Joyeeta & Debojyoti Sanyal - Raag Malkauns 

Try uday bhavalkar

N

@@akshayblizz Uday Is a Drupad singer

She is indeed good, but comparing to Pt Budhaditya Mukherjee or Pt Nikhil Banerjee is not something I can digest. Rather ridiculous. They are the top of Mount Everest, and all these are yet to reach even the base of Mt Everest

+Shridhara Udupa Absolutely!

+bodhi heeren Indeed she does ... such a soulful performer! Seeing her live is a magical experience.

ArtistsOwnMusic jup

+ARUN KANTI MITRA We'll see what we can do! :)

We’re still waiting ;)

Very good performance of my favorite raga

Superb performance.bistar khub e sundar

+Zohar Lindenbaum They are amazing ... so glad you loved it!

I'm guessing that adjusting equalizer settings through an audio software would fix the problem, if you felt that it was subdued. On my computer/earphones, it was very well balanced.

Apparently not ... we hope to be filming them again soon! Their music is such a gift to the world.

+ArtistsOwnMusic Please do!:)

i can send you some recordings made in my recording studio

Apparently they do have some recordings out now.

Wuddup dad

it's not that important as long as you get whatever key you're playing in. I usually tune to C# (mixolydian mode rather than major key so with a dominant 7th - I think it's called kamaj in indian music) and my sympathetic strings are tuned C# D# F F# G# A# B (in whatever order). I just tune each string to whatever note it happens to be near to when I pick the sitar up. As long as your symp strings are pitched to the intervals of the key you want to play in then the setup doesn't matter too much

Sympathetic strings are ALWAYS tuned to the notes in the RAga you are going to play. Normally the sequence of tuning is 1. Strings 1-2-3 tuned to Saa-Ni-Saa or Saa-Dha-Saa (depending upon whether Ni or present in the RAga or absent) 2. Then Re (if present), Ga (If present), Ma (if present) Pa (If present), Dha(If present), Ni(If present) and then upper octave Sa and then upper Octave Re. Many people tune the last string to upper octave Ga. 3. If you have more than max 12 strings as tuned above, then we tune 2 consecutive strings to Pa or Ma whichever note is dominant in the Raga, or both.

HariLilNandan biatch !

Haha, that's quite an observation! The lighting worked great, and the tabla balance in the mix was excellent to my ears though!

Malkauns, SA is D. MA ,fourth is strong G. Tanpura sounds ma sa sa SA.