Jean Carignan harnessed his tunes as a unit of music with his extraordinary technique of continuity. In other words, he would seize the melody of the tune. Also, he had unsurpassed pizzicato as evidenced in his playing of Devil's Dream written by Fortunat Malouin (1870-1935). With all the special effects that he could take out of the instrument, it was like a toy to him. From what I gather, while growing up I don't think he played with trains...😑
