Julius Reubke: The 94th Psalm | Sonata for Organ | Bálint Karosi at the Methuen Memorial Music Hall
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The Sonata on the 94th Psalm in C minor is a sonata for solo organ by Julius Reubke, based on the text of Psalm 94. It is considered one of the pinnacles of the Romantic repertoire.
0:00 (Grave - Larghetto)
1 O Lord God, to whom vengeance belongeth, shew thyself.
Herr Gott, des die Rache ist, erscheine.
2 Arise, thou Judge of the world: and reward the proud after their deserving.
Erhebe Dich, Du Richter der Welt: vergilt den Hoffärtigen, was sie verdienen.
6:01 (Allegro con fuoco)
3 Lord, how long shall the ungodly triumph?
Herr, wie lange sollen die Gottlosen prahlen?
6 They murder the widow, and the stranger: and put the fatherless to death.
Witwen und Fremdlinge erwürgen sie und töten die Weisen
7 And yet they say the Lord shall not see: neither shall the God of Jacob regard it.
und sagen: der Herr sieht es nicht an der Gott Jacobs achtet es nicht.
11:22 (Adagio)
17 If the Lord had not helped me: it had not failed but my soul had been put to silence.
Wo der Herr mir nicht hülfe, so läge meine Seele schier in der Stille.
19 In the multitude of sorrows that I had in my heart: thy comforts have refreshed my soul.
Ich hatte viel Bekümmernis in meinem Herzen, aber deine Tröstungen ergötzen meine Seele.
16:37 (Allegro)
22 But the Lord is my refuge: and my God is the strength of confidence.
Aber der Herr ist mein Hort und meine Zuversicht.
23 He shall recompense them their wickedness, and destroy them in their own malice.
Er wird ihnen Unrecht vergelten und sie um ihre Bosheit vertilgen.
Reubke composed the sonata while he was studying piano and composition in Weimar with Franz Liszt, and living at the Altenburg house. He composed it at the same time as his other large work, the Piano Sonata in B-flat minor, and finished it in April 1857. He dedicated it to Professor Carl Riedel and played the premiere on the Ladegast organ (1853-1855) of Merseburg Cathedral on June 17, 1857.
The 94th Psalm Sonata is considered to be inspired by Liszt's Fantasy and Fugue on the chorale Ad nos, ad salutarem undam, Piano Sonata, symphonic poems and Wagner's operas. It is nonetheless a very individual work, composed well for the organ, requiring advanced pedal technique and a resourceful use of all the organ's resources.
10 июл 2024