He-man here vs Luke ep8: you get to see he-man in after he gets [blank] by [blank] in episode [blank], and is as consistent as hes been in all the previous iterations. vs luke who gaveup on helping anyone tried to kill his nephew after 1 dream when hes a guy who always tried even after failing, and forgave a monster his father after a lifetime killing. Otherwise, the He-Man cartoon is pretty interesting exploring the massive, massive character gallery designed to sell toys.
I'm not mad. I did find it an awful though. Unwatchable. Had to stop by ep 2. I'm honestly curious, why did you like it though? Or what did you like about it? What sort of value, entertainment, or artistic merit did it have that made it worth watching? I don't see who would like this (demographically), or for what reason? Puzzled. Please explain.
Over the top backlash like that was basically one of the reasons I watched the Netflix She-ra reboot. I wanted to see if it was a bad as weird fans say it is online. In the end I thought it wasn’t bad. It has its flaws for sure, but it was pretty good for the most part. I guess you could say that I was overhyped with how bad it could’ve been. Basically I experienced something similar to what you went through with MOTU: Revelations weird backlash.
I mean, I think complaining about Teela being a woman is bad, but in all fairness we were advertised a He-Man show and were excited to watch a He-Man show. If it had been honest with its premise from the get go I'd have been fine with it but I find it pretty fucked up to just lie to an audience about what the show is. I'm not mad because Teela is the main character, I'm mad because I was told we were getting a He-Man show and then was told "sike fuck you" (not to mention the director calling people who weren't happy about the blatant false advertising "manbabies"). Honestly would have probably given the show a chance if the whole situation around it didn't leave a bad taste in my mouth.
@@insert_disc_3 stinks but i always think the marketing team to these things are separate crews - like they see production using money and THEYRE the saviors of the show/film by drawing as much attention to it by any means to recoup losses and even turn a profit (hence the thousands they spend on liscencning songs for trailers for x-years before they actively try to make it lost media). It still stinks to hear people getting mislead by ads/marketing, and I like to think the ppl going in hearing nothing but the title have the cleanest opinion after seeing things themselves, but we cant all be like that - marketers should just accept what things are and trust ppl to be smart when watching it.
