J.S. Bach - Cantata BWV 80 "Ein feste Burg ist unser Gott" (J.S. Bach Foundation)

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From the protestant church Trogen in Switzerland
Choir and Orchestra of the J. S. Bach Foundation
Rudolf Lutz - Conductor
Soloists:
Soprano: Dorothee Mields
Alto: Terry Wey
Tenor: Bernhard Berchtold
Bass: Klaus Mertens
Johann Sebastian Bach - Cantata BWV 80 "Ein feste Burg ist unser Gott" (A mighty fortress is our God)
00:00 Bach - BWV 80, Concert on 19.08.2016
00:31 Choir: Ein feste Burg ist unser Gott,
06:08 Aria (Bass) and Chorale (Soprano): Alles, was von Gott geboren,
09:48 Recitative (Bass): Erwäge doch,
12:00 Aria (Soprano): Komm in mein Herzenshaus,
15:28 Chorale: Und wenn die Welt voll Teufel wär
18:51 Recitative (Tenor): So stehe dann
20:24 Aria (Duet Alto, Tenor): Wie selig sind doch die, die Gott im Munde tragen,
24:37 Chorale: Das Wort sie sollen lassen stahn
Subscribe to our channel: goo.gl/8R4k9P
For further information on the Bach Foundation, go to: www.bachipedia.org
The complete cantata, introductory workshop and reflection lecture (in German) are available at:
www.bachipedia.org/en/works/b...

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6 авг 2024

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Комментарии : 164

@221bbs4 Год назад

Extraordinary! My dad always asks me to play this during our meal time. He says Bach's music brings him back to life.

@jfbrecords6375 Год назад

Preist den HERRN Jesus Christus! Ein wundervolles Werk! Mit vollster Überzeugung und stolzer Brust. Eines der schönsten Hymnen die ich jemals gehört habe. Ehre Lob und Macht unseren dreimal heiligen Gott. Vater Sohn und Geist amen

@user-by6ee2vb9g 3 месяца назад

Aleluya 🎶, es la 1 vez que escucho el himno de Lutero arreglado por BACH. Excelente!!!

@jaydeevaldez9934 2 года назад

Best version of the first aria I've ever heard. Mr. Klaus Mertens is at such a next level; the words are clear, the notes are crisp yet it feels so natural like a poetry. Even at more than 70 years old! This will always be my favorite - one of the finest moments in musical performances.

@larrydean4433 2 года назад

Dorothy Mields has a voice that can make angels cry with joy.

@joshuasussman4020 9 месяцев назад

Simply thankful to be in a world with this miracle.

@igormarchetti4371 Год назад

Splendida cantata della maturità piena di Bach, quando ispirazione e esperienza danno il meglio. È una cantata che trasuda gioia e fiducia in ogni parte, in tutte le sfumature della vittoria, della contentezza della vicinanza con Dio. Il duetto raggiunge vertici affettivi insoliti per lo stesso Bach: il senso di profondo benessere del corpo e dello spirito che suscita sia in chi suona e canta, sia in chi ascolta, è più unico che raro

@user-by6ee2vb9g Месяц назад

Maestro Lutz felicitaciones por su trabajo excelente de publicar las maravillosas cantatas de nuestro maestro Bach 😊😊🎶🎶🙏🙏💖💖, nos conducen directo al CIELO. EL SEÑOR JESUCRISTO LOS BENDIGA y a toda EUROPA. SHALOM AL ISRAEL y al mundo.

@hellesax 3 года назад

Atemberaubend schön... kraftvoll und zugleich tänzerisch, berührend und voller Freude und Zuversicht ... vielen Dank...

@filipporidi5864 3 года назад

This is probably my favourite Bach cantata, all is perfect in this performance! Great orchestra, choir and amazing singers!!

@jeanmichelviscardi7701 2 года назад

Je suis entièrement de votre avis !! le summum du contrepoint !

@florafurioso9197 Год назад

The story of my life in some ways is this cantata

@Rinus-et6qs 3 года назад

Marvellous performance! Dorothee Mields....overwhelming, what a voice!

