Тёмный

Kopprasch Etude for Trombone No. 3 

James Markey Trombone
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This etude is great to practice for: 1) articulations all around the instrument; 2) intonation on scales; and 3) evenness of sound throughout the registers AND dynamics. And it's simple enough that it makes it quite challenging -- there's no place to hide!

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17 авг 2024

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Комментарии : 7   
@lvtuba
@lvtuba 3 года назад
Yes!!!! Thank you for more of these!! You’re my favorite bass trombonist (don’t tell Denson Pollard)
@muratkaraca2694
@muratkaraca2694 3 года назад
Crushed it!!
@nicolaferrocomposertrombone
@nicolaferrocomposertrombone 3 года назад
🔝🔝🔝🔝🔝🙌🙌🙌👍👍👍amazing
@user-fz7uo6eb7h
@user-fz7uo6eb7h Год назад
Вы гений!
@friedhelmschutz3861
@friedhelmschutz3861 3 года назад
Do you have to be a master for playing that this way, or is the way play that 10,000 times to become a master?
@jamesmarkey8395
@jamesmarkey8395 3 года назад
Very interesting question - it’s not really an either/or proposition. We can aim to play every note with clarity and evenness of sound regardless what level at which we play; this puts us on the path to mastery. But ultimately, mastery means playing at a level with clarity, evenness, and control. Those things are a means to the end of mastering the instrument.
@nathanculcasi6893
@nathanculcasi6893 3 года назад
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