Marc Daniel Nelson's EPIC Home Studio Tour 

A complete vocal booth!

I would love more instruments. synths, a quality piano and a drum set (I'd love a drum set)

The classic analog gear tried and tested.. Pultec, neve etc.

And that 8 track would be nice ha ha.

Those compressors and monitors :p

We're a big fan of you!

Heyyy glad to see you here ... Hello 👋

@@Producelikeapro totally. We need Riff Wars II !!!!

Absolutely agreed!

Haha I love both your channels lol.

Absolutely! Agreed 100%!

Hahaha true

Thanks ever so much Jem

Thanks, Alexey! Marc is wonderful and today is the last day for the intro price on the course

Exactly 💯

Just a ton of gear and an amazing ear for room correction

Agreed! Thanks ever so much Beyond!

Hi Ady!

You Rock Ady!

Hi@@williamtell1477

@@williamtell1477 Hey William whats up? ;)

@@Producelikeapro I learned from you how to Rock haha

That’s wonderful to hear!!

Thanks ever so much my friend

Yeah haha…. That’s where the magic starts… it’s the idea generator 😜

Apparently, it's the fake plant. 38:05 lol.

I seen one 17:22 and 19:38

You need a lava lamp if you have valve gear.

Haha thanks ever so much

Thank you. That means a lot.

Thanks, Lawane.. Have fun!

@@marcdanielnelson317 No thank you gentlemen for being a inspiration to others.

à propos ✌️

I would be very interested in hearing more on this as well! 👍👍

Thanks Conor!

Thanks ever so much

We are friends, buddy.

Thanks for the kind comment! If you’re here being positive and supportive of everyone on their journey then yes, we are friends! Thanks for your support!

Thanks Marc! Really made my day! Huge fan! Keep making videos!

Thanks Warren! Thanks for being such a huge inspiration! Keep building produce like a pro!

Hi Kelly!

@@marcdanielnelson317 Hi Marc. As always, I value the fantastic content you produce for this channel and I look forward to every new video. Say Hi to Atticus for me.

It's much harder to mix in small rooms and almost not real to treat properly. Facts. 30+ square meters is OK, at least 20+. As for creating, it's all about your creativity, not the room.

Omg you’re right! Lmao

Lots more to come! Marc Rocks!

im an outboard gear head myself...

I beg to disagree.

There are plenty of pros using plug-ins exclusively that get some phenomenal mixes. Andrew Scheps would explain it as neither is better, their just different. Just the same as no two 1176's sound the same. Michael Brauer has been putting out mixes with almost exclusive use of plug-ins, and has verified with his mastering engineers that they are every bit as excellent as his hardware mixes.

@@keithferris9574 I wouldnt say that they dont come close at all. There are just some things that dont compare. At all. 95 percent of plugins are very very close tbh.

@@keithferris9574 Cheese is just milk. Until you're making a sandwich.

I know right there will be a huge adjustment coming for many sound people…

The one thing I am glad he mentioned was his workout space… i have found it so needed to be able to get up off the chair and move around … take breaks , micro breaks get the blood flowing. I found this out after spending too many hours in front of a screen with my online Berklee Pro tools courses on top of working on mu own sessions… don’t set for longer than 30 min before a body a body movement break. Super important for your health.

Coming soon..

Trinnov is in its own league.

@@spikewilliamz8803 Perhaps, I'm not 100% sure but I've never had the opportunity to A/B their stuff - or experience it myself at all actually. MEGA nerd alert... crazy nerd stuff follows: I did some research on their algorithms last year and they do have some very slick stuff and some patents on a good bit of it, but they also use a fairly old school method of room measurement (pseudo-random sequences) and I believe that the modern scientific literature (at least my read of it) shows that freq sweeps (used by REQ Wizard and SoundID etc) are at least as good. The correction itself is a relatively straightforward DSP operation once its calculated from the measured room response, done by applying an optimized set of parametric phase and amplitude "equalizers" using a fixed number of parameters so it can be computed in near real time. Typically the low-mids are corrected using whats called an FIR filter that gets slower the lower the frequency (because it needs to cover an entire cycle of the waveform in real time). Due the lag required to process lower frequencies, they are typically done with separate filters (IIR filters) that are faster to compute. This combo filter DSP setup is basically the "Mixed" filter mode in SoundID. The thing that is really special about their system, I *think** is that microphone. Using that they get time information as the sound passes over the three sensors that enables them to reconstruct a 3-d wave _field_ (e.g. what it looks like in the entire room roughly speaking) as opposed to just a single mic than only captures a wave form at a single point. I believe that Sound ID attempts to do the same thing using the many measurements. This is highly likely to be less accurate, using averaging or something. What is not clear to me so far is whether or not that inaccuracy results in audibly worse correction or not. All that said, I believe their device itself is pretty much a PC with cards for I/O, maybe DSP. It is very likely in my estimation that its possible to build that device for $100, think about how cheap a killer reverb pedal is today. So anyway as far as I can tell, they have some sauce for sure. I am super super interested to hear if a pro feels its worth the $$ and when its on and when its not. If Trinnov made a unit for $500 and I could rent the microphone I would buy one TOMORROW even just to try it out.

Thanks ever so much

You're welcome!