@@user-zm1lh5vk2k 가장 어려운 악기는 뭐든지 같을걸요 많은분들이 포기하는 건 클래식기타는 좀 대중적인 면이 적고 화려함이 덜 부각되서 그럴 겁니다. 그리고 일렉기타가 줄이 연하다고 과연 쉬울까요? ㅋㅋㅋ 김도균씨는 기타들고 산속 들어가신 거 (도 닦는 느낌) 뭐든지 노력하는 자 앞에 장사 없습니다
Mahler on guitar ... Oh God ... Difficult to perform, due to the long duration of the sounds in "Adagetto", on the classical guitar, which lacks the necessary "sustain" ... But the challenge is also difficult to interpret so masterfully the long and many inconceivable pianissimo of the almost silent piece ... And it is surprising this interest of the Korean world for a typically Latin instrument, admirably mastered by Ms Kyuhee Park, young and yet with a life dedicated to the guitar. And the combination of a Far Eastern culture with a very refined and "difficult" western music is admirable even for us Europeans, a perfect sign of the universality of music and its beauty. Chapeau, Ms Park "Bravo"
@@quicosanchez3119 , Yes, I said "bravo" to a female interpreter. A wrong word, a mistake? No. "Bravo", in common parlance, indicates who knows how to do something well: "bravo", if a man; "brava", if a woman. But this interpreter is not "brava", I mean: she plays Mahler with a guitar and this is an extremely singular fact, because it requires an excellence both in the technique of the guitar and in the interpretation and an exquisite sensitivity: excellence that brings this young citizen of oriental culture to tell us with a difficult and rarefied mastery one of the greatest and most refined composers of European music. In music, then, "bravo" has a particular value: it does not indicate skill, but excellence. And there is only one excellence; it does not matter if they are men or women.
An absolutely 🌹 great, so well made video, from the young so lovely, gentle, great woman guitarist to the as lovely, haunting, heart melting, moving Mahler's music. Thank you so much!
!!! A most enchanting accidental discovery!!! I am in tears from the this exquisite guitar arrangement and performance of this most sublime movement from Gustav Mahler's 5th Symphony after all these years of listening to it. Thank you sooo much.
Oh my... what a gem. This is beyond clean and crisp, it’s transcendental. Am i listening to a studio or a live performance? The dynamic, also. Amazing, amazing performance.
Merci pour cette mise en valeur de la magnifique musique de Malher et pour cette exécution improbable jusqu’à aujourd’hui, sur décidément cet instrument merveilleux sans cesse renouvelé par d’admirables interprétations telles que celle-ci
"Other Title: ¡Una vision en la Torre del Diablo! "This prelude in E major was apparently composed in 1900 in Algiers and it was published by Tárrega in 1903. It is probable that the Torre del Diablo in question is that place on the Mediterranean coast to the east of Malaga. If this is the case, the idyllic aspect of the piece corresponds perfectly with the beauty of the area. The dedicatee, the English (Scotish) doctor Walter Leckie (1846-1925), was Tárrega's most important patron. In 1890, he became his pupil and friend. They often went on journeys together. Indeed one of these journeys did take them to Malaga in 1899." - Michel Beauchamp" . Receive our congrats- from part of Mr. Leckie's family- in Brasil.
I've listened to many recordings of Kyuhee Park and have come to expect another stellar performance every time I listen to her. The technical skills are there but most importantly her outstanding musicality. She has great phrasing, dynamic control and a cohesive interpretation of a piece from beginning to end. I do have one question. Her tremolo is excellent whether she plays it pami or pimi. What makes her decide what tremolo fingering to use?
Tremolo with 2 fingers ([p] i m i)... nice! In this way it avoids to accentuate the second note the group of four (I don't know how they say in English :-/ ) that would be obtained with the use of the traditional tremolo [p] *a* m i.
It also benefits the articulation because with with p a m i, however accurate the execution, it seems "1 + triplet"... I don't know if I explained :D My English is not good :/
