I just discovered this series a year later, having watched multiple theory videos, and the structure of this is the best. by far. I'd like to see some in depth on various VCOs and how they work, with specific focus on how the various OSCs interact. I've been messing around in depth with VCVRack recently, and there is a serious limitation in in-depth music theory videos with regard to sound design.
I dont mean to be off topic but does someone know a trick to get back into an instagram account?? I somehow forgot my password. I love any tips you can offer me
Very educational. I've learned a lot from your videos and listening to your music has kinda tuned my ear more towards how song are made and how to make them interesting. Thumbs up for more videos!
this is why i love KSHMR(Niles) i have to meet you personally one day man. Saw you in Malaysia, listen to your songs everyday, i love your sense of music. The rhythm , the melody...everything. Thank you for doing this and helping me learn what i know i was missing in my music. you the best
And here i thought i was limited to just one scale through an entire track but apparently that is not the case. I like that i can start with a root chord and throw around scales as long it sound harmonic and makes a safe return to root key/scale
Kshmr thanks alot by sharing your wonderfull knowledge and make it so good to understand. Ive been taking classes for a year now and my music teacher just doesnt know what i was asking for! Cheers.
Dear Spice/KSHMR, Thank you so much for these tutorials. They are like a sunglass on a sunny day, because I learn things I didn't know they were possible. Now the reason why I write this, I'm a real noob when it comes to music/producing. So it's sometimes hard to follow you. What theory book do you recommend, so I can learn all these tips/tricks? PS: I know this vid is old, but I really hope you respond. Thx
I think these little tricks just come to you by working hard making chords and melodies. (after you have the fundamental music theory knowledge like scales etc)
Why wasn’t this mind melding juxtaposition guru teaching all my grade school classes. Would’ve taken bout 20 mins flat. It’s like he’s sending delta wave riding info straight to the prefrontal cortex.
I’m mindblown how well he teaches this and makes it relatable. I took a lot of classical music theory years ago and modern songwriting, but was left with so many questions. These two videos answered so many of them. Anyone know the plugin he’s using for Piano?
Why few people explain that not all the mesure of a bar are the same rhythmically speaking and accept any chord of the scale, first mesure is the strongest and requires a Tonal chord second mesure is more Weak and works well with a subdominant, third again is strong and requires again a tonal chord the 4 bar is the weakest and works well with a dominan chord, strong tonal area chords are the I the VI and the III, subdominat area chords are the IV and the II and IV and dominat area chords are V the VII and the III, considering this you can do any progression you want placing the chord acordly the how strong is the mesure in a Bar, progression examples: I-IV-III-V or III-IV-I-V or I-II-IV-III or maybe VI-II-III-V any progression must to take in consideration the Rithmical funccion (strong or Weak) of each mesure in a bar otherwise it sound strange i.e. II-IV-V-I which not sound bad but is very flat, resuming tonal chords in Strong mesure 1 and 3 subdominant chords in a weaker mesure 2 and dominant in the wekest mesure number 4, but could work in mesure 2 cause it is also a weak mesure.
2:00 I think you make made a mistake on the seventh interval of the Arabic scale. en.wikipedia.org/wiki/Double_harmonic_scale Here, you can see the seventh is suppose to be a major seventh, but it isn't.
Great point both can work, sometimes the major 7 there can be weird though because you have three chromatic notes in a row (in A it would be G#, A, Bb) which sounds a bit funky when trying to write a melody. To my ear a G natural sounds better if you’ve heard the Bb recently in the melody
@@musicnova6114 Your statement is partially true my friend, but the Gentleman above stated he wants to become "like" him, not him. I think the difference is of inspiration and imitation.
That secrets end chord is not the one, he says it goes back to the one but it goes to the 4th It´s doing an A minor when he has to do the E minor, cause E minor is the one
Well am sure it's not *A harmonic* or *natural minor scale* because he used extra note G (as he was defining he made it harmonic minor i.e. you take the natural minor 7th note one semitone up to get harmonic minor) so with the extra G note makes it a different scale which is known as *C Major Bebop* scale. By the way nice video. *At least got to know the secret that he used in his song secrets.
I don't understand, Secrets is E Minor Scale, right? So why are they using F and G# instead of F# and G that are in E Minor Scale? It doesn't make sense. I don't know why. May anyone explain to me? Sorry for my english
First of all thanks KSHMR for making this tutos... but now when ur talking about making "a new rule" in a melody using different variation of chords it sound for me like its totally off that melody and it kinda sucks... am i wrong with that or is it a possibility?
Ya lo saben amiguitos.... Para hacer tracks "KSHMR" usen la escala menor armónica (:v) la sonoridad clásica de él proviene de su dominante..1-4-5(+1"M") y vuelve a la tónica 1... . Después Kshmr habla sobre melodía.... El dice de seguir el orden de la secuencia melódica en orden a las distancias intervqlicas de su sección armónica (esto es un método de composición básica ya que si la melodía cumple las distancias de los acordes tiende a ser más estable y armónico con los acordes por. Obvias razones ).... :)
Here's my result from Lessons of KSHMR. Hopefully you will like it. Listen to Subeg - Melody (KSHMR Inspired 2018) by Subeg #np on #SoundCloud soundcloud.com/subegmusic/subeg-melody-kshmr-inspired-2018
I'm confused - at 3:54 - how can you create a new note into the scale? Isn't it already using A Minor, which consists of 7 notes but now after the Major Chord that introduced G Flat, there are 8 notes in this scale?
@@makafui9546 I did what you’re doing now. I watched a ton of music theory videos. My favorite was was Andrew huangs. ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-rgaTLrZGlk0.html
