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Johann Gottfried Walther (1684-1748) - Concerto del Signor Meck 

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Autor: Johann Gottfried Walther (1684-1748)
Obra: Concerto del Signor Meck
Intèrprets: Dominique Ferran (organ)
Pintura: Gerard Houckgeest (c.1600-1661) - A coastal architectural capriccio at sunset
Més info: www.prestomusi...
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Johann Gottfried Walther
(Erfurt, 18 September 1684 - Weimar, 23 March 1748)
German organist, composer, theorist and lexicographer. He studied organ in Erfurt with Johann Bernhard Bach and Johann Andreas Kretschmar. He became organist of the Thomaskirche there in 1702 and concurrently studied philosophy and law briefly at the Univ. of Erfurt. He studied composition with Johann Heinrich Buttstett; after travel in Germany, he continued his studies with Wilhelm Hieronymus Pachelbel in Nuremberg (1706), then became organist of the church of St. Peter and St. Paul in Weimar (1707), a post he held for the rest of his life. He also served as music master at the ducal court and was made Hofmusicus of the ducal Court arch. in 1721. Walther assembled a valuable library of music and books on music, which prompted him to pursue diligent musical research. This culminated in his great Musicalisches Lexicon (1732), the first music dictionary to encompass biographies of musicians of the past and present, musical terms, and bibliographies. He also left in MS the important treatise Praecepta der musicalischen Composition (1708), which was not publ. until the 20th century. He composed much sacred vocal music, but only one work, Kyrie, Christe, Kyrie eleison iiber Wo Gott zum Haus nichtgiebt sein Gunst, has survived. However, over 100 chorale preludes for organ are extant. These place him next to J. S. Bach-his distant relation and lifelong friend-as a master of the genre. He also prepared valuable MS copies of works by other composers, many of which remain the only known sources. For his organ music, see M. Seiffert, ed., J. G. Walther: Gesammelte Werke fir Orgel, in Denkmaler Deutscher Tonkunst, XXVI-XXVII (1906; this ed. includes some works now known not to be by Walther); other works for keyboard are also extant.

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9 сен 2024

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Комментарии : 14   
@tobiasalfredoholz31
@tobiasalfredoholz31 Месяц назад
Großartig dieser Dialog zwischen Orchester und Orgel, es gibt erstaunliche Wendungen im Treiben und Fließen der Melodie.
@peteypete5145
@peteypete5145 5 лет назад
Thanks for uploading this very nice performance. The first mvmnt is especially such a nice artistic balance of orchestral vs organ integration, tempo was perfect -really sparkled. I'm in love with the Posaune, beautiful voicing.
@caroolvk
@caroolvk 5 месяцев назад
A little bit to fast, I played it a fraction slower so that the melody lines came out better. The second part is great!
@drbertus1
@drbertus1 3 года назад
Thank you so much !!!
@jesusmartinez3855
@jesusmartinez3855 3 года назад
Exelente
@user-wd5ne2wt6k
@user-wd5ne2wt6k Год назад
I thought it was from Sig. Vivaldi
@vituzui9070
@vituzui9070 5 лет назад
But who is Signor Meck?
@Reciclassicat
@Reciclassicat 5 лет назад
Joseph Meck (1690-1758) was a german composer who wrote, among others, "vivaldian" concertos. Walther transcribed a Meck concerto to organ. Greetings.
@vituzui9070
@vituzui9070 5 лет назад
@@Reciclassicat Thanks!
@engelbertschoormans
@engelbertschoormans 5 лет назад
But this piece is actually misattributed to Meck. It is a violin concerto in E minor (RV 275) @@Reciclassicat
@Reciclassicat
@Reciclassicat 5 лет назад
I think so too but in the Walther's time, the work was attributed to Meck. Then Walther entitled the piece with "Concerto del Signor Meck". Regards,
@daboukir
@daboukir 11 месяцев назад
A mistake, it's from Vivaldi
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