Learn Live 12: Meld 

It's not. The modulation section is more developed but could simply be added to wavetable and a full on wavetable synthesizer is more diverse. None of the oscillators are as good as a wave table. It's actually worse than that though this whole synth is designed around obfuscating. It's literally like a bunch of marketing terms to make it seem like it's really cool but there's nothing new about this synthesis and all of the oscillators are just variations on a theme of stuff that we can do elsewhere.

lol eagle eye up in herre😂

Legend

Hahaha wow

nice

Entire thing is AI, amazing right 😂

@@ItsWesSmithYo🤯🤯🤯

@@ItsWesSmithYo no proof no opinion

@@popodopulus3826 EZ

It’s a demo recorded by a person, of course. Not sure, but the voice is probably somebody with a German accent, using an AI voice-changer to make them sound like an American.

They implemented quite a few workflow enhancements. Normalize clips in the clipview, tagging, mixer in arrangement view, scales and tuning, update for push 2 to display the session view etc.

Now if only they’d make it stop giving you bizarre initial warp markers starting at the 2nd 128th note of a bar in 97.3 bpm, even when your audio clip clearly has the correct BPM in the file name and works just fine from 0:00. Also their file find and replace is still atrocious after 12 versions. 😓

I literally came here to express the same syhtn-taments. SO good

Facts.

You’ve never done sound design before have you

@The_Invisible_Man Am I a bot? I didn't know that

i know right? i wonder of that sound from a stock pack in ABLETON 12

Hi there, That is definitely an interesting idea. If you'd like to submit your idea officially, please check here: help.ableton.com/hc/en-us/articles/360011934759-How-to-submit-a-feature-request Thanks - Ableton

That would be very cool

All of the classic Ableton synths could do with UI improvements.

What would be really amazing if all Ableton synths worked really well with Push, with minimal menu diving.

And the next comment down is my case in point. It was effective. Why were you like wow? The dual oscillator setup is literally meant for the second oscillator to be able to more precisely detune against the first without having to use oscillator 2. Turning on the current scale doesn't do something magical it just quantizes that knob and it's no longer even a detune it's just a second oscillator that is offset by that number of scale degrees base 0. We've always been able to do that just make an instrument group stick pitch -> scale In front of the second chain and you get the same effect without sacrificing the actual function of the detune knob. Plus you can do that with any synthesizer. By the way the manuals written wrong and the basic shapes oscillator tone knob doesn't do pulse width modulation it's doing simple fm. An operator the oscillator effects are uniform across all the wave tables. This is decidedly more intuitive and actually versatile. they have done here is create the illusion of a bunch of cool **** by actually limiting which oscillator transformations you can do and giving a macro to it. You end up with a bunch of oscillators that have a particular modulation associated with them but not because that manipulation really makes any sense related to that oscillator it's just they chose to group it with that one to make it seem like there was a lot more.

Also, looks pretty intuitive to use, I think I probably could’ve worked out most of it by just diving in, although this video is super helpful too.

I agree, longtime Ableton user who bought minifreak plugin “ah do this is Abe’s minifreak equivalent!”

Sounds A.I.

It’s a creepy AI voice

@@mju135 I wanted to know if it's AI or not, you're the creep for thinking like that lol

Seems AI but I don't think it is. If it's AI then it's very soothing, not creepy.

it's AI lol

dork

i don’t think it’s an AI voice but i definitely think it’s a voice actor reading a script without any idea of what she’s talking about

I also don't think it's AI, although the speech is very AI-like there are people who just talk like this.

I think they are real…elphnt and the other dude are regulars and they sound a bit more rigid too…then again maybe all clones 😂

it's def AI i can hear some slight glitches and weird dynamics@@abominablesound2769

Nice

this

It's under Settings...

nice ocmment

I sure hope so 😂

this voice sounds like celeste aria on instagram shes so cool i think its just a german thing to sound all serious all the time

@@waynepayne864 Yup, it's her. Good catch bro, thanks!

It’s AI 🤖 mad cringy 😖

To me it seems to do 90% of what serum does. The interface is maybe a little more technical but I have a feeling the cpu usage will also be much lower.

Looks like a better analogue to me.

Not heard any pads yet. If it can do lush pads then this is on par with the likes of serum. It's also available on Standalone, most of the functionality is in there.

With its variety of “oscillators” I’d say it was most like the minifreak

​@@daniel_tennerlower?? I'd say higher, serum is incredibly well optimised whereas the Ableton devices past 8 seem to be...well, not very well optimised

In the matrix you can modulate by negative values which will give you the same result.

I'm asking for a toggle to switch between bipolar and unipolar LFO

There is a "unipolarizer" entry in Meld's LFO FX section which can turn the lfo unipolar in various ways

That's the name of one of the filters in Meld

@nononononegative it's a filter... that adds filth. Perfectly named.