@jeanmichelviscardi7701 11 месяцев назад

Brillante Interpretation! Erhöhung der Seele: spirituelles Glück in seiner reinsten Form!😇🙏🎆✨

@guardianodelcastello5433 3 года назад

Die Oboe da Caccia ist einfach wunderbar im Klang. Der Oboist spielt sehr empfindsam und hoch musikalisch. Die ganze Kantate zu hören ist ein Hochgenuss. Danke allen Beteiligten und der Bachstiftung 🤗🌺

@johnmillholland6550 Год назад

Great to hear Klaus Mertens still has such chops even as he’s aged. What a legend

@maestososhifu 3 года назад

Danke Bachstifung fur die hochwertig Bachkantaten recordings

@guilhermefurtado749 3 года назад

Extraordinary performance, especially that of mr. Mertens. Thanks a lot.

@larrydean4433 3 года назад

OkayI found the sheet music, the translation and it's going to take many listenings to absorb this one, magnificent, but right now i want a contra bassoon for Christmas.

@TheOneAndOnlyZeno 3 года назад

Here is the sheet music, which for some reason has never been published in full on this site since its inception... ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-ivcoE7jjSYM.html

@carolynclark1724 3 года назад

Beautiful cantata!

@albertgerheim4149 2 года назад

the *second* movement is one of my favorites in all the cantatas. Non-imitative counterpoint at its best!

@freegracetruthembrace7188 3 года назад

Opening Chorus takes us to as close n approximation of the heavenly realm as this temporal realm permits . So impressed by the balance and sensitivity to nuance .

@IvanGreindl 3 года назад

Même si je préfère les cantates plus 'intimistes', j'admire à chaque nouvelle publication, l'enthousiasme et l'engagement de tous ces musiciens !

@luftfa6035 3 года назад

Thats some BASS POWER in the first movement hahaha

@herrickinman9303 3 года назад

Bach didn't have a contrabassoon in Weimar or Leipzig, but he did have a full-sized organ, not the little _Truhenorgel_ ("chest organ") used in this performance, tuned to around a=465 (which is a 1/2 tone above a=440 and a whole tone above a=415). In this performance, they're using a baroque contrabassoon to compensate for the lack of a full-sized organ tuned to either a=415 or a=465. Presumably, they can't use the organ in this church because it's tuned to a=440. Baroque oboes and bassoons are designed to be tuned to a=415 (1/2 step below a=440) or a=392 (whole tone below a=440). For compatibility with the tuning requirements of baroque wind instruments, they'd have to transpose the organ part down a 1/2 step to play it on an organ tuned to a=440.

@larrydean4433 2 года назад

I know, I know, about 120th time listening to the Bernard and Terry Wey duet, I find myself falling in love with Plemena's playing. I wish I could be like that on my guitar.

@edelahaye 2 года назад

Klaus Mertens has an amazing voice.

@donnewmeyer3133 3 года назад

A spectacular job. I especially love the duet and Mields’ aria.

@saidtoshimaru1832 3 года назад

The opening choir is one mighty fortress of sound.

@Nooticus 3 года назад

I like it ^^ ;)

@lazy_doge Год назад

I see what you did there, nice

@saidtoshimaru1832 Год назад

@@lazy_doge 😎

@earlrobinson4525 3 года назад

Spot on ! This is what perfection sounds like!

@pastorsalvo5809 Год назад

Formidable cantata que expresa la alegría de un pueblo que vive la reforma.

@eronidesortizfogaca5797 Месяц назад

Ária final magnífica. Nós viajamos ouvindo esta música maravilhosa.🤩🤩🤩

@bimenify 3 года назад

Schönste Version und Stimmen die ich bisher je gehört habe 🥰

@philippeboisson2048 3 года назад

Une fois de plus merveilleux

@ollehedstrom3536 3 года назад

Thank you for this release. Another jewel from Bach’s cantata treasury. Deeply satisfying to listen to.

