Josef Lhévinne performs Chopin - Broadcasts & Studio recordings from the 1930's

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Broadcats (early 1930's)
0:00 : Prélude op. 28 n°17
4:12 : Étude op. 25 n°6
6:09 : Étude op. 25 n°11
9:38 : Polonaise op. 53 n°6
Studio recordings (1935-36)
15:36 : Étude op. 25 n°11
19:03 : Polonaise op. 53 n°6
25:03 : Etude op. 10 n°11
27:23 : Etude op. 25 n°6
29:14 : Etude op. 25 n°10
32:41 : Prélude op. 28 n°17
35:59 : Prélude op. 28 n°16

Опубликовано:

22 июл 2024

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Комментарии : 20

@ziploc6354 Год назад

Clean, incisive, sure, fearless and passionate. The double-dotting, sparing use of pedal and half-pedal are remarkably modern. Sofronitsky is the spiritual descendant of this keyboard giant.

@JamesVaughan 8 лет назад

His Études are especially amazing. I think his "Thirds" (Op. 25, No. 6) is simply the greatest I ever heard!

@tobiolopainto Год назад

This etude is played spectacularly played by Ignaz Friedman, who said he practiced it 1,000 hours before playing it in public. Moritz Rosenthal made an Ampico Roll that is amazing. I think there's a de Pachmann performance, too. They are each, including Lhevinne, the best performance of this etude I've ever heard.

@alanbash2921 2 года назад

Pure Gold .

@oliviobertolini88 3 года назад

The prelude is stuning

@biegel88 5 лет назад

Just absolutely gorgeous playing. I wish I knew my musical grandfather, but through these recordings and the studies with his pupil, Adele Marcus, the spirit of Lhevinne was passed down the line. I am so grateful.

@eddydelrio1303 6 месяцев назад

He (and Rosina) are my musical grandparents too, via Arminda Schutte and Santos Ojeda respectively!

@biegel88 6 месяцев назад

Amazing!!

@oliviobertolini88 3 года назад

Op.25 no.6 with perfect control and balance

@kniazigor2276 6 лет назад

Parmi les études de Chopin celle en tierces est jouée de manière absolument EXTRAORDINAIRE, surtout dans la version studio. La virtuosité à l'état pur mais toujours avec une grande élégance.

@lunchmind 7 лет назад

He is unhindered by flesh and bone .Pure energy, especially in the op 58 Polonaise.

@jackatherton0111 Год назад

Abram Chasins, a Hofmann pupil, wrote that compared with his master, Lhevinne lacked imagination and didn’t do enough with music. The public may have agreed but Lhevinne’s contemporaries, including Busoni and Horowitz, held him in awe, and not not just for his floating, supple, unfailingly musical technique. If you respond to the classical Chopin of Lipatti, Solomon and prime Perlemuter I think you’ll find Lhévinne to be at least their equal.

@michsturge671 7 лет назад

It's interesting comparing the broadcast recording of the Polonaise with the later one. The later one is virtually note perfect but lacks the fire and abandon of the earlier one. I was fortunate to study with a Lhevinne pupil for around ten collective years between 1960 and 1974, who was an excellent pianists in her own right, Mona Redman.

@barrygordon5323 4 месяца назад

I like the general sound better on the later polanase ,the Petaling make a fuller sound on the main theme,he was a giant.

@pianomelodies8356 6 лет назад

Treasure

@militaryandemergencyservic3286 Год назад

Lhevinne beat Rachmaninov and got 1st prize at conservatoire graduation, beating Rachmaninov to a well-merited 2nd prize.

@richardrikkon5993 Год назад

Genius

@MrInterestingthings 3 года назад

Why wasn't he ever contacted for his concerto appearances . I met a man in Losangeles who heard him in chopin e minor said the sound seemed to float .