i guess im asking randomly but does someone know a tool to log back into an instagram account?? I was dumb lost my login password. I love any tricks you can give me.
@Colson Landry thanks for your reply. I got to the site on google and Im waiting for the hacking stuff now. Seems to take quite some time so I will get back to you later with my results.
Holy crap!! KILLER tone at 5:55!! Always the most appropriate application of the effects too, as in the best way to showcase the effect with the perfect song selection. You might have to start divulging what you make up and what you select for these demos. You're by far the best, don't ever stop!
Boy, that was so good I had to put on the Bayerdyamics and listen again. I was rewarded. It's great how you do the medleys with no edits and make pedal adjustments on the fly.
I don't know where Andy picks up all these guitar parts....I know that in many rock songs, we are more aware of the singer melody than the guitar behind....Anyway, anywhere Andy finds these guitar parts, they are always a continuous source of inspiration. Andy posseses this unique capability of being a genuine musician and make you believe you can also be one...
I've got the little one, it's fantastic. Here's a "unique" way to use it. If you have an envelope filter and a synth pedal (I've got the Keely one), put the synth first and the envelope second, then a compressor, and finally the verb o trem. I've made a DnB square bass with it. You can probably stop reading if you're not into making DnB. You can choose your waveform with the Synth-1, I normally pick square, then you've got more filtering in the envelope filter, then the compressor evens out your dynamics with the filtered out frequencies, and finally you've got the term which I'm using to emulate an LFO triggering either a volume or a pitch modulation. I try to play the e and a string with one hand while using the other to juggle between the rate knob on the trem and the filter knobs on the synth and the envelope filter.
I have one of these (small one) on its way and I'm totally stoked. That is the way tremolo and reverb are supposed to sound to me...lush, creamy and dreamy. It'll be going through a Plexi; which I hope will be like adding some of the great parts of a Fender amp to a Marshall....like peanut butter and chocolate is what I'm hoping she'll taste like. I did my research on tremolos and this sound stuck with me over all, and sometimes even costlier, others...I think it even sounds better than Fender's own Tremolo/Reverb pedal which costs more.
Sounds great. Do the trem and verb work in the same order as in a blackface fender amp? I am looking for that sound where you can hit a chord and mute it but the tremolo carries on in the reverb. Not sure how that is achieved, but I have played amps with trem and verb that don't do that. Like on a Peavey blues classic you just hear the reverb if you mute the strings.