@sfopera 3 года назад

I've been waiting for years for the Bachstiftung to post a performance of this greatest of all Lutheran hymns. It was worth the wait! I could listen to the opening movement a hundred times and never fail to marvel at its beauty and power. Thank you!

@grahamnancledra7036 3 года назад

Wow what a memorable performance by all. I even enjoyed the larger choir. Particularly wonderful is the inclusion of the Baroque Double Bassoon which even on my tiny laptop speakers really enhanced the Stringed Bass. It came through really well. Congratulations too to the Oboe da Caccia player for his obbligato - Suberb. Yes another fantastic RU-vid recording from Trogen which I will return to many times in the future.

@herrickinman9303 3 года назад

Too bad the contrabassoonist can't hold his breath long enough to play without a break the whole note that's tied across 6-1/2 measures. The part he's playing was meant to be played on an organ, not a contrabassoon.

@larrydean4433 3 года назад

With good earphones that double bassoon really comes through. The measured notes adds a dimensional pulse.

@WillemVanTwillertOrganist 2 года назад

Great performance 20:24 Duet Alto und Tenor, Terry Wey, Alto und Tenor: Bernhard Berchtold sehr lieblich gesungen und meisterhaft dirigiert.

@bernardmalan441 2 года назад

Superbe version, toujours bien filmée. Le 1er air(duo basse-soprane) est célèbre pour la pulsation rythmique de Bach, immédiatement reconnaissable. Viele dank pour ce bonheur !

@isolinear9836 3 месяца назад

Bravo from the USA, and God Bless.

@Bachstiftung 3 месяца назад

thank you from Switzerland

@edelahaye 2 года назад

Bass bassoon ! Never seen or heard before ! Fantastic sound.

@ardiyiap 3 года назад

The bass sounds incredibly a-ma-azing!!!!!

@franciscocastillomata9786 3 года назад

Súper mega bass sound!

@danielrodriguez9630 3 года назад

El bajo grandisimo.

@grahamrankin 3 года назад

The voice of God.

@toniotonio4366 3 года назад

Disons la musique des anges, c'est déjà pas mal!

@JJJRRRJJJ 2 года назад

Fun fact about this cantata: it’s the greatest!

@giulioodoni1404 3 года назад

Fantastico, grazie! Buona domenica!

@jfbrecords6375 Год назад

Der Text dieser Hymne ist so tief und berührend aber auch so stärkend. Ich liebe diese Hymne

@florafurioso9197 Год назад

Ms Mields & Mr Mertens were born to sing BWV 80. No better pairing exists.

@friedrich-wilhelmbecker9805 3 месяца назад

......well done!

@davidjared3402 3 года назад

Wonderful performance, and the special instruments are intriguing! Thank you!

@ursulawerren3637 3 года назад

Impresionante presentación: en cada momento la mejor opción. Profundamente gozoso. Mil gracias.

@gabrielsmit7733 Год назад

what an undeserved privilege to witness this - thank be to God🙌

@aanhetlicht 3 года назад

Wonderful as always, thanks a lot for these recordings!

@luisj2596 3 года назад

Muchas gracias Bachstiftung...haceis de You Tube un lugar mejor. Excelente produccion audiovisual...sobria, limpia y sin alardes tecnicos, como corresponde.

@marka5478 3 года назад

I wish that Bach would have scored a quartet of trombones and a slide trumpet. However, a contrabassoon is a treat in and of itself!

@jeanmichelviscardi7701 2 года назад

Brillantissime interprétation ! Exaltation de l'âme : le bonheur spirituel à l'état pur !

@javieramundarainvitali7525 2 года назад

Thank you very much again for another wonderful concert!

@lorenzbroll101 9 месяцев назад

The addition of the contrabassoon really was an excellent inspiration!

@edgardodelisi8634 2 года назад

La mejor versión de esta memorable cantata.

@DaviddeSilva Год назад

Special kudos to the bass soloist who handled those challenging and endless runs with such effortless precision! That is one tough part to pull off so well! (Just checked the name -- Klaus Mertens! Of COURSE he did this so well!)

