Just tapping in now and wanted to say from all us upcoming producers and engineers this content is priceless. No pay wall bullshit and scam memberships just straight up real live work flow from the top guys in the game. Mad respect 🌍🏆👊🏻
Its interesting how mofos can’t say something positive without all the other shit. You can simply appreciate the fact that it’s free but also you can pay a few bucks a month if they were charging…you know that thing called “investing in yourself.” I bet you have no clue what it is. Sadly ya’ll want EVERYTHING for free like THEIR time don’t mean shit! KMT! That mentality man! Everything’s a scam and how dare anyone make a penny out of teaching music whatsoever. The nerve and fuckery dude!
@@TEEZIO1 Yo Teezio! You mean to tell me that the VT-5 (while in the off position) is still coloring the sound/ hitting the tubes? I've been using mine for a while now but this never occurred to me to try this. Do you usually prefer the off position or is it just a move you do for louder material?
I just happened to stumble on this video, and like so many others have mentioned! I appreciate it! It is definitely priceless! Real folk doing real shit cause y’all could’ve charged for this! It’s real value in the information y’all displaying here! 💯💯💯
How did he spectrum grab multiple frequencies at 32:10 and the spectrum stay up? Every time i grab 1 frequency that spectrum disappears and i have to hold the mouse at the bottom again to get it to reappear in pro q 3
theres a button on the bottom of the pro-q where you can freeze the spectrum at the time when you toggle it on, you might be able to click on the graph itself in the purple area or while holding shift/ctrl maybe
Cutting note peaks with freq grab in Pro-Q3 and serial compressing nearly everything. I bet if you compare some tracks level matched to the unprocessed versions it sounds better/more intact without processing.
@@the_handsome_bearright? I feel like whenever I do this myself, I inevitably end up feeling like I made the drums sound worse and I end up taking the compressors off, but there’s gotta be something to it, right? I’ve loved every Teezio mix I’ve ever heard
I was wondering why he did those three notches when he first started EQing the snare, instead of just a high shelf? I wonder if those little areas of frequency are making that much of a difference?
This has got to be the absolute best content I've seen yet I'm in here hyped watching and learning 🙌🏽 Thankyall for this, u never asked us for a dime to share who u are and what you've learned over time. This is what audio engineering is about!!Legendary yall, just Legendary 🫡We all eatin🍝
So many jewels in this episode . Watching mixes in PT as a logic user makes me want switch solely for the audiosuite function to effect clips separately!
@@r_luren it's not as easy to use in my opinion, but logic does have a similar feature. Control-click a selected region, then choose Processing > Apply Selection-based Processing from the shortcut menu. I think the key command is like control-option-P or something like that to open the window.
Nah… soloing and EQing… don’t do it. Balance is the thing! I came from the hip hop and learned other way of mixing music through real music, like rock with live drums. You can’t get track sound good without balance. Fuck hip hop like that. Drums are wack, just kick hitting hard and annoying hi hats. I don’t care if you have grammys or plaques - music should be music but bot only “drums hitting hard”
Aye this was an awesome session to watch Teezio do his thing. Anyone know where to find that chair that he's sitting in??? I'm looking to upgrade my studio chair. When we getting a David 'YUNGIN' Kim mix session & Bainz?!? Thanks JFTR! Peace, Love + Mix On! =)
It’s so easy to learn from these, tht kick compression technique I mean everything… soothe on everything lol. Him monitoring the meter is interesting is he shooting for a certain margin?
Teezio is a genius. The song "on my mama" is proof of how clean yet hard sounding a song can be. Thanks for all the gems dished out here. The game changer for me is making changes in bits.🙌
Gold clip , is it better than StandardCLIP or Kazrog KClip 3? Because i can see big hype arround Schwabe Gold Clip .. So my question is does it makes difference in comparison with StandardCLIP , because the price difference is more than 200 Euros… Thnx and i enjoyed watching thys methodology , Respect 👋
Hey, it is just different. Standard clip works very well. Gold Clip works very well too, but has 3 different clipping algorithms and 3 different box tones to choose from. Also, the biggest selling point is the unique "gold" effect, an algorithmic volume boost that's similar to oxford's inflator - no other plugin has this. There are two types of curves to choose from with that effect as well. Lastly, there's an "alchemy" effect that is advertised to help smooth out the harsh artifacts that can be introduced when clipping. For all the additional functionality and the proprietary algorithm, they charge more. They offer a rent-to-own if you're interested but the price tag is too high. With all that said, the edits to the kick drum done in this video could be almost exactly replicated with standard clip.
Bro at 3:46 u Started to eq the drums. My question is how do I know that the amount of the low Kick frequencies Are enough or not enough? So that it is banging on my phone like in the car . I Need to know how much low is Perfect. Or do u Go just out for feeling? If it feels like a good Kick it is good ? How do I know ?
He's not; he has a monitor controller to his left. The output of his master bus is 1+2, and if you look you can see the reference mix is routed out of 3+4. To check the reference, he's hitting a physical button on the monitor controller to change the source, so that channels 3+4 go to the speakers.
exactly what i was thinking, im thinking its the integrated number because before it was hitting -13 when he said it but then once he made changes it was hitting around -16, and i seen in another mix video he did he started witht he kick and that kick was hitting around -16 on the same meter.,
He's level matching his drums and other mixing tracks to the same level as the demo so he can accurately compare the balance of all the elements of the song, to make sure he is improving on the mix and not altering the balance of the original. Hope i made sense 👍
@@audiomyx thanks for replying, if i did this to my mix, my master would clip, if i turn down the demo, id find myself squashing the mix with the limiter to beat the demo, thats why i cant quite understand what im seing and hearing here. also, i dont understand how he keeps compressing and EQing without compensating for level, and still he sounds louder then the demo?
@@MetiCudi All good! He is compensating for level just he might do it at various stages, you can see in the video he is constantly checking the demo while he's mixing to make sure he's not upsetting the balance. If a demo is smashed to 0 DB for instance, you can turn it down 6db, add a limiter to your mix bus at threshold -6 with peaks barely touching, then as you mix if you find your mix getting too squashed, you can level up the demo track by 3db, then move the threshold of limiter up by 3db to stop squashing peaks( if they were being squashed by that 3db) then your mix would be unsquashed and level matched with processing. Just one example, also the saturation and all the processing increase PERCIEVED loudness without increasing the peak level FYI. Thanks for making me type long message haha, its hard to articulate, cheers
He seems to be reaching for the Neutron EQ to make broader boosts and cuts, and Pro-Q when making more surgical adjustments. This makes sense since Pro-Q is very transparent, whereas the Neutron EQ is emulating an analog EQ. If you look in the top left when it's open, he has it set to "soft saturation." As far as Pro-C vs RComp, he said himself in the video that he loves and would always use Pro-C, but joked that when people are watching he uses RComp so it doesn't feel or look like he's just using the same plugin over and over. The main functionality is similar anyway, but Pro-C has some cool sidechain features and a much nicer UI. I'm guessing he feels like it's a slightly better algorithm too, since he only used Pro-C on the main vocals.
@@ryankelly8488 thank you very much bro! appreciate it a lot! That's wild with the soft saturation feature on neutron. Is it emulating a SSL Console? I almost never reach for the pro c except for some occasional sidechain. Do you like to use it or do you prefer other compressors?
