Nobody knew what he was about to make. He was unpredictable, this is why I love his music. From 94’ to 06’ he switched it up every time. Even when you hear some of his beats, you hear new sounds and subtle changes only he could make by hand. For some people this is a repetitive loop, just sit back and pay attention to the feeling of his sound. Out of this world
Yeah same man, that time period he made some funky ass stuff (not that I have heard all of it) but yeah his music really does teach people it's not about first impressions and stuff especially when you look at what he sampled and how he sampled. So original and consistently funky across genres.
Would love to hear some of the unreleased remixes he did for De La and whatnot. I've only heard snippets and from what I can tell he did lots more remixes then what is released.
@@47AdriRamiAKAETHG actually he been producing since '85. He quoted the year Whodini's "Big mouth" single was released whichbwas what inspired and lead him to start making beats. Originally starting with the pause tape deck.
This brings tears to my eyes...just when I thought I'd heard all of the infectious beats of Dilla. I may be wrong, but that sample puts me in the mind of Heather by Billy Cobham.
I still come back to this, doesn't even feel like 2 weeks lol. This sample.....the artist of the sample must be some lost or forgotten genius because I've never progressions like that before.
If he had all these beats before he unfortunately passed away, can you imagine what he'd have now at this very moment? This god did beats in his sleep!!! Never be another.
Listen to that drum-hi hat pattern tho... Instead of kick, kick, snare, kick, kick, snare like literally any other producer would do, he goes kick, kick, snare, hihat, hihat, snare...this one of the reasons why Dilla’s still holding crown. He does this type of creative things with every second beat.
Yeah I definitely feel like when people sit down a make a beat now days Spending time on looking for good drums is overlooked. People just buy packs and shit nowadays. He obviously had spend time on everything on his beats cause it sounds like pure perfection on every one
John Reder There's literally a kick in every beat before and after the snare lol but I get what you're saying, I think it's all on the velocity of the hi hat
Dope Dilla face sticker on my back windshield rollin' around Detroit showing respect like I'm spose to. Dilla will always be Motown's finest! R.I.Beats
I can definitely agree with what he said at the start, and aside from just doing what you feel for the sake of it, starting at different points and seeing how that influences how you go forward can make you discover new things
yo this sample sound just like the sample in Practice Session but Jay Dee 27 and 5 Ela "Don't Stop". and the hot 97 tribe freestyle that starts after the finished playing The Hop. god I need this sample?
🧨🧨🧨💣💣💣🔥🔥🔥🔥💪💪💪 L instru elle defonce ça Groove c est lourd ça c est hip hop à mort !!!!!!!! Le beat il fait super mal la snare elle claque comme une bonne baffe de cow-boy
Notice has the first kick changed every now and then...you can’t program that shit on FL easily , and no cat even thinks of doing shit like that. J Dilla Is hiphop embodied. RIP to the GOAT
Not the unedited footage, but there's a great documentary on Detroit hip hop history in the description with some SV shows and some Jay Dee stuff. Check it out
