This is a piece very dear to my heart. My wife chose it as her "theme" at our wedding. It goes beautifully on the theorbo, especially when played so tenderly and tastefully. Thank you!
The very first time I heard Angela Hewitt's interpretation on piano I wanted to stop my car and try to understand how something so simple could be so moving and so perfect. To hear it on an instrument with such a human voice is amazing.
James Hewitt. I heard Angela Hewitt's interpretation the other day and it affected me in a similar way. This version is also utterly beautiful. Sheet music purchased!!
@@vivianrose6805 The radio presenter commented that the title related to a woman's eyelashes. I like to think that Couperin was a little deeper than that and that what we hear in this piece is an impression of the games people play, or the polite social faces that we wear.
@@OnASeasideMission I am French, fascinated by the 18th French century. There was nothing superficial about the feelings in Royal court in that century. Your anachronistic judgement based on today or even 50 years ago, or even 100 years ago for that matter even 200 years ago would STILL NOT be representative of the century of Couperin. So exercise far more caution before transposing your perception to a time of different manners and culture. Most of Couperin's work in his second book, sixth order, are related to women, and to natural locations but that does not mean superficiality as it could in your mind of today. However les baricades mistérieuses is related to a large body of water in Versailles that used to be covered by small wooden floating receptacles tied by a rope that would move when the fountain was splashing. From a distance the movement of these baricades seemed to have a life in it. They no longer exist. The piece of music has this sense of small regular waves that slowly change the pattern of overall harmony until one is surprised by its beauty that one did not anticipate. This is the combination of water and free floating devices.
@@goognamgoognw6637 Well thank you so much. I am so grateful. I had no idea that a simple appreciation of a work I find to be close to musical perfection should reveal so much about my 'anachronistic chauvinism'. I must compliment you on being pretentious, patronising and condescending.
Thanks for playing it at this tempo and with this feeling! It kills me that most interpretations are played at top speed. I know originally it might have been a kind of speedy "divertimento" piece, but the counterpoint is so beautiful I think it shows at this slower more hearfelt interpretation. GRACIAS!
@@simonegoodman7977 If you meant the extra-long strings on top, they're bass strings. Those are what make this "theorbo" instrument different from a regular lute.
@@alexandermackay-smith2364 yet playing it too slow cannot make sense. The tempo indication gives 'vivement', which on a fixed instrument such as the harpsichord, must be attained by allowing the short-sustain sound of French instruments to be carried somewhat, indicating a tempo somewhat faster than this, and a focus on root notes.
Je ne me lasse pas d'écouter cette oeuvre de Couperin avec ses cordes basses qui sonnent si bien.Il n'y a que le theorbe pour avoir un tel son meilleur que celui du clavecin.Merci encore de jouer des oeuvres de Bach,Couperait,De Visée ,John Dowland qui est le meilleur pour moi dans un océan de musiques inintéressants.
You probably dont give a shit but if you are stoned like me atm you can watch all of the latest movies on instaflixxer. Have been watching with my gf these days :)
--The Tempo reminds me of an almost 70 year old performance by Wanda Landowska on harpsichord I heard in the 1950s. Lovely. Bravo ! Love the theorbo here.
@@FRAGIORGIO1 Ohhhh! You just reminded me of a radio broadcast series out of WHYY-FM in Wilmington, Delaware in the 50s. They used Wandas's damped harpsichord performance as a theme at the beginning of the cast. I was 12 or 13 when I first heard it and have never forgotten! Wow!
Sublime retaliation for Couperin's own pinching of de Visee's 'Les Silvains' for the harpsichord ;-) TBH this sounds as if it WAS written for theorbo ;-) Beautifully played.
@@pablojlascano8322 I think Mr. Couperin might not be the right one to ask. After all, he wrote this piece for clavecin originally, and this transposition is probably a recent one. And a maginificent one, I might say.
I could listen this ALL DAY LONG !!! Especially on this instrument and played by Senior Lopez... he LIVES this composition so much, it is in his very being... the sign of a true MASTER !!
--Your interpretation reminded me of one by Wanda Landowska on the harpsichord almost 70 years ago. Bravo ! Benissimo. Love the dark tones and gentle tempo.
Magnifique ! Vive le théorbe ! ❤️ Par "ricochet" me reviennent en mémoire des images de " l'Allée du Roi" Nina Companeez ayant très habilement introduit ce morceau assez mystérieux et mélancolique dans son adaptation télévisée du livre de Françoise Chandernagor... (Le moment où la veuve Scarron est nommée " Madame de Maintenon" par le roi après une humiliation de la Montespan ). Le morceau étant de 1717, c'est anachronique mais qu'importe ! Encore merci, le théorbe est un instrument troublant, poétique, mon préféré concernant l'époque baroque !
Quel bonheur ce doit être de pouvoir faire vivre cette si belle musique sur un instrument si proche physiquement de soi , c'est encore plus émouvant qu'au clavecin.
!Genial! Su instrumento suena extremadamente bien construido y su maestria es indiscutible. He oido pocas versiones de esta obra que era tan buena como esta, y nunca he oido una version para tiorba o otro laud que era tan buena.
The minute I heard this piece 40 years ago I was obsessed and memorized it on the piano. First time I've heard it on a tiorba. Thank you. What is it about this piece that I adore so much?!? Thank you just subscribed to your channel today. I'm an early musician professionally so this is my beloved wheel house. Love.
the best version with the best instrument I have listened. perfit. thank you. I repeat at least 10 times every day. I could not find this in apple music
Cette interprétation est une merveille, aérienne et précise, mêlant le plaisir sensuel que procure l'affirmation des basses et l'émotion spirituelle des arpèges. Le tempo retenu, plus lent que dans la tradition, permet de goûter pleinement la déclinaison du thème. Cette pièce à vocation légère, sorte de marivaudage musical sur un thème génial dans sa simplicité, revêt par la grâce de l'interprétation une profondeur limpide et émouvante. Une eau lustrale pour le coeur.