Magic Lantern DaVinci Resolve Workflow - Color Space 

After eleven years of photography with my Canon EOS M, I decided to install the ML Crop Mood App on my camera. After a few days of experimenting with this app, I'm slowly discovering the great possibilities of this configuration. Your video is very helpful in my next step in the editing process and understanding color grading between MLV app and DaVinci Resolve. I liked your first steps in filmmaking and your editing technique as a teenager. I remembered my first steps... I subscribed to your channel

I've been struggling with magic lantern files, you helped me a lot. Thank you!

Well done very great tutorial that completely makes difference in the colors technically

Thank You So much. I'm Glad to Find this information Now Very Early in my Career. I just Calibrated my ViewSonic and got a Eos-M camera. Woo Hoo.

Awesome! Thank you!

Great tutorial. Exactly what I was looking for.

Do i have to change the aspect rationof my footage in Resolve? When I threw it in, it shows up as 4:3

One of the best explained videos I've found so far, at a pace that gives you a chance to absorb more information without making your brain go into overload mode.👍. What picture profile on your camera do you use for best results.

thinking about switching back to Magic Lantern. help. i use to have ML on 70d and Mark III in the past. loved the auto focus of course on the 70d. i have a fuji xt3 right now and im trying to think if i want to go back to ML. maybe get a couple 700d. xt3 has great 4k. 120 slow mo in 1080. dont know if i want to go through workflow. i think the files would be smaller on ML system.

perfect!

I did a quick side-by-side with no settings changed, the settings I use and the settings you reccommend and it seems that when exporting to CDNG (raw), nothing except the debayer algorithm makes a difference in how the image looks when imported into resolve (tested with 5d III footage on W10, app version 1.14, Resolve 18.5)

Hi, You forgot to mention that in colormanagement the timeline color space should be Davinci Wide Gamut. As Raw input instead of black magic film I use Rec 709 srgb because that's where it was shot on. The black magic film makes the color to yellow or brownish. greetings

Muito obrigado, resumiu tudo muito bem, principalmente a parte de espaço de cor, sempre ficava perdido nessa parte, você é fera parabéns!

My raw file video can’t open mlv all how to edit my video

difícil ver alguém falando sobre este a sunto parabéns

Boas Nuno. Antes de mais, parabéns pelo teu trabalho. Já tive uma Canon M com ML que vendi. Arrependi-Me e agora tenho uma 700d. Podias partilhar os teus settings de ML comigo? Abraço

HELLO, THANK YOU FOR YOUR VIDEO, A FEW TECHNICAL QUESTIONS: ON 128 SD CARDS, HOW MANY MINUTES DOES IT ALLOW YOU TO RECORD IN RAW MLV? AND CAN YOU SEE THE DIFFERENCES BETWEEN A NORMAL FULLHD VIDEO WITH MAGIC LANTERN PLUS CINESTYLE SCALED TO 4K AND ANOTHER RECORDED WITH CROP MOOD IN RAW 5.2K 14 BITS? (IN THEORY THERE SHOULD BE USEFUL DIFFERENCES FOR COLOR CORRECTION, THE QUESTION IS IF THEY CAN BE PERSICIOUS IN THE VISUALIZATION? OR IF THE DIFFERENCES CAN BE NOTICED IN COLOR GRADING IN DAVINCI RESOLVE? AS OF NOW, THANK YOU FOR THE ANSWER IS THE MAGIC LANTERN UPDATE DONE IN THE SAME WAY AS THE INSTALLATION?

Pero Uncompressed da mejor calidad que Lossless, ¿Verdad? Y qué recomiendas más: A) Sony a7S II, 8 Bit XAVC-S B) Canon 700D, 14 Bit RAW ?

Homie hate to say it but buy a new camera. I was doing this like 10+ years ago. Watching you go through this felt like trauma ha