Pointing out.. Giulianini is a genius for taking ideas from Rossini and making a huge everest of a composition for this instrument.. i'm learning to play this autodidactly.. wish me luck guys 😂 see my video, laugh now.. we'll see someday, maybe a year or two.. who knows 🤣
Marcin is the golden standard for this rossiniana....and for most of what it plays. His facilty with the instrument allow him to reach such a degree of expressivity and perfection at the same time, that, to me, no other version i've heard can match this. Sorry there is another version: ...the one he plays in the studio you can see in another video;-)
This interpretation of the Rossiniana n.1 makes me crazy. So quintessentially beethovenian and even chopenesque in some passages of the first part, so marvelously joyfull and dazzling in the Finale. Marcin is a great artist. We need his music.
An extremely tricky work brilliantly performed by a man who somehow in a former life seemed to have known Giuliani in person! - As to the technique ... I don't know if anyone noticed his right hand position throughout the performance ... incredible! I wonder if this is a kind of natural gift or the result of highly consequent training all over the decades ...
And Bach is still the greatest !!!?? This is as complex and challenging as any Bach piece..Yet the world knows Bach before they know Giuliani....I mean the general public...They heard of Johann but not Mario when asked !! This piece and execution sure is proof of that ! I love Giuliani...Out of a few I play there's one prelude in C, way less expansive than this ! But boy is it SO Giuliani like this !! Around 11:40-12:30 it's almost, if not, the Tedesco Tarantella !! And talk about cadenzas (who talks about cadenzas !?); that's the last 2-ish minutes of this magnificent work !! Go get 'em Marcin baby !! BRAVO ! BRAVISSIMO ! M, Los Angeles
Standing ovations from me,dear Marcin Dylla! Das hier ist Gitarrenmusik vom allerfeinsten,mitreißend vom ersten bis zum letzten Takt. Sein Spiel ist so einfühlsam und energiegeladen,weiche und zarte Töne sind genauso perfekt gespielt wie rasant virtuose Passagen,mit scheinbarer Leichtigkeit und Hingabe. Ich bin völlig begeistert von diesem wunderschönen Stück und dieser Interpretation.
Una obra como esta, con tantas variaciones, necesita ser tocada con fluidez y precisión para que sea el deleite del oyente. Marcin Dylla tiene todas esas cualidades en su interpretación. Excelente. Congratulaciones.
A man who CAN play this piece on a standard size guitar surely IS a master! This interpretation easily makes forget the Bream-version and even comes close to Angel Romero's ultimate recording on the album "The Divine Giuliani". - Thanks for posting!
Even though Marcin chose a faster tempo in parts than necessary, it was a flawless performance! I wonder if he heard Julian Breams performance which I think is better in tempo and coloration. Bream altered his piece from the original by cutting out parts and inserting others from another work which I do not know the name.
Please understand I am not knocking the recording quality, but this would have sounded even better live I am thinking...would have loved to be there! ...I might go see him now....this is superb! gives a new meaning to "Nailed It!"
Giuliani offers great sounding and maybe the unsurpassed master of variations - with quite forgiving left hand worlkoad - quite few barre, compare to Barrios, a master of "torture" for left hand.
I think that every time I watch this video. What we just saw was an impossible feat of wizardry, and they pay a lip-service applause like it's their 8 year old nephew's piano recital.
I agree but we have to admit that not everybody has the tools to easily/fully understand and appreciate something like this..I mean, this is not Ziggy Startdust.. =)
I feel bad for all the other guitarists on youtube performing this piece. This is one of the cases were there's a version of that thing that is so clearly superior in all aspects to the others that you're left wondering: what were they supposed to do in the first place? This? Really? ..but the thing they were doing doesn't sound at all like this lol
Otello "Assisa a piè d'un salice" L'italiana In Algeri 'Languir per una bella' , 'Al capricci della sorte' and 'Pensa alla patria' Armida "Cara, per te quest'anima"
valsopuseight It is true Marcin owns a Philip Woodfield, but I am absolutely sure this is a Boguslaw Teryks. Look at the headstock and the ornament of the fretboard close to the 20th fret.
Duma mnie rozpiera na obczyźnie. Brawo! Muj kuzyn, też zresztą Marcin (Majerczyk) pięknie gra, ale zdradził gitarę klasyczną na rzecz muzyki popularnej, a szkoda.
