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Józef Elsner (1769-1854) - Passio Domini Nostri Jesu Christi (1837) 

Pau NG
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Composer: Józef Elsner (1769-1854)
Work: Passio Domini Nostri Jesu Christi, Op.65 (1837)
Performers: Agniеszkа Kurowskа (soprano); Miroslаwа Rеzlеr (alto); Lеszek Swіdzіnski (tenor); Jozеf Frаkstеin (bass);
Wаrsаw Symphony Orchestra & Chamber Choir; Jаcеk Kаspszyk (conductor)
Passio Domini Nostri Jesu Christi, Op.65 (1837)
0:00 Introduction
9:14 Psalmody (Matthew 26 / 36-41)
13:19 Choir (Psalm 72 [71] / 1-2)
15:38 Aria (Psalm 71 [70] / 4)
19:41 Choir
24:11 Psalmody (Matthew 26 / 44-49)
28:58 Choir
31:00 Duet (Psalm 102 [101] / 2-3)
36:25 Psalmody (Matthew 26 / 50-55)
38:11 Aria (Psalm 5 / 9-10)
42:46 Choir (Luke 1 / 79)
47:01 Choir
51:20 Choir (Lamentations 3 / 56-58), (Psalm 85 / 7)
54:38 Psalmody (Matthew 26 / 59-66)
57:56 Tercet (Psalm 13 [12] / 3-6)
1:01:34 Choir
1:04:22 Psalmody (Mark 15 / 1-14)
1:08:03 Choir (Psalm 46 [45] / 2-3)
1:11:54 Aria (Psalm 22 [21] / 11-12, 20)
1:17:10 Choir
1:20:13 Funeral March
1:24:25 Psalmody (Mark 15 / 16-30)
1:29:24 Aria (Psalm 38 [37] / 9-10)
1:34:18 Choir
1:37:19 Psalmody (Matthew 27 / 45-54)
1:41:41 Aria (John 11 / 25-26)
1:44:11 Aria
1:48:04 Finale (John 19 / 30)
Painting: Wilhelm von Schadow (1789-1862) - The Road to Calvary
Image in high resolution: flic.kr/p/2netWop
Drawing: Thomas de Keyser (1596-1667) - Crucifixion (1665)
Image in high resolution: flic.kr/p/2nde1uP
Painting: Alexander Andreyevich Ivanov (1806-1858) - Christ’s Appearance to Mary Magdalene after the Resurrection (1835)
Image in high resolution: flic.kr/p/2netWqd
Painting: Carl Bloch (1834-1890) - Christ with Mocking Soldier
Image in high resolution: flic.kr/p/2netWoV
Further info: www.amazon.com/Elsner-Passio-...
Listen free: No available
---
Józef Antoni Franciszek Elsner
(Grodków, 1 June 1769 - Warsaw, 18 April 1854)
Polish composer and teacher of German origin. As a schoolboy he sang in the church choir of Grodków. His interest in music developed while he was a pupil at the Dominican school, then at the Jesuit Gymnasium in Breslau (now Wrocław) (1781-88), where he sang the solo soprano part in Graun’s Der Tod Jesu. He also sang in the opera chorus, played the violin in chamber music and began to compose, chiefly religious music (now lost). At the University of Breslau he read theology and medicine; in 1789 he went to Vienna to study medicine, but gave it up for music. In 1791-92 he was violinist and conductor of the opera orchestra in Brno and from 1792 to 1799 in Lemberg (now L'viv), where he conducted the theatre orchestra, composed symphonies and chamber music and began to work on operas; at first he used German librettos, but after 1796 turned to Polish texts, especially in collaboration with Wojciech Bogusławski, organizer of the Polish National Theatre. He also arranged weekly concerts for a musical society. In 1799 Elsner settled permanently in Warsaw, where for 25 years he was in charge of the Opera, enriching its repertory with his own works and training many eminent singers. All his life he was very active as a teacher; he founded and organized several music schools on different levels and was the author of a number of works and textbooks. From 1817 to 1821 he taught at the School of Elementary Music and Art, from 1821 to 1826 at the Conservatory and from 1826 to 1831 at the Main School of Music, where he was professor of composition and rector. He taught many composers, above all Chopin. From 1802 until 1806 Elsner ran a music engraving shop in Warsaw, from which he issued several publications, notably 24 numbers of the periodical Wybór pięknych dzieł muzycznych i pieśni polskich (‘Selected beauties of music and Polish songs’). In 1805 he was nominated a member of the Warsaw Society of Friends of Science and in 1805-06, together with E.T.A. Hoffmann, he ran the music club, where Beethoven’s symphonies were among the works performed. He also founded the Society of the Friends of Religious and National Music (1814). From 1811 to 1819 he was correspondent of the Allgemeine musikalische Zeitung, and from 1802 to 1825 contributed many reviews and articles to the Polish press. He was an honorary member of the music society of the Leipzig University Paulinerkirche as well as of many music societies in Poland, and was also a freemason. For his services to music he was awarded the Order of St Stanisław in 1823, and three commemorative medals were struck in his honour. Elsner was twice married, the second time to one of his pupils, Karolina Drozdowska (1784-1852), a leading soprano at the Warsaw Opera.

