Imagine buying a ticket to the Philharmonic and getting to hear Pavarotti and Morris. Audiences in the '80s were only beginning to know how good they had it, and that soon it would be gone.
no arguing when people that sang with him and conductors and composers and all musical experts say he is the best male voice of all time, I go with that.
Pavarotti, Bonisolli, Kraus, and Gedda were by far the best of the 60-90's. Blake and Merritt should also be added as specialist in the Bel Canto Repertoire.
+MrDiabo76 hai perfettamente ragione. ...le caballette nei concerti sono veramente rarità per Pavia. scusa il ritardo per questa mia notazione e sempre viva le grandi voci che purtroppo non possiamo più ascoltare dal vivo. grazie ed a presto.
Спасибо Вам большое за эту чудесную запись! Я помню Мета более уверенным и берущей на себя весь контент. Но здесь он немножко расстерян... В этом смысле запись потрясающая и уникальная.
No movement of the shoulders, no excessive opening of the mouth, rock solid breath support. He found the classic Italian technique more or less on his own.
Del Monaco yes but he is always known exclusively as a student of Melocchi because it was he who taught Del Monaco the technique he used throughout his career.
I like watching his bow tie vibrate. and his breathing, some little lady in the chorus once used to watch him from the wings, just to watch how his diaphragm worked, she said it was like iron. Amazing technique taught to him by Joan Sutherland.
Aldilà delle chiacchiere di basso livello che si fanno su questo bravissimo cantante dico che in questo ruolo eccelle ed è davvero superlativo. Naturalmente lo preferisco in tanti altri ruoli a lui congeniali. Chi affrema il contrario non è sicuramente del mestiere e privo di senso critico poiché privo di validi argomenti.
