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Jinashi Series 10: 本調 Honshirabe Dokyoku 

Tairyu Shakuhachi
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The absolute foundation of my playing is based off of this piece. I hope you enjoy this incredible work. #honshirabe #shakuhachi #jinashi
Taniguchi Yoshinobu
"Honshirabe" literally means "basic melody". The technical and mental approaches to this piece represent the basic building blocks of shakuhachi honkyoku. It is said that some monks played this song their entire lives as part of a Buddhist training aimed at squeezing everything possible out of it and themselves. Of course, this does not mean that they were continually playing, but, more significantly, that they were "living" shakuhachi as a spiritual discipline.
In beginning to practice a shakuhachi honkyoku, the student should ask, "What is necessary to play this piece?" If the answers do not spring off the page, then one hasn't done enough training. For Honshirabe, practice should focus on the extremes. That is to say, similar to language training where one benefits greatly from total immersion or repeated study of tapes, one needs to expand the envelope of shakuhachi practice considerably. Play the Tsu no Dai Meri notes below the Ro pitch. Play the long tapered tones until the last bit of life has been put into each note and a point is reached where the sound blends into nothing. One should practice mura iki not only for Otsu no Ro, but so that Otsu no Ro, Kan no Ro and Ha no Go can be distinctly heard with a myriad of other sounds incorporated into "one sound". Practice Tsu no Meri mura iki as well. Practice the initial Tsu/Re progression by blowing off the finger covering the #2 hole. There is no atari on this sound. This is an exercise designed to force ones complete self both inner and outer - to be put into the shakuhachi and force that finger upwards on the attack. Play the song with as wide a dynamic range as possible as well as quietly as possible.
Experience both extremes.
Remember that "hon" also refers to "honnin no kyoku" which means "one's own song". It would be strange to always imitate someone else's voice when speaking. The same goes for shakuhachi. In playing this piece, take an active mental approach and create your own song and distinctive voice. On the other hand, while diligent practice of basic techniques in a strict regimen can be very demanding, a commitment to such practice places one on the road to freedom.
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8 сен 2024

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Комментарии : 26   
@Salvatore-Celiento-Music
@Salvatore-Celiento-Music 3 года назад
most enjoyable version of the piece i have heard. nice work Sensei
@TairyuShakuhachi
@TairyuShakuhachi 3 года назад
What a compliment! Thank you so much!!
@theoverthinckingboii6215
@theoverthinckingboii6215 3 года назад
WOW THE STARTING PART WAS JUST AMAZING
@TairyuShakuhachi
@TairyuShakuhachi 3 года назад
Thank you so much!
@eacalvert
@eacalvert 3 года назад
Absolutely amazing! Needed something like this to listen to today 🥰
@TairyuShakuhachi
@TairyuShakuhachi 3 года назад
So glad! Thank you so much for your comment and your support!
@TheShogunate
@TheShogunate 3 года назад
So. Good.
@TairyuShakuhachi
@TairyuShakuhachi 3 года назад
Thank you!
@storywindy5919
@storywindy5919 3 года назад
Amazing perform,I will learn from you and this video!
@TairyuShakuhachi
@TairyuShakuhachi 3 года назад
Awesome! Thank you!
@bamboo108
@bamboo108 3 года назад
Powerful performance!
@TairyuShakuhachi
@TairyuShakuhachi 3 года назад
Something about this work just takes control of me. Nothing else like it :-)
@growingayeard1061
@growingayeard1061 3 года назад
Awesome. That muraiki sound is huge.
@TairyuShakuhachi
@TairyuShakuhachi 3 года назад
I LOVE MURAIKI
@aleando01
@aleando01 3 года назад
beautifully played, I do put you soul on each phrase. Taking about basics, do you plan to make a tutorial on ROKUDAN NO SHIRABE? Please, could you consider it? Thanks in advance.
@TairyuShakuhachi
@TairyuShakuhachi 3 года назад
Thank you so much. I personally am very bad at sankyoku so I won't be doing a Rokudan No Shirabe tutorial.
@theoverthinckingboii6215
@theoverthinckingboii6215 3 года назад
Hoo hoo
@TairyuShakuhachi
@TairyuShakuhachi 3 года назад
@theoverthinckingboii6215
@theoverthinckingboii6215 3 года назад
Yay I am the first to comment
@TairyuShakuhachi
@TairyuShakuhachi 3 года назад
I expect nothing less
@jiawenbao3698
@jiawenbao3698 3 года назад
It's was definitely better than me, but I can't stand the aggressiveness :(
@TairyuShakuhachi
@TairyuShakuhachi 3 года назад
I completely understand your position. Honshirabe is a prime example of Honin No Kyoku, or one's own piece. We have to express ourselves to both extremes. When I recorded this piece, I had a terribly rough day but I still felt inspired to play and record, specifically this piece. Remember Taniguchi's words "Play the song with as wide a dynamic range as possible as well as quietly as possible. Experience both extremes." Dynamic range is life experiences. Things are not always pretty and calm. We have turmoil and it must be expressed somehow or someway. Anyways, I appreciate the comment. I am so happy that you are subscribed and I am thankful for your honesty. Gassho SRh
@jeanpierrecarpentier
@jeanpierrecarpentier Месяц назад
💚💜💛😇
@TairyuShakuhachi
@TairyuShakuhachi Месяц назад
Thank you for all your comments and continued support. It really makes a big difference on the channel.
@jeanpierrecarpentier
@jeanpierrecarpentier Месяц назад
@@TairyuShakuhachi The pleasures and 'the learning'' are really all mine.And, as you know, since I study on my own, I need good references to confirm if I am on the right track or not,, and these references has been your own different approaches to the shakuhachi realm since day one. And that learning is on it's way now,, and going quite well. 🙏💚😇 And the reason you don't see me more often on your Live Podcasts is simply that turning 80 this year, I have to head for my night sleep at that time of the evening 😜
@TairyuShakuhachi
@TairyuShakuhachi Месяц назад
@@jeanpierrecarpentier well it is an absolute pleasure having you here.
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