon to ensure notifications to all uploads. Thank you so much 🙏🏾😊
தாயே பாடல்களை சுவை, இனிமை ததும்ப பாடினீர்கள். நன்றி. சாஸ்திரீய சங்கீதம் என்பது தூய பசும்பால். அதன் நுரை திரைஇசை. நுரை பசியாற்றாது. சுவை தராது. நீங்கள் உங்களுடைய பவித்ரமான, அனுக்ரஹிதமான குரலில் சாஸ்திரீய சங்கீதம் மட்டும் பாடுங்கள்.. A BIG NO FOR THE DIRTY CORRUPTIVE FILM SONGS. PLEASE
I thought Vivathi swaram is the note not in the ragam.. Vadhi is the main note, samvadhi is the 2nd main note and vivadhi is the note not in the raga but u still use it. You said its the note close to each other Re and Ga. Please explain.
she is talking about two notes in the raga which are semitone far or next to each other......she is explaining about the feel you get when you are moving between those two
Actually, what you know is correct. The term 'Vivaadi' is used in Hindustani system in that scense. But in Carnatic that is called Bhaashaanga swaram . And what she said is correct in Carnatic System. In Carnatic, the term Vivaadi is used for 'Chromatic' notes. Example: R3=G2 And G3 in this raga is using no interval between them . =Komal Gandhaar and Shuddha Gaandhaar are being used One beside another.. .
APPRECIATION: NATTA IN NOSTALGIC BUT NOVELTY NICE AND NEOTERIC BUT NOTABLE Precise but Precious Presentation- Everywhere is Enthusiastic and Enchanting - Eliciting Elegance of Exotic Experiences in explaining with Examples. Elaboration on electrical effect and elutriation by elucidation -AS.SURYARAJAN, AMMAVEEDU, VENJARAMOODU, THIRUVANANTHAPURAM-695607.