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7 авг 2024

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Комментарии : 32   
@jozefmysowski5082
@jozefmysowski5082 2 года назад
Piękna kompozycja! Wzniosła i dramatyczna, jak wydarzenie, które świetnie ilustruje. Także po niej poznać, że ten który oszlifował "kompletnie "brylant GENIUSZA FRYDERYKA sam był GENIUSZEM.
@pietrolandri6081
@pietrolandri6081 2 года назад
Finally! Thanks! Searching a performance of this vast masterwork since ages. Besides chamber music and piano works sole sacred work from Elsner I found was a Mass in G (also beautiful). Happy Easter!!!
@Reciclassicat
@Reciclassicat 2 года назад
Happy Easter!!
@Clivejvaughan
@Clivejvaughan 2 года назад
@@Reciclassicat Yes - it has been (!); this lovely piece, + from elsewhere on YT Ernst Pepping 'Passionsgericht des Matthaus', & Gustav Schreck 'Christus, der Auferstandene'. Beats a chocolate egg, that's for sure !
@ft7339
@ft7339 2 года назад
I just have searched for the Mass in G: ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-RvcqrK18Jnw.html Beatifull! But there were no comments at all and also almost no visitors! Please go there, for solidarity, and write something! 😀
@richardcastromartinez4329
@richardcastromartinez4329 2 года назад
Preciosa obra, no se porqué por momentos me recuerda la 9 Sinfonía de Bethoven.
@iks.7048
@iks.7048 2 года назад
What a quality piece of music!
@adamzbyszewski4779
@adamzbyszewski4779 2 года назад
Excellent Polish Passion music by an underrated composer. Pleasantly harks back to the Baroque tradition as does much other Polish vocal music written in the same period (I just love the piano in the continuo). Thank you for uploading. I don't have it in my collection.
@Steinbach1984
@Steinbach1984 3 месяца назад
Well, some Polish composers of the era were quite innovative. I mention a certain Chopin... But of course, Elsner was of an entirely different generation and probably less inclined to write cutting-edge music.
@dirkmannekens
@dirkmannekens 2 года назад
Thank you thank you thank you for posting this ! ! ! ! !
@Reciclassicat
@Reciclassicat 2 года назад
It deserves, right? 😀 Elsner masterwork!
@josevipadilla7224
@josevipadilla7224 2 года назад
Gracias por compartir tan hermosa joya del Arte Musical, desgraciadamente desconocida, al menos para mí. Espero y deseo que a partir de ahora, se escuche más. Es intensa...
@moltzer
@moltzer Год назад
It's almost Easter and here I happened to stumble upon this work while eating a chocolate egg.
@user-pq1np6jm2c
@user-pq1np6jm2c 2 года назад
thanks Pau NG ! vocal music is really comfortable❣️
@Steinbach1984
@Steinbach1984 3 месяца назад
Some parts of this are truly terrific. Many parts in fact. Of course it was composed 35 years "too late", but hey, a vintage masterpiece is still a masterpiece!
@herminioteixeira5921
@herminioteixeira5921 3 месяца назад
Joias do Pau Ng em vitrine. Grato pela postagem.
@Baton793
@Baton793 2 года назад
Thank you so much for posting this! I was so heartbroken when the only other upload on youtube was taken down... I even feared I may never hear it again ;_; I have many great memories with this piece, having sung it in 2018. Once again, thank you!
@stefanstamenic3640
@stefanstamenic3640 2 года назад
Thanks Pau NG for this wonderful post. Reminds me of Antonio Casimir Cartellieri ("Gioas, Re di Giuda"1795.), Georg Anton Benda.
@yehudagiraldo2762
@yehudagiraldo2762 2 года назад
Una verdadera joya, hay en ella mucho dramatismo, algunos pasajes son una remembranza del clasicismo tardío de Beethoven. Aunque la obra fue compuesta en el auge del romanticismo, emergen de ella elementos clásicos. La interpretación impecable, historicamente informada.
@luchoazulreyes6082
@luchoazulreyes6082 2 года назад
excelente aporte, Gracias
@Reciclassicat
@Reciclassicat 2 года назад
Que alegría verte por aqui! Como comentamos, esta obra es de una belleza sublime, tanto por su calidad inherente como por la interpretación, casi insuperable. Espero la hayas disfrutado! Abrazo!
@yehudagiraldo2762
@yehudagiraldo2762 2 года назад
@@Reciclassicat Por supuesto que es una obra sublime, gracias a ti por la generosidad de compartir estos tesoros musicales!!!
@stefanstamenic3640
@stefanstamenic3640 2 года назад
Reminds me of Antonio Casimir Cartellieri ("Gioas, Re di Giuda"1795.), Georg Anton Benda. Common to Bethoven and Cartellieri? Salijer teaching young musicians, and among his pupils in composition - were Ludwig van Beethoven, Antonio Casimir Cartellieri - Franz Liszt, Franz Schubert and many other. Salieri then stopped writing operas. Salijeri: "From that period (circa 1800) I realized that musical taste was gradually changing in a manner completely contrary to that of my own times. Eccentricity and confusion of genres replaced reasoned and masterful simplicity."
@Baton793
@Baton793 2 года назад
To correct a little typographic error in the description - the penultimate aria begins at 1:44:11, while the finale starts at 1:48:04
@Reciclassicat
@Reciclassicat 2 года назад
Fixed! Thanks!! 😀
@marcosPRATA918
@marcosPRATA918 Год назад
Clara influência sinfônica de Beethoven. Noutros momentos lembra Mendelsshon.
@andriysavchuk9853
@andriysavchuk9853 9 месяцев назад
❤❤❤❤❤❤❤❤❤❤❤❤
@asaadnaeem4121
@asaadnaeem4121 2 года назад
🌹🌹🌹🌹🌹🌹🌹🌹🌹
@luchoazulreyes6082
@luchoazulreyes6082 2 года назад
40º
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