So, really interesting I'll point some things that i noticed in all the video - i really don't understand why did you don't put the key signature - I don't understand why did you put the high part foi 1,2 horn, and the bass part for 3,4 normally when we write for horns and other brass instruments we normally assume that 2 and 4 and sometimes 6 and 8 are all bass horns. - piccolo in the start was very interesting but normally in re-orchestrantion we don't use instruments in the beginning that apper after, the same thing when you use the bass trombone that apper later in the movement - i think that the choice of the english horn was really good also the choice of the bass clarinet - why in first time the clarinet seems and a and after in b, in the original piece is literally the opposite - just a thing that normally the people don't care today, i think in every natural horn part that we perfom today in french horns, you have to mark the stopped notes that the composer used in the original part, as well the trumpet that is also not marked. well its just my opinion, but anyway this is really great, i think you will have a great future 👍🏼
Savall's, Currentzis', Gardiner's and Norrington's are my favourites. I am sick of those ultra sweetened versions by the old school. Karajan and Barenboim are so overrated
