Johann Sebastian BACH (1685-1750) - ARIA - Air on the G string Suite n° 3 en ré majeur BWV 1068 - Willy Malaroda (accordéon-bajan) - Réalisation : Maxime Acker - 2020
Une performance très réfléchie et sincère! C'est un vol que l'âme fait - pur, léger, divin! Que Dieu vous accorde la santé et une inspiration créatrice inépuisable, Maestro! Avec admiration et amour de Saint-Pétersbourg, en Russie. A very thoughtful and heartfelt performance! This is a flight that the soul makes - pure, light, divine! May God grant you health and inexhaustible creative inspiration, Maestro! With admiration and love from St. Petersburg, Russia.
Impeccable et quel respect de l'instrument dans sa sonorité comme dans son aspect extérieur. Remarquable! Willy est un grand interprète. Tout en finesse! Tout en sensibilité!
Perfeito! Que interpretação maravilhosa! Eu digo isso porque durante muitos anos eu toco essa música ao órgão e a uso nos momentos de meditação durante a missa! Essa transcrição é adaptação no acordeão ficou perfeita e co pleta! Parabéns ao acordeonista pela execução!
It is one of my favorite compositions by Bach and I hear it played on the accordion for the first time and I am very pleasantly surprised by the color of the sound. It is beautiful. Thank you.
For those who ignore everythihg about accordeons, I inform you that this accordeon is a bassetti accordeon. That means that it has the tones in the left hand too. That's why he can play the tones with the left hand. Accoreons are a prophane instrument. That means, that there's nothing square solid about accordeons. There are thousands of kinds of accordeons. You have to choose the accordeons in accordance with the kind of music that you're about to play. For a bassetti accordeon this is not difficult. Good luck.
For those who think they know the accordion. I inform you that my instrument is a standard 120 bass accordion. This means that my sound changes are obtained by playing registers left and right hand as for church organs. This is why there is nothing profane about it. Document yourself before writing anything : the earth is not flat! While there are different models of accordions, there are not thousands and as with the piano, you can play all styles of music solo. As for the level of difficulty it depends on the requirement of the performer
@@willymalaroda247 I play accordeon better than you by far!!! That's why I wrote that statement. At the other hand your are playing something very simple. Try playing Toccata e Fuga in Rem. Or at least the Barbiere of Siviglia. (minimum)
@@kangaroodf3406 Master, Your condescension honors me. You will find the pieces you cite by visiting my RU-vid channel and thus put an end to this sterile conversation.
If you would be willing to make a musical contribution to a worship service, I beg you to find a congregation that doesn't have an organ and doesn't applaud musicians and speak with the first elder, choir director, music director or whoever makes the decisions about church music to see whether this kind of music would be appreciated, perhaps expecially by people who haven't heard this kind of music in a worship setting recently. (My mother played a pump organ for services when I was a young boy in the 1940s.)
@@willymalaroda247I don't remember my mother ever playing Air for the G string on any organ. I was six when we moved from the town where Mom played the pump organ. But an acordian sounds VERY much like that pump organ did. A real treat. Thanks.
Je me permets de vous préciser qu'il s'agit, à l'origine, d'une œuvre pour orchestre composé de : 3 trompettes en ré, 2 timbales, 2 hautbois, 2 violons, 1 alto, 1 basse continue. La partition pour violon, jouée sur la corde de G (sol), en est une réduction (dans le sens musical du terme). J'ai pu l'adapter au bajan parce qu'il est, tout comme l'orgue, un instrument polyphonique. Je vous remercie de l'intérêt que vous portez à mon travail.
