That's a wrap! Hope you enjoyed the series as much as I did making it, and let me know if you have any requests for the next BTS shoots. Lots more to come. And it's your last chance to sign up for AoD until September, so if you're thinking about it use the code Luc to save some $$$ - bit.ly/3JhhTqX
This dude only has one life mb and does more with his life than most people that I know. Fantastic series Luc! I’m a TV journalist, but I try to make each one of my stories as a mini-doc. I’ve learned a lot from this series.
Jose! Thank you for your service...you are amazing. Your tattoo artist did a great job and it feels like each one is a storybook. Peace and blessings! Great video Luc, as usual.
God damn, your YT vids have come so far. Such great info for newbs like me. These last bunch of videos have really been helping me revise my doc I’m planning. Many many thanks.
Thanks for the videos, I appreciate this BTS series and all the additional tips/advice, felt very thorough in helping those interested in learning more.
Amazing series, Luc, and a great contribution to the community. The BTS had a legit documentary feel to it. Kudos to Richard for the great work behind the scenes. I'll let you guys bask in the completion of the series, but when you're ready for the next one, I'll be lined up to watch it. 🙌
Luc - I've really been enjoying your content on documentary filmmaking, especially this three-part series. Thank you and AOD for making this a reality, and allowing us to learn along the way. You briefly mentioned that the final film would be release soon on AOD's channel, and wondered if you could give us an update on that or, if for some reason I didn't look well, where I might find it. Thank you!
This has been a great series. Been a member of AOD since day one and was looking forward to the doors opening again, as I need to refine my post production chops. That said, happy to support both the AOD founders and you Luc. I’m glad there’s been a slight partnership and am able to support you all while not just enjoying your content BUT becoming a better filmmaker in the process. Thanks again, Luc! 🤙🏼
I never ever shot a documentry , but this videos really is pushing me to start ! Thank you for taking the time to share this very nice content Luc, it's a pleasure to watch and learn !
Hey I'm an audio person. Your advice is generally good! Get the microphone as close to the frame as possible. Though I would say to try to aim for the speech bubble coming out of your subject's mouth. With the 45 degree rule, you might end up aiming at someone's forehead and not getting that 'full' sound you would like to get. Also, because you are in a controlled room, with the window shut, I would suggest removing the wind protection too. Otherwise, good job :)
I was a bit too quick to react. It's good you removed the wind protection. But what I was afraid of about the 45 angle came true, the microphone seems to be pointed at his head instead of the projection of his voice. I hope it sounds ok!
Absolutely awesome series Luc! Really enjoyed it. It is rare to see what goes on behind the scenes like this and I really appreciate you taking the time to walk us through it. I am about to start on a documentary of my own and will be using a lot of the tips you gave. Thanks again!
Mate! great stuff! appreciated you showing BTS in the real world. Good to see the creative and practical process. Looking forward to the next stage. Cam (down under Aust).
thank you for doing this series, all were interesting, but this last one especially was very helpful, working on my own project now and having a difficult time figuring out how to tell the story visually and hearing you explain your process especially the scene ideas def gave me some ideas on how to approach. Appreciate it.
Great stuff Luc. Well explained and very informative. Can't wait to see the finished product. I am having some students from a local college help me with filming my doc. Hopefully it will all come to fruition. Thanks again. Cheers, Gary
The ever so slight angle up was a good choice and subtle enough. I used to shoot against a one armed archer in 3D tournaments on Long Island, NY. I thought that was pretty bad ass. Jose is whole new level here. Cool guy.
Man, young Richard did great work here making everybody look good. The makings of a true filmmaker... ☑Black ballcap ☑Black tshirt ☑Denim above the waistline
Hey Luc, This series has been some of your best material on RU-vid channel in my opinion. Being able to see a pro working really gives some great insight into how theory translates into practice. The only thing better would be to actually shoot the BTS myself. So if you're ever in northern Alberta and need a BTS shooter, DM me!
Forget the majors like getting out the back / floating if dumped / trust in you helper when in the water / surfing etc! Even the wetty's got to be tough to get on / off!!
Great work, love seeing your process, the BTS style is a great glimpse. As far as gear goes I feel like as volume of gear increases exponentially the extra pay off in terms of results is halved. So like I can get a shot with an iphone, but if I roughly double the weight and mass of that to a small camera I'll get a video that's 50% better than the i phone, double that again to a DSLR setup and I'll get something 75% better than an i phone, cinema camera doubles the dslr and you get 82% better etc. I think two of the big challenges of being a filmmaker are 1. Telling a story even if you've only got the i phone, and 2. Being strategic in how and when you push for the extra quality at every possible point of the process because you understand that even being 1% better makes all the difference.
Very probably true. If I had to prioritise, I'd most likely put great sound first. I just shot a doc where we had to include super 8 footage from 50 years ago, and stuff from cheap mobile phones from 10 years ago. Having great sound carried everything off.
😅 That was a marathon video! So much great information though. I’ll have to watch it again and take notes! I really appreciated the focus and attention to detail in the staging of every scene - something I could stand to work on. Also that interview soundbite driving home at night 😧 Such a powerful monologue! That’ll probably slide in right near the end.
I've always found making an IV an empowering experience for any non professional speaking talent works best. Plus it's great to return the favour of making them feel valued and empowered given they are placing their trust in you to capture and represent their normally very personal story or experience. It's a privilege to capture their story, their opinion, their experience. Be extremely well prepared going into the shoot like any professional, and to show respect for their time. My goal has always been to aim to capture what I think I need; always be open to letting things run it's natural course at a natural pace that the talent seems comfortable with; but at the forefront, doing my absolute best to leave them feeling good and empowered before / during and upon completion of the shoot to a state where they'd be 100% open to taking another interview, if ever another is to be on offer at any other time in their future.
Great video. Thanks for putting it out there and can't wait to see the finished film. I have a couple of questions though. During the filming you showed C stands, arms, Aputure lights, light modifiers, grip equipment, etc but you didn't show any of this in your part 1 packing video. Is this stuff you rented locally? how did that effect the budget? how often do you go to places where you can't rent? Do you ever travel with that kind of equipment? How difficult is it to travel with the large things like light stands? Also when you did the sit down interview and the in car interview you were using a shotgun mic, did you also use lav mics as backup or is that overkill?
What other courses did you compare AOD to? I bought all the courses in March and I'm very happy with the content I've seen so far. The Zoom calls and the FB group are also valuable, so I think it's a great investment.
I enjoyed watching the series very much and learned a lot. I have a question regarding the locations. Do you need to arrange permission before shooting on public locations like the beach and gym? Keep up the good work and looking forward to your next series.
Great video series, thanks for this! Why do I never see you or Mark use a easyrig (or other brand) when you film all day? 😊Would assume the freedom of just letting your camera go once in a while, and giving you more freedom to think, is better than the "tuck and squeeze" or should rig setups for your full day use? I'm currently in the "tuck and squeeze" strategy myself, but considering the easyrig for 12 hour weddings.
has anyone see the final film yet? I can't seem to find it! @LucForsyth thanks so much for making this. I'm an AOD module one member and it is great, but videos like your mini series here have also been super helpful.