@user-by6ee2vb9g 3 месяца назад

Wonderful the holy music of our Master Bach, Hallelujah!!?

@jeki6035 10 месяцев назад

Simply magnificent.

@antonialopez4768 3 года назад

Gracias!

@kelvinsmallwood6315 2 года назад

Thanks for this wonderful video & music. Truly beautiful singing.

@ivorwilliams4053 2 года назад

What a beautiful Bach Cantata Concert world class rendition of this work! Danke Veelmals

@jochanaan58 3 года назад

I came for the *taille* in the second chorus, but found the part played on an *oboe da caccia* -- a legitimate substitute. The contrabassoon is a great surprise! 😃 Fine singing and playing all through.

@WillemVanTwillertOrganist 2 года назад

Thank you, another jewel from Bach’s cantata treasury. Deeply satisfying to listen to.

@luisnunesdecastro9301 2 года назад

Una grande bendicion, muchas gracias!

@NewTrinityBaroque 3 года назад

Amazing musicianship, congrats to our deal colleagues!

@alexandreguimaraes9141 3 года назад

Maravilhosa versão!

@mariejacobs7546 Год назад

Vielen Dank! Wunderbar.

@Nataliia.siimoes 2 года назад

Amazing ❤️

@reddingofish 2 года назад

As a chorus member, it's nice to see the orchestra standing up for a change. :)

@larrydean4433 2 года назад

I know it is not nice to pick favorites, but oh my, this is stunning from the first note to the last note.

@gailremp8389 2 года назад

Thank you !

@arlenehensley7305 2 года назад

Excellent!

@athenacoding2384 2 года назад

Incredible!

@richardsteinberg3495 Год назад

Magnificent!

@fox39forever 2 года назад

Lovely!

@gaznet1107 Год назад

Fantastic

@ciaociao1880 Год назад

I especially like the oboe piece in the aria（20:40）and I even bought the score🎵😊🇯🇵

@julioberaldi1867 3 года назад

Gratidão !

@vincenzogonzini4227 Год назад

This is J.S.Bach.....summa Humanitas. Deo Soli Gloria .

@notnotandrew Год назад

Dope dominant sharp 9 chord at 10:54. I never realized JS Bach was such a mad lad.

@mariayo4284 2 года назад

schön!

@RB-fp5tx 3 года назад

Great!

@larrydean4433 2 года назад

I read in the comments that Bach did not write that part for the contra bassoon, but I believe that if he knew that gentleman, he would have he would have used him a lot more. Tremendous large and warm tone. Just think of what Bach could have done with a Segovia if he had one.

@benkopal 3 года назад

many thanks for the double bassoon!!!!!!!!!!!!!! who plays it?

@herrickinman9303 3 года назад

Too bad he can't hold his breath long enough to play without a break the whole note that's tied across 6-1/2 measures. The part he's playing was meant to be played on an organ, not a contrabassoon.

@larrydean4433 3 года назад

Wow

@goldyesk Год назад

Me.

@steveistheman84 3 года назад

bwv 80! dorothee mields! epic!

@mariod7473 3 года назад

Lovely as usual but a little fast....wow that double bassoon is BIG.....all this trouble for a few notes in the beginning chorus and the final choral!!! Mille mercis du Canada.

@herrickinman9303 3 года назад

This ensemble is using a contrabassoon to compensate for the lack of a full-sized organ tuned to the proper pitch (a=415 or a=465). Bach had no contrabassoon and didn't need one because the venues where his cantatas were performed had full-sized church organs. The only organ this ensemble has is the little _Truhenorgel_ ("chest organ"), which lacks the muscle of a full-sized organ. The church organ in this venue is tuned to a=440, which is incompatible with the tuning of baroque wind instruments.

@mariod7473 3 года назад

@@herrickinman9303 ahhh , musicologists, they sure know how to burst your bubble!!!

@larrydean4433 3 года назад

@@mariod7473 Don't worry about those that try to fly their academics over people. They miss the point and the heart of the performance most of the time.

@herrickinman9303 3 года назад

@@larrydean4433 Ah, the triumph of ignorance. But you missed the point, which is that "all this trouble for a few notes" is to compensate for lack of a full-sized organ tuned to a pitch that's compatible with the tuning requirements of the winds instruments. FYI, a full organ already has the equivalent of a contrabassoon built in (16' bassoon stop).

@larrydean4433 3 года назад

@@herrickinman9303 Of course the double bassoon was added to pick up the bass, it was still a great touch. It did not seem like it was any trouble for the musician. A wise addition. Arrogance, you proud of that? I play Bach on a classical guitar with modern tuning, oh the blasphemy of it all.

@mariove1954 Год назад

Belle voci ❤️

@Elzah 3 года назад

Almighty God! Wordless!

@recitareversis 2 года назад

hearing this on the day of the Lutheran reform.

@lindacowles756 Год назад

Bon jour, Monsieur Chopin! So am I, on this Reformation Day 31 October, 2022.

@PabloMelendez1969 3 года назад

Thanks for posting. You guys are making such beautiful music. If I may, though, these breakneck speeds won't do. The first choral, for example, is a facsimile of battle. It's armies marching, battalions lining up, advancing and retreating strategically. It's the clear-eyed witness of the determination and the terror felt when you are engaged with an enemy that could overcome you at any moment. This vision which the music is meant to convey is muddied away in this rush. Bach is sternly ministering to his flock about how we must be unified and ready and wide-awake in the fight against perdition. All this cannot be conveyed by a whirlwind! You really have to slow down and trust the music more. Really, I think we need to see Bach's coloring as more descriptive than imitative and we must learn to perform it so.

@herrickinman9303 3 года назад

Sit down and shut up.

@frenchimp 3 года назад

Never heard of Blitzkrieg? All jokes aside, I like this tempo. In fact I relish diversity in the interpretation of Bach's works. If everybody agreed on the same tempo and expression, and played accordingly, the world would become a sorry place. And Bach's genius manifests itself in the fact that there are so many ways to make his wonderful creations 'work'. And I find Herr Lutz's musical choices always inspiring.

@kraigtaylor8777 6 месяцев назад

❤

@gabrielsmit7733 3 года назад

Afrikaans-Geneefs 2005: "God is waarlik toevlug in die nood, 'n rots wat altyd stewig bly staan, al dreig die vyand met die dood, al storm sy leërbendes aan. Laat dit dan tog maar hier buig en beef alles wat ons hier en nou omgeef; laat berge wankel in die see -ons sal nie beef of rugwaarts tree." 🙌

@JJJRRRJJJ 2 года назад

Bach cantatas are fun because you never know when a bent oboe with a huge brass bell is going to make a sudden appearance and steal the show.

@collinziegler1615 Год назад

Great performance, only a minor complaint: why does the bassoon sound so drone-like? It gives the bassline a humming, unpleasant sound...

@peteranelson 2 года назад

So lovely! I have to add...the bass soloist looks like (primatologist) Frans de Waal

@dieterpeszat2105 3 года назад

Bitte schreiben Sie das Konzertdatum in eine gesonderte Zeile.

@javierguilbozal1664 2 года назад

Lo último que haré en mi vida será comprar cualquier cosa que anuncieis. ! Por segunda vez ! ! No más anuncios !

@georgesmelki1 3 года назад

Plus j'écoute la musique du grand Bach, et mieux je comprends ce qu'écrit Debussy à son sujet ( Monsieur Croche- Du Goût): " Si nous regardons l'œuvre de J-S Bach, Dieu bienveillant auquel les musiciens devraient adresser une prière avant de se mettre au travail, pour se préserver de la médiocrité, cette œuvre innombrable où l'on retrouve à chaque pas ce que l'on croit être d'hier, depuis la capricieuse arabesque, jusqu'à cette effusion religieuse, pour laquelle nous n'avons rien trouvé de mieux jusqu'ici, on y cherchera en vain une faute de goût